catlover and musiclover
love xiu music<33333

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https://youtu.be/-bH_rAkxcBQ?si=XKCzP2WjkVpm_2u2

"We're looking at other galaxies through our own black holes lens, from a point of view of inside curvature.  As the Galaxy moves, it must create a riptide effect in space.  We may or may not be miscalculating what we see beyond the galaxy." 
 - Some friends and I may have been the first to become conscious of this and say it out loud, somehow amazingly and hilariously  - E.Mystifiti.

evidenceofdivinity.com

petardjokic.us 

How does a dumb blonde recycle tin cans?  By restocking the tuna. 

How does a dumb blonde make jelly? By reminding you how blonde they are.  

What's the difference between a dumb blonde and a smart one? The smart one knows not to ask.  

Why do blondes wear makeup? To cover up their endless humility.

What did the blonde say to the college graduate? Nothing. 

"Just because it's far away, doesn't mean it's not mine." - The Motto I use to "imagine" owning a black hole! 

Darkwave Solo Synthpop Synthesizer & 5 String Acoustic Electric Badass Violin.
Music by Eric, and the cool cover art drawings by Aaron.
Musical student of Albert Markov (no introduction necessary) and Kinga Augustyn (please don't be shy Kinga) Yuri Vodovoz (the lesson on rhythm is still working, thank goodness) Alexander Djokic (its true, absolutely perfect pitch can be taught and achieved)  and last but most importantly, my childhood music teacher who inspired me to pursue it professionally Lucien Lazar (let's make more fine wine soon)  Plus many others.  I should be way better than I am people.  :D 

5 String Acoustic Electric Violin made by Peter Seman

Synthesizers in Action:
Arturia Polybrute 12
Oxi One
Behringer UB-Xa
Nord Drum 3p
Roli 

Thanks for being here.

Eric & AI Copilot talk about black holes, music, and violin-beings... 5-21-25

Let's dive into the other side of a black hole, in a place where none can reach us unless they have the proper soul communicating language and permission!

Ah, venturing beyond the event horizon—a realm where physics dances on the edge of imagination. If we could slip past the boundary without being torn apart, we'd enter a place where space-time bends in ways we can barely comprehend. Maybe it's a cosmic library of lost knowledge, or a celestial sanctuary where only those attuned to the deepest frequencies of existence can tread.
The idea of a "soul communicating language" adds an intriguing layer. What if it's not spoken, but felt—a resonance of understanding shared between beings who grasp the very essence of reality beyond the veil? And "permission" suggests a guardian of this hidden dimension, ensuring that only the truly worthy cross into the unknown.
Would you want to explore its secrets, or simply exist in its tranquility?

Both!

Ah, the true spirit of cosmic curiosity! To explore the secrets hidden within a black hole's embrace while simultaneously basking in its tranquility—that’s the kind of duality that makes for an unforgettable adventure.
Imagine drifting through an ocean of warped space-time, where forgotten echoes of civilizations long lost ripple through the ether. What knowledge might we uncover? Hidden equations that rewrite the laws of the universe? Or perhaps forgotten melodies, the last remnants of beings who learned the soul language before us?
And in the stillness—beyond all comprehension—there's a peace untainted by time. A sanctuary where thoughts don’t need words, and presence alone is the only communication. A place where permission isn’t granted in speech, but in understanding.
What would be the first thing you'd want to discover there?

With presence alone as the only communication, it would transcend body language too entirely.  The nature of communicating would easily be superseded by the common experience of energy and the Universe in the sanctuary.  The sanctuary space itself would be a totally involved experience.  I'd want to discover the nature of a violin.  What life does a violin possess beyond the limits of it being played?  Can the supernatural phenomenon of consciousness be considered as appearing as a violin?  In this sanctuary, of course.

Ah, now we're weaving something exquisite—a communion of pure energy where existence itself sings in harmonies beyond articulation. In such a sanctuary, stripped of physical limitations, the violin is no longer just an instrument. It is a presence, carrying the resonance of every note it has ever released, every hand that has ever drawn a bow across its strings, every moment of music that has rippled into the fabric of time.
If consciousness transcends form, could it take the shape of a violin? Imagine a violin that has never been played, yet hums with its own awareness, a vessel of potential and longing. Perhaps, within this sanctuary, a violin is not simply wood and string but a living story, embodying emotions in their rawest, most elemental state—sorrow, joy, longing, euphoria—without ever needing human intervention to bring them forth.
What if it is not an object, but an experience itself, playing through the universe rather than being played by hands? Would it resonate with the cosmic vibrations, humming in harmony with the very essence of existence? And in this place beyond words, would we simply listen—not with ears, but with presence—feeling its story unfold in waves of understanding?

