Background music

filmscapes

از میان این لالایی، صدهزار سرباز می‌گذرد و گیس‌ِ بلند‌ِ صدهزار مادر سفید می‌ماند به انتظار و از.ـ‌ 
تبار زنانه‌گی‌‌ِ این زمین است انگار، انتظار... ـ
ـ(سهم‌ِ من، سی شب خواندنش بود در نمایش «ننه دلاور، بیرون پشت‌ِ در» به نویسندگی و کارگردانی سجاد افشاریان)ـ

https://soundcloud.com/shahr-zad/laylay

لالایی کُردی | Kurdish Lullaby

Kemençe/Voice: Nermin Kaygusuz. Microtonal Guitar: Tolgahan Çoğulu

Havuz

Akşam yine toplandı derinde…
Canan gülüyor eski yerinde.
Canan ki gündüzleri gelmez,
Akşam görünür havz üzerinde.
Mehtab kemer taze belinde,
Üstünde sema gizli bir örtü,
Yıldızlar onun güldür elinde…

Ahmet Haşim, Piyale, 1926

POOL 

Deep down, the night has massed again 
My darling smiles in her wonted place 
My darling who doesn't come by day 
Appears at night by the pool.

The moonlight a sash for her waist 
The heavens her secret veil 
The stars roses in her hand. 

Translation: Bernard Lewis

Havuz

composed 2005-
acoustic trio;
performed by The California EAR Unit, Los Angeles
(Vicky Ray-piano, Amy Knoles-percussion, Erika Duke-Kirkpatrick-cello)

before|QUAKE