spelt with two fs: "ff"--> milkffish 
Noise walls and fuzz

'Kiss Me Ketut'- Cassette [Club Moss 005]
https://clubmoss.bandcamp.com/album/kiss-me-ketut-club-moss-005

'Gimmick City Popularity'-New Age Noise V/A Comp
https://icemusic.bandcamp.com/album/new-age-noise-constellation-2

Parklands ( XXXL Remixes) 
https://milkffish.bandcamp.com/album/parklands-xxxl-remixes

www.annaisparis.com/
www.facebook.com/AnnaisParis
https://www.instagram.com/annaisparis/

living on unceded Wangal Country ⌇ making sounds

msgrydeen(at)pm(dot)me ☆〜〜（ゝ。∂ )

tracks via @jukebouncewerk @trackwork and rydeen bandcamp. saturday sunset on @fbiradiosydney fka @spinthebottlefbi

CRVXADE (pronounced “crusade”) is an Australian music producer and artist whose work fuses bass-heavy electronic music with industrial grit, glitch textures, and cinematic atmospheres. With a catalog spanning from the album Velocity (2017) to the recent singles Everything’s Fine and Monster Like Me (2024–2025), CRVXADE crafts music that feels both visceral and otherworldly.

A veteran producer with almost 20 years of experience across genres from drum & bass, to cinematic scores. CRVXADE has distilled his influences into a unique sound marked by complexity, emotional weight, and razor-sharp production. Each track serves as a narrative, pulling listeners into immersive sonic landscapes that bridge underground dance culture and avant-garde experimentation.

With upcoming projects expanding on glitch aesthetics, industrial bass, and nostalgic themes, CRVXADE is building momentum as an independent voice in electronic music, carving a path that refuses easy categorization.

Ethnomusicology In Action uses educational programs, professional development for teachers, music, media and learning products to advance heritage education about the people of Africa, African America and the Diaspora.

Maya Cunningham initiated Ethnomusicology In Action because she is an ethnomusicologist, cultural activist, educator and Black music practitioner. She is completing a PhD in African American studies with a concentration in ethnomusicology at the University of Massachusetts, Amherst. She also received an MA in ethnomusicology from the University of Maryland, College Park, an MA in jazz performance from the Aaron Copland School of Music at Queens College and a Bachelor of Music in jazz studies from Howard University. Her research focus is on culturally responsive music education for African American students, African American cultural identity and intersections between African/African American identities and traditional African and African American musics. She is an expert in African American expressive culture, African American history and jazz history.

Ivo Francx, Sound realities. 

Vocabulary of bloodnouns.

Skutečnost je paradoxní.

@world-of-knots

gigidelacy@gmail.com

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