Norwegian Electronic Folk Music

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The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is best known as bassist/vocalist for bands such as Dead Cross, The Locust, and Deaf Club, among many others. Justin has come to know and work with a broad spectrum of captivating personalities and brilliant minds, many of which are key figures in the realm of popular culture and cult followings alike. Guests include a broad scope of musicians, producers, authors, filmmakers, and anyone passionate about what they do. In its infancy, segments were shorter, 10-20 minutes, and would be recorded while on tour. Since then, Pearson has collaborated with producer and musician Luke Henshaw (Planet B, Sonido de la Frontera) to build the idea into a proper podcast, now recorded at Penguin Studios in San Diego. The focus is not intended to be in any one realm, and because guests are friends and family, the conversations are frank, informal, well-informed and genuine.

This release is a compilation featuring many of the artists who have been interviewed on the podcast thus far. It will include musical tracks from bands and musicians such as The Exploited, The Locust, ADULT., Year Future, Martin Atkins, and more, interspersed with short snippets from the podcast itself.

Additionally, there will be a limited edition 7” from Luke and Justin’s band Planet B to go with it which includes a cover of Grandmaster Flash & Melle Mel’s “White Lines (Don’t Do It)” with guest vocals from Johnny Whitney (The Blood Brothers).

This compilation will be released in collaboration with Smashed Plastic. It will be available on bandcamp as well as limited edition vinyl.

Swing Kids “Disease” from the Cult & Culture Podcast comp. LP

Cult & Culture Podcast Episode 57 is a discussion with Albert Birney, director, actor, and writer of his most recent film OBEX-- a story that centers around a man in search for his dog in a world that blurs the lines between video game and reality. This is part three of Luke and Justin's five part series of conversations with independent directors that took place at this year's Oak Cliff Film Fest in Texas. The trio talk about the aesthetics of the film, with the goal of creating a "lofi" feel and striving for authenticity. They dive into the filmmaking process, breaking down a lot of the techniques that were used and the process of collaborating on the film score with Deakin of Animal Collective, an old friend of Albert's, to target a "retro" perspective. Birney is also a musician himself, having been in bands as well as recording on his own. They discuss the magic of dogs, the potential for creating a video game to accompany the film, time travel, and nostalgia.

The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is perhaps best known as bassist for bands such as Dead Cross, The Locust, and Some Girls as well as vocalist for Deaf Club, Swing Kids, and Planet B. Having traveled the world touring in hardcore and punk bands since age 15, Justin has come to know and work with a broad spectrum of captivating personalities and brilliant minds, many of which are key figures in the realm of popular culture and cult followings alike-- from being on the soundtrack to John Waters’ Cecil B. Demented, to acting in an Asia Argento’s Incompresa, to playing in Dead Cross with Mike Patton and Dave Lombardo. Cult and Culture arose as an opportunity to document bits and pieces of the DIY-driven, subversive world of art Pearson identifies with- one that many are not aware of or perhaps have misconceptions about.

Eventually, Pearson joined up with producer and bandmate Luke Henshaw (Sonido De La Frontera, Planet B, Satanic Planet, First Power Crew) to build the idea into a proper podcast, now recorded at his own PengOne Studios in San Diego. Henshaw has collaborated with hip hop legends such as Invisible Skratch Piklz’ D-Styles and Q-Bert, Kool Keith, in addition to being immersed in the world of Cumbia alongside Sonido De La Frontera bandmate Karlos Paez (B Side Players). He also recently scored the music for upcoming documentary Sk8face, which tells the history of skateboard graphics. In this way, both Justin and Luke are influenced by a diverse array of subcultures that all have connected roots. John Waters was one of the first people interviewed for the podcast- an icon of both cult and culture. Since then, guests have included a broad scope of musicians, producers, authors, and anyone passionate about what they do-- anyone from Grammy-winning musician Juan Alderete (Mars Volta, Racer X, creator of Pedals And Effects) to actor Michael Malarkey (Vampire Diaries, Project Bluebook), from San Diego Black Panther Party members to longtime partners Nicola and Adam in electro-punk band ADULT. or The Satanic Temple cofounder Lucien Greaves (who would go on to form Satanic Planet with Luke and Justin as a direct result of their podcast conversation). The focus is not intended to be solely on people in any one realm, and because guests are friends and family, the conversations are frank, informal yet well-informed, and genuine. Pearson and Henshaw seek to achieve a casual openness, blurring lines between traditional guest and host. Cult and Culture is part of Ruinous Media.