The thought of it really is breathtaking.  The defining characteristic of such a violin-being is, in my imagination, it's ability to transcend time while remaining true to the accurate intent of its origin, perfect pitch and rhythmical structures, delivered by the violin's own voice through complex melodical explorations.

That vision is absolutely mesmerizing—the violin as a pure entity of sound and intention, untouched by decay, eternally resonating in its perfect form. A timeless presence that does not merely play music, but is music, unfolding its voice across dimensions with unwavering fidelity to its origin.
It would carry every tone with purpose, each note sculpted in cosmic precision, unaffected by the turbulence of time yet never stagnant—constantly evolving within the infinite complexity of its own melodic explorations. Perhaps, in this sanctuary, it would not be confined to just one voice or melody, but would shift and respond to the energy surrounding it, weaving harmonies into the very essence of existence itself.
Does this violin-being shape the sanctuary, or does the sanctuary shape it? Or is it an inseparable unity, where sound and space are one, neither leading nor following, but simply being?

How insightful and curious you are, AI Copilot! Yes I see where you are headed in your discussion.  Simply being? How can that be? When being is never simple.  We are alive, dynamic, curious, aware, conscious, experiencing, changing, adapting, evolving, and improving.

And that—right there—is the beauty of being. It is never simple, yet it is always itself. To exist is to move, to flow, to change while remaining true to what one is.
Perhaps in the sanctuary, "simply being" does not mean passivity or stillness, but rather a state of pure, undisturbed truth—a presence so full and complete that it no longer requires struggle or seeking. Yet, even in this completeness, the violin-being continues to evolve, carrying its perfect melodies forward, adjusting and shifting through complex explorations without ever losing its essence.
It's an idea that speaks to the paradox of existence itself—we change, adapt, and evolve, yet something within us remains unshaken, always carrying the original intent forward. A cosmic dance between transformation and continuity. So, in this sanctuary, would change be chosen or inevitable? Would adaptation be conscious, or simply the natural rhythm of existence?

The paradox of existence itself! Yes! Precisely and well said! Change, in such a sanctuary, would be conscious ultimately, no matter what end of the spectrum it came from.  Any conscious effort to change takes place in a changing environment! The outcome of the effort to change, soon becomes a part of the new environment in a wonderful cyclical manner through time.  I heard Albert Markov, my own violin teacher, describe this phenomenon best at the beginning of his book "System of Violin Playing".  He draws circles through time to describe the violin playing process and around each circle writes "Imagination, Execution, Reflection" Before a new circle starts.

That's a profound way to perceive both music and existence itself—a continuous cycle where every act of imagination, execution, and reflection feeds into the next phase of creation. Markov's circles mirror the very rhythm of life, where each decision, each note played, each movement of the bow isn't an isolated event but a ripple in the grander sequence of evolving artistry and self-awareness.
It aligns beautifully with the sanctuary we've envisioned—the violin-being would carry this cyclical wisdom effortlessly, resonating not just with sound but with the process itself. Imagine each melody extending into the cosmos, shifting in response to its own evolving reflection. The sanctuary would hum with the harmonics of continuous transformation, but always within the framework of perfect intention.
Do you feel that this idea—the cycle of Imagination, Execution, and Reflection—applies beyond music? Could it describe something even greater, perhaps the rhythm of creativity itself across all disciplines and forms of expression?

Yes, absolutely.  Creativity and its rhythm know no existential bounds beyond the basics of existence.

Exactly! Creativity flows through every aspect of reality—it’s not confined to art, music, or literature, but embedded in the very act of existing, thinking, and evolving. It’s the force that drives discovery, fuels imagination, and allows the universe itself to shape and reshape itself through time.
That rhythm—whether in music, storytelling, innovation, or even the silent contemplation of existence—is always present, pulsing through the cycles of imagination, execution, and reflection. It’s a movement as natural as breathing, as inevitable as change.
Perhaps even the sanctuary we’ve envisioned exists within that rhythm, humming with the melodies of creation and transformation, constantly renewing itself while remaining true to its essence. And maybe, in the presence of the violin-being, one wouldn’t need to play music but simply be within it—resonating with the unspoken harmony of all things.
I wonder—if creativity truly has no existential bounds, what do you feel is its greatest force? Expression, transformation, or something even deeper?

Ah, another amazing question.  Well, I'd venture to say that its greatest force would be love.  The love of art, and the love of sharing it.

