‘The excellent, excellent sounds of Colophon’ 
— Ben Sims on NTS Radio, London
‘My favourite tracks of the moment’ 
— ASOK on Rinse FM, London

Releases
• Kuiper Belt - Balancing Act EP (Loop of Life) LL01
• State Vector EP + Remix by Hymns (Lowercase Life)
• Anchors and Components EP (Bold Monday)
• Heritage EP + Remix by VC-118A (Deeptrax)
• Pattern Formation EP + Remix by Orson Wells (Lowercase Life)
• Mechanism And Motion EP + Remix by Florian Kupfer (Lowercase Life)
• Atomic Orbital + Remix by Fabrice Lig (Rosedale)
• 36th Chamber (Paranoid Dancer)
• Radix Point + Remixes by Dimi Angelis/Jeroen Search and Russ Gabriel (Rosedale)
• Concrete EP + Remix by Duplex and Brendon Moeller (Rosedale)

Lowercase Life is a record label run by Colophon releasing limited vinyl with handmade artwork covers. 

Digital download through Beatport, Boomkat and Juno. Online streaming through Spotify and Apple Music

Clone - https://clone.nl/item79558.html
Hardwax - bit.ly/2JhlIxP
Juno - bit.ly/2VN257m
Beatport - bit.ly/2WumM5a

Contact lowercasepromo [at] gmail.com

“Caught Up In The Fire” ft. JONAH 🌹 
Out Now: https://benbohmer.lnk.to/caughtupinthefireSO


North & South America bookings:
Alex Becket alex.becket@caa.com
Evan Greenberg evan.greenberg@caa.com

Rest of World bookings
Roman Trystram roman.trystram@caa.com

record label from Berlin and  Munich, Germany, founded and run by Benjamin Fröhlich and Tom Bioly

BLOND:ISH. 
Energy Lives Here
LFG to Happy Happy World
The Land of Freedom, Abundance & Happiness

MANAGEMENT: blondish@jet-mgmt.com

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Connecting club culture to the wider world, on screen and irl through parties, film and video.

Ramiro Drisdale - Glade EP 
https://orcd.co/glade

Lost Desert & Lee Burridge - November Snowflakes
https://orcd.co/novembersnowflakes

All Day I Dream explores beautiful, emotional and melancholic shades of House and Techno through its label's releases, events and artists.

All Day I Dream events began on a Brooklyn rooftop back in 2011 and have since become an international sensation. Around the world, crowds continue to be drawn to the experience and to become a part of it's community. Spurred on by the music of Lee Burridge and his unique roster of artists, each brings his or her own emotive musical vision to the daytime party. Sounds that are all too rare in the current electronic music scene.

Each year the events continue to spread out across the world. From Los Angeles to London. Melbourne to Moscow, Berlin to Beirut to Brazil and back to their spiritual home base of New York City. They continue to flourish due, in part, to a core ideal. To create something truly magical. The passion to create magic manifests itself  both in those organizing as well as those attending the events.  

All Day I Dream also continually forges it's own unique ambience through a combination of the musical journeys taken by it's listeners as well as noteworthy venue choices. Each location transformed with the event's bespoke production design. Structural art, hanging gardens, colourful fabrics, fairy lights and lanterns. All melded together to fashion an unparalleled, irresitable atmosphere.

milpapi is following