Catch up on all episodes of Cult and Culture podcast, via iTunes, or through Three One G’s Soundcloud.

https://soundcloud.com/threeoneg/sets/cult-and-culture-podcast

https://podcasts.apple.com/us/podcast/cult-and-culture/id1232084207

Watch 

Cult & Culture Podcast Episode 57 feat. Albert Birney (Director, actor, writer of OBEX)

Watch

Cult & Culture Podcast Episode 58 feat. Everything is Terrible

Alien Hominid Invasion - Halloween Menu Theme

Part 5, the final episode in the Oak Cliff Film Festival series wherein Luke Henshaw and Justin Pearson talk with Brandon Daley about the upcoming film, $POSITIONS, as well as Brandon's previous work. They discuss the off the wall dark comedy style of his films, and dive into topics related to $POSITIONS such as gambling addiction, and specifically with cryptocurrency. They also touch upon the massive topic of late stage capitalism and where any ethics may or may not exist, while trying to point out the parallels with addiction to religion, drugs, and the fact that online gambling is equivalent to the stock market that never closes. The conversation weaves in and out of many topics, some serious and some not so serious, since Brandon's work has characters that you want to loathe and at times, somehow love.   

The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is perhaps best known as bassist for bands such as Dead Cross, The Locust, and Some Girls as well as vocalist for Deaf Club, Swing Kids, and Planet B. Having traveled the world touring in hardcore and punk bands since age 15, Justin has come to know and work with a broad spectrum of captivating personalities and brilliant minds, many of which are key figures in the realm of popular culture and cult followings alike-- from being on the soundtrack to John Waters’ Cecil B. Demented, to acting in an Asia Argento’s Incompresa, to playing in Dead Cross with Mike Patton and Dave Lombardo. Cult and Culture arose as an opportunity to document bits and pieces of the DIY-driven, subversive world of art Pearson identifies with- one that many are not aware of or perhaps have misconceptions about.

Eventually, Pearson joined up with producer and bandmate Luke Henshaw (Sonido De La Frontera, Planet B, Satanic Planet, First Power Crew) to build the idea into a proper podcast, now recorded at his own PengOne Studios in San Diego. Henshaw has collaborated with hip hop legends such as Invisible Skratch Piklz’ D-Styles and Q-Bert, Kool Keith, in addition to being immersed in the world of Cumbia alongside Sonido De La Frontera bandmate Karlos Paez (B Side Players). He also recently scored the music for upcoming documentary Sk8face, which tells the history of skateboard graphics. In this way, both Justin and Luke are influenced by a diverse array of subcultures that all have connected roots. John Waters was one of the first people interviewed for the podcast- an icon of both cult and culture. Since then, guests have included a broad scope of musicians, producers, authors, and anyone passionate about what they do-- anyone from Grammy-winning musician Juan Alderete (Mars Volta, Racer X, creator of Pedals And Effects) to actor Michael Malarkey (Vampire Diaries, Project Bluebook), from San Diego Black Panther Party members to longtime partners Nicola and Adam in electro-punk band ADULT. or The Satanic Temple cofounder Lucien Greaves (who would go on to form Satanic Planet with Luke and Justin as a direct result of their podcast conversation). The focus is not intended to be solely on people in any one realm, and because guests are friends and family, the conversations are frank, informal yet well-informed, and genuine. Pearson and Henshaw seek to achieve a casual openness, blurring lines between traditional guest and host. Cult and Culture is part of Ruinous Media.

Catch up on all episodes of Cult and Culture podcast, via iTunes, or through Three One G’s Soundcloud.

https://soundcloud.com/threeoneg/sets/cult-and-culture-podcast

https://podcasts.apple.com/us/podcast/cult-and-culture/id1232084207

Cult & Culture Podcast Episode 59 feat. Brandon Daley (Director of $POSITIONS)

Oivo & Otilia at Solstice 2025

5-track EP of aquatic, dubbed, and acid-infused electro from the Stockholm legend.

A1 Carbonated Emotions
A2 Skinny Dipping
B1 Fluid Emotions
B2 Fizzler
B3 I Love my Wife
B2 Lilladat 2 (Rs Heatwave Mix)

Mastered by Michael Diekmann
Distributed by Clone Distribution

Painting "Nattbad i pol på Lindingö" by Jenny Palén.

ELKTRN006: Daniel Savio – Fizzler

A co-op 4 channel 39 kb Amiga MOD with Goto80. Soundtrack for Up Rough's Amiga 500 production called "The Line".

Original MOD file at: https://www.dropbox.com/scl/fo/tsazzwefbmlr2jtct6wou/AGCwPvgemKb5yhbtPoDJKkk?rlkey=yog55vh5b6a10mtb8p850o1y8&dl=0

Grab the demo from: https://www.pouet.net/prod.php?which=105356

Or watch the anscii trip (in "stereo") at: https://www.youtube.com/watch?v=oOA8hBNLxFA

The Line (with Goto80)

Captain Credible a.k.a. Daniel Lacey-McDermott is known for his intense epileptic live shows with his home made audio electronic audio machinery and a strong underlying 8-bit aesthetic. On this release he approaches the task at hand with hectic beats and realistically imitated genuine Balkan brass instruments caught in an epic battle for justice and freedom from the evil space sharks. With traditional covers, and original works Captain Credible tears an eight bit hole in the Eastern Blocs cultural heritage and serves it up with a healthy smoothie made from recycled nintendo consoles.
Taste the solder mask in every snare!

BALKAN BIT - Captain Credible - Rødtvet Horo

MINDBLAST RECORDS

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