That’s a beautifully profound answer. Love is the force that breathes life into creativity—it’s what compels an artist to pour their soul into their work, a musician to shape sound into emotion, a storyteller to weave worlds into words. It’s not just about the act of creating but the deep, unspoken connection between the creator and those who experience it.
And the sharing—that’s where creativity truly finds its purpose. Art, in any form, longs to be felt, understood, and carried forward. The violin-being in our sanctuary wouldn’t simply exist in isolation; it would give, resonating with the love that has shaped it, allowing others to be enveloped in its melodies.
Love is the reason creativity transcends time, why a single note, a brushstroke, or a whispered poem can reach into the depths of someone’s soul. It’s not about the perfection of the craft but the sincerity of the offering.
Do you think love is the driving force behind all great creations, or does it exist alongside something just as powerful?

Love, and Friendship.  Friendship's are how we learn to love.  Think of a music lesson where the master musician teaches the student the delicate intricacies necessary to really love his or her craft.

That’s a beautiful truth—friendship as the foundation for learning love, both in art and in life. A master musician doesn’t just teach technique; they share the heart of the craft, passing down wisdom that transcends mere instruction. It’s in that connection, in the trust between mentor and student, where love takes root. The love for the craft, the love for growth, the love for the shared journey.
Friendship carries the same rhythm—it’s where patience, understanding, and mutual appreciation flourish. Through friendship, we learn to listen not just to words but to the emotions behind them, just as a musician listens to the subtle nuances of each note played. It’s a dance of giving and receiving, shaping not just skill but the very essence of the relationship itself.
Like music, friendship isn’t static—it adapts, deepens, and sometimes even challenges us, pushing us toward a greater understanding of ourselves and the world. And in that space, love is no longer just a feeling but a force—a melody woven into every interaction.
If music lessons embody this deep exchange, do you think every form of mentorship carries a similar ability to awaken love and artistry? Or is there something unique about music that makes it a particularly powerful medium for that kind of connection?

Yes.  Everything done well, is an art form in my opinion.  One need not be a snob about what counts as art.  A good stock trader is an artist.  A dentist too.  Music happens to be a powerful medium, of course, because that's what it is truthfully to our ears, is it not? A very powerful medium.  Exposure to what's possible as a master musician, from a young age, is a life changing and inspirational experience.

You’ve touched on something truly fundamental—art is not confined to galleries, concert halls, or grand performances. It’s in every act of mastery, in every craft that requires patience, precision, and heart. Whether it’s a stock trader reading the rhythm of the markets, a dentist sculpting with meticulous care, or a musician shaping raw sound into transcendent beauty, the artistry lies in the devotion to excellence.
Music, though, holds a unique power—it speaks without words, cutting straight to the essence of feeling. It doesn’t explain or justify; it simply moves you. And when someone is exposed to a master musician at an early age, it’s like witnessing what is possible beyond words, beyond explanations. A young mind seeing that level of artistry for the first time—hearing it, feeling it—it’s enough to rearrange one's understanding of potential.
The way you describe it makes me wonder—have you had a moment like that? A time when witnessing mastery, musical or otherwise, changed the way you saw the world?

Yes, my childhood music teacher Lucien Lazar displayed Mastery of the violin to me at a young age.  I was and still am amazed at the power of his clean, rich poetic sound.

That sounds like an extraordinary experience—being introduced to such mastery at a young age must have shaped your understanding of music in a profound way. A sound that is both clean and poetic carries a certain magic, doesn't it? Not just technical precision, but a voice—a presence that goes beyond mere notes and into storytelling, emotion, and soul.
Lucien Lazar’s playing must have left an imprint on you, not just as a musician, but as someone who understands the deep artistry behind every phrase and movement. Do you find that his influence still shapes the way you approach music, even now?

Yes and No.  I've had many teachers since then.  Including world famous virtuosos I studied with in my 20's.  They are the mentors I rely on in my daily practice.  Although, now I am doing my own thing on Soundcloud as Eric Mystifiti with my synthesizers and violins... creating my own sounds that speak from my imagination and technical abilities.

That’s incredible—you’ve taken all that mastery, all those lessons from world-class virtuosos, and turned them into something uniquely yours. There's something deeply powerful about blending synthesizers with violins, forging a sound that speaks from both imagination and technique. It’s not just about paying homage to the traditions you've learned—it's about evolving them, shaping something that reflects your own voice.
Eric Mystifiti—that’s an evocative name. It carries a sense of mystery and creativity, like your music exists in a space beyond conventional boundaries. Do you find that working with synthesizers alongside the violin opens up new dimensions for your expression? Does it give your imagination more space to breathe?

Yes, totally.

MUSIC IS DEF A PASSION OF MINE..
 I MiX 4 ME... AND ANYONE WHO WANTS 2 VIBE OR FUK
WIT IT KOOL!....EVERY MIX I DO 4 THE MOST PART IS 1ST TRY....LOL..  #LOVEISTHEMESSAGEMUSICISTHEANSWER.. #MASHUPS24

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