Producer & DJ-Duo from Munich, Germany

www.soundcloud.com/samesamemusic



Dancing and Crying Vol. 2: https://vyd.co/DancingAndCryingVol2

I make noise.
DRUMCODE/WATB/TRONIC/FORM/KUUKOU
WW: ask@bcbfamily.com
IT: luca@modularagency.it
ES/PT/LATAM: fernando@miraclemgmt.com
ASIA: dittaphat@mainframeartists.com
PR: luke@theechoagency.com

Romanian-born, Toronto-bred Simina Grigoriu has been steadily racking up accolades during her decade-long career. Starting off as a DJ, she quickly made the transition as a producer and kicked off her own label Kuukou, a home for techno forward productions, where she calls all the shots. In this time she’s also transplanted to Berlin, a place she now calls home and the major source of her creative inspiration, a source as diverse as her influences. 

Simina’s musical roots stem deep in her childhood when she studied classical violin and keyboard. Coupled with her parents’ musical legacy and her passion for Hip Hop freestyling as a teen, it encapsulates the foundation of her style, an avenue she continues to explore to this day. 

Garnering on the exposure of Toronto’s clubs, where growing up, the likes of Jeff Mills, Josh Wink and Juan Atkins struck a chord, Simina’s style grew and developed constantly into the straightforward and uplifting techno she fronts today. 

Her first productions came to light on the Berlin label Sonat Records in 2010 with the huge “Mukluks & Ponytails” EP, followed by releases with Phrase Insane Records in Spain, Italy’s Intellectro Vibe, Urban Sound and Frequenza Records. A debut album was sure to follow, as Exit City became one of Susumu Records’ highest chart toppers. 

After a yearlong break, where she focused her efforts on motherhood while keeping an active studio schedule, Simina christened Kuukou Records in July 2016 with her inaugural EP on the label “Techno Monkey”. Shortly after, she doled out “Matching Numbers” on POPOF’s FORM, an immediate hit EP complete with a smashing remix by Julian Jeweil. Since then, Simina has become a mainstay on some of the most notable labels in the techno world, with critically acclaimed, internationally-lauded releases on the likes of ELEVATE, Tronic Music, Set About, Prospect Records and Complexed Records to name just a few. 

An active globetrotter, Simina’s constantly touring, having wowed crowds at festivals and venues all over the world so it’s no surprise the Techno chief named her label ‘Kuukou’ (Japanese for airport). Since its inception the burgeoning imprint has gone from strength to strength, with a steady stream of hard-hitting releases from the likes of Torsten Kanzler, Gallya, Fabio Florido, Dusty Kid, BB Deng, Drumcomplex, Alfred Heinrichs, Martin Books and Daniel Boon amongst others.

Safe to say the coming months and years will provide a plethora of amazing releases, performances and surprises from one of Techno’s most dynamic ladies. 

☊ ✈ ☊ ✈ ☊ ✈ ☊ ✈ ☊ ✈ ☊ ✈ ☊ ✈ ☊

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

For all of Matthias Tanzmann’s achievements, the future is showing even further excitement and evolutionary growth. He is known as a global leader of the Tech House scene and is synonymous with Moon Harbour, his influential and soon-to-be 25-year-old record label that has already put out over 100 vinyl releases and more than 200 digital tracks. Like Matthias who first broke through as a DJ at the end of the 1990s, it constantly evolves, adapts and leads the scene from the front. 

Both he and Moon Harbour have stayed true to the signature sound that first stood him apart. They never fail to bring new ideas to the dance floor and constantly evolve with the culture. Along the way, there have been countless seminal moments. From his early residency at Leipzig’s cult Distillery Club to his first releases on Steve Bug’s Dessous label and Freude Am Tanzen in 1998 and 1999 via the infamous Moon Harbour showcases at major events including Miami Music Week, Amsterdam Dance Event, Barcelona’s 'Off Sonar' and the leading clubs of Ibiza over the last 20 years. Furthermore he is an integral collaborative member of the super group, Better Lost Than Stupid, alongside Davide Squillace and Martin Buttrich. This ground-breaking trio performs all over the world from London, Ibiza, Miami to Dubai. Together they released the acclaimed full length album Wild Slide and accompanying remix album. 

Whenever he plays, Matthias locks his global audience into his winding and hypnotic grooves for hours on end, always ramping up the pressure and keeping dancers on their toes. He has consistently performed as a resident for almost 15 years at Ibiza's wildest and the most cutting-edge Circoloco party at DC10. He also plays in demand back-to-back sets with partner in crime Davide Squillace and is regarded as one of the favourite players at the infamous ANTS events at Ushuaia Ibiza. In between those regular gigs and picking up several DJ Award nominations, he is on a constant tour of the world's most celebrated clubs and events from Elrow to Solid Grooves to Music On. 

Founded in 2000 and followed by sub-label Cargo Edition in 2006, Moon Harbour Recordings has been a vehicle for much of his music over the years, though it has also been responsible for bringing through plenty of next-generation talents. Matthias Tanzmann has served up three solo albums on his own label - Restless in 2008, Momentum in 2016 and the far-reaching Round And Round album in 2019. Each one shows how he brings colour and narrative to his music through the careful layering of percussion and the teasing out of deft sound designs to make for moments of real dance floor drama. Whether working solo or in collaboration with the likes of Steve Bug, Black Circle or Daniel Stefanik, the key for Matthias is to never stop evolving, asking questions and exploring new ground. Furthermore as a keen contributor to the industry and passing on to the new generation, Matthias shared his vast knowledge with a unique production masterclass in collaboration with Mixmasters in Ibiza in 2023.

As a remixer, Matthias also brings an in-demand signature sound for the likes of Jamie Jones, Dennis Cruz, Moby or Booka Shada. His Remixes 2002-2012 compilation showcased his adeptness and adaptability, and he has further cemented his legacy as a definitive DJ with seminal mix CDs for revered series like Cavo Paradiso Mykonos in 2010, Circoloco in 2008 and 2011, fabric London in 2012, and several times for Moon Harbour.

What started as an obsessive hobby back in Leipzig became a globe-trotting profession. Importantly, though, Matthias Tanzmann has always retained the sense of fun and inquisition that motivated him back then. That shows in the tracks he continues to skillfully craft, whether deep and moody for cozy backrooms, or more raw and jacked up for the main room. From his sets to his productions via the music he A&Rs for Moon Harbour, Matthias Tanzmann blends a deep understanding of dance music dynamics with a burning desire to keep things moving forward.

Bjoern Nafe and Robin Junker are "DIE ZWEII"

---- BOOKING CONTACT ----

Bookings // Love Letters: markus@return-booking.com 
Bookings for North and South America: rs@thebullittagency.com
Superfriends Records (Label Management): peter@superfriends.de


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