Artist working with Guitar and Amp simulators and A.I.

Old school recording on 8-track. no auto-tune thank you for listening, no better time than the present to put yourself in the world. and share your music, 
as AI starts to weave into creating 
wanted to get my voice out there before all we have is AI generated music
All photos on page are taken by me as well
thanks for listening

🇦🇷 Instrumental Metal | Prog/Death/Black
MIDI and Digitally simulated instruments were employed to manually program all music.
Credits to the artists of all paintings in the song's descriptions.

The "Mind Enemies" was formed in 2010 as a solo project of Giuseppe Caruso (percussionist, guitarist, singer). G. Caruso is a graduate in percussion at the Music Accademy of Rodi G.co (Italy,Fg) in 2007. In 2009, he taught Percussion at the Institute of Science Poerio.
In 2010 he graduated in two-year specialization in Teaching Tool (Bi.For.Doc). Parallel to his studies, he played as a percussionist in the following bands: Overture (Thrash Metal, San Nicandro), Moonshine (Heavy Metal, Bologna); Grooveria Percussion Ensemble (Percussion Trio).
He  he taught in schools F. De Sanctis (Fg), Altamura (Fg), Moscati (Fg), and studied Jazz at the Conservatory Rodi G. with Maestro Sandro Satta (Sax).
The summer of the 2011 he recorded his first songs at Nadir Music by Tommy Talamanca (Sadist).
On November 6, participating in the contest "Emergenza Festival" playing at the Zoo Bar (Rome) and qualifying for the semi-finals to be held Feb. 18 at the Blackout (Rome).
In the 7 August 2013  he pubblished the first EP "The Darkest Way".
July 2014 he play  ten live in Russian Tour with The " Mind Enemies".
From 2015 He is in the studio to create the new album of "Mind Enemies".
He continues to teach percussion and composing songs and arrangements for its students.

Review: 

Metal-Rules.com "I have been blown away by this EP and I really recommend that you check these guys out. Before you know it, the EP finishes and you have to press the play again button. During the writing of this review, and before I had started, I must have listened to the EP around half a dozen times."

Rock Hard Italy "Un inizio più che promettente che denota grinta e personalità".

MetalMouth.Net "There are four tracks to choose from that may make you reminisce of the old school music – which recently I found out is what people now call “’90s music”. Giuseppe Caruso, the founder of Mind Enemies sure has the potential to move on with his musical prowess and add to this EP."




my email is devanb7@verizon.net 
my number is 5169879172
I’m looking to Collaborate too I’m a rapper trying to get signed my name is Devan Bertsche

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

Followers of Mind Enemies