Labels:
@nobadfridays
@Hot-Creations
@RepopulateMars
@insomniacrecords
@UltraRecords
@spinnin-deep
@sinkorswimrecord
@ingdco
@solotoko
@cr2records
@nervous-records
@stashedmusic
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Contact: max.necus@redlightmanagement.com

Send demos here:
https://tstack.app/joshwa/send

FISHER PRESENTS: CATCH&RELEASE PARTIES AND RECORDS

Tamarah y Presence

We do this for the fun

LATEST http://smarturl.it/MEGEMINI
CONTACT mndntrprss@gmail.com

www.mindenterprises.co.uk

A true artist in every sense of the word, Layton Giordani stands firmly as one of the most popular tastemakers of techno’s new school, with his pioneering musical vision serving as a contemporary voice for the younger generation. Spending years acquiring knowledge from musical greats, the 28 year old possesses a wealth of experience far beyond his years and has now undeniably earned his rank in the upper echelon of techno. With a repertoire that knows no bounds, the dexterous New Yorker has explored a new dimension of scope with each passing year, nurturing a monumental discography that echoes staunch dedication to his craft. Giordani’s palpable successes can be largely credited to his extensive stock of knowledge, garnered through an insatiable work ethic and years spent earning his keep in the industry. Solely focused on his passion for music from the age of just 13, Giordani’s path forever changed at 19 years old after watching Danny Tenaglia perform live at Pacha NYC. Deeply inspired by the formative experience, Layton began to master his craft behind the decks, landing a pivotal residency at Brooklyn’s Output NY that would consequently steam-roll his career into quick maturity. Thanks to the faith they instilled in him, Layton turned heads and began making a name for himself through his deft touch and sharp ear. Seeking further guidance from another of the long-standing greats, Giordani spent countless hours under the mentorship of Adam Beyer, honing his composition talents and studying the cardinal cuts of techno’s rich history. The affiliation resulted in Giordani’s first releases under the Swedish maven’s storied imprints; an EP titled Unspoken on Truesoul followed shortly by Rivington, his input to Drumcode’s celebrated A-Sides series. News of the untapped star’s fresh sensibilities circulated and in 2017, Giordani erupted onto the scene with his aptly-named debut album contribution to Drumcode in the form of Where It Begins. The 12-track LP served as the first seismic indication of his capabilities and subsequently received critical acclaim from artists, new fans and industry specialists alike.

New Music:

Alexander Popov & MatricK - Enter Reality
Stream: https://band.link/itp434

Alexander Popov - Interplay 2024 is Out now!
Stream / Download: band.link/Interplay2024

Alexander Popov - Reflected Album
Stream / Download: https://band.link/ReflectedTHEALBUM

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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