From the far South of Beirut City, Khaled Farhat is a talented DJ/Producer specialized in Progressive /Tech house music, based in Kuwait and striving to be recognized by the best Underground DJs in the world. Supported by several well known musicians in Lebanon, such as G-mohris and Franjellico , Khaled Farhat has already made a name for himself within the underground scene, having performed in Beirut's loudest jamming clubs, including J'roof, as well as B018 . Khaled Farhat aspires to take the Underground House industry to the next level and bring people into its mysterious, dark world to experience its unique atmosphere; especially within the Middle East. With his strong commitment to building his image and innovating his music to the utmost potential, the underground world will be seeing some tidal changes very soon.


Signed on:

BPM Records.
Civilization Records.
Mystic Carousel Records.
Estribo Records.



For Booking:

djkhaledfarhat@gmail.com

CESURA - is a deep dirty jackin' house bass music duo comprised of recording artists Kerrie Nation & The Incredible Melting Man (aka Tony Diamond) who. between the two of them, have remixed artists such as Lazy Rich, Sue Cho, ReepR, Stupid Fresh, Marty McFly, Mr Kitty & so many more. After a few successful years of touring under the name The Bass Invaderz, the duo have hung up that moniker and have been reborn as the techier jackin' house duo CESURA. Now they have multiple original releases out worldwide & they've officially remixed Mr. Kitty, Optimal Chill State, Lairdriver & Gboogie, along with a rework of Halsey's Gasoline & Linkin Park's In The End. And to start 2016 with a bang, Cesura - Goin Out was featured in Tom EQ's Guest Mix on KISS FM and they're single 'Get That' was also featured on Label Engine's top 10 Recommended tracks of May 2016. Cesura now has a new 3 track EP slated for Sept release on Toronto's Spliced Vinyl Recordings as well as more new releases on Gold N Tech Records before then.  Check them out July 20th at Nocturne Toronto & July 29th & 30th at Connect Festival 21
CONTACT US FOR REMIXES OR ORIGINALS: cesuraofficial@gmail.com
BOOKINGS: cesuraofficial@gmail.com

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


Management: contact@felguk.com
Bookings | Plus Network

Experiência e mais de dez anos de história fazem do duo Felguk referência na Dance Music. Foi um dos primeiros brasileiros a se apresentar na Tomorrowland belga e também participaram de grandes festivais internacionais como o Ultra Miami, o Burning Man, o Rock In Rio, entre outros. Os anos de estrada abriram espaço para outros nomes do Brasil na cena internacional e confirmaram a força do mercado brasileiro.
//
Experience and more than ten of history have turned duo Felguk into Dance Music references. One of the first Brazilians to play at Tomorrowland Belgium, they also participated in international festivals like Ultra Miami, Burning Man, Rock In Rio, among others. Years on the road have opened doors to other Brazilian names abroad and confirmed the Brazilian market strength.

More sets are available on Mixcloud http://www.mixcloud.com/Millz_C/
Vote For Millz.C on thedjlist http://thedjlist.com/djs/MILLZ.C/ 

I will be uploading personal set's here.. Expect every genre to be filled cause I spin them all breaks, Techno, Trance, Electro, House, Hard-style,. DnB to name a few ! 

Millz.C
Chris Tibb Miller (St.Catharines, On)
(Label Owner BPM Recordz)

"I feel that diversity in a DJ is very important and must touch on every genre to give respect to them all not for the mindset of the DJ but the mindset of the people that Love electronic music"

www.facebook.com/bpmcanada
www.thedjlist.com/djs/MILLZ.C/
www.mixcloud.com/Millz_C/

Born in Niagara Falls, Canada
 Coming into the scene mid 90's becoming a part of the “Rave” culture and Electronic scene.

The relentless and uncompromising dedication Millz.C has given to the Electronic music scene for more than a decade has landed him gigs all over Canada and United States and the recognition from International DJ's and Producers alike such as J.D Miller/ Santi Taos, Ferry Corsten, Tiesto, Gabriel Ben, Ed Whitty, Ian Carey, Laidback Luke, Mickey Red Venom, Donald D of Ice T's Rhyme syndicate, to name a few.

Listening to anything Millz.C can get blasting through my headphones, specializing in Electro House, Tech House, Hard style, Techno, Trance, breaks, House (subs) and Drum & Bass

Millz.C production style is more on the heavier end of the bass and dark beats using Many DAW's, Ableton, FL studio, Cubase and Reason.

In 2000 Millz.C was introduced to the art of DJing and Mixing starting off with tech 12’s and an old Gemini mixer upgrading to CDJ’s then finally got tired of lugging around Equipment, went right to the software applications and all the other crazy toys that were being developed in recent years.

Millz.C (Chris Tibb Miller) established BPM Recordz in 2008, for the reason Millz.C had noticed unknown DJ/Producers and Artists were struggling to find a reputable label that first and foremost is ran as an artist rather than a corporate suit. Trustworthy and dedicated record label to market their tunes and the chance to get their styles and music heard to the masses who share the same passion for Electronic music that Millz.C does.
Bringing the BPM Recordz label to the forefront of the Electronic music scene for the last 7 years. 


Millz-C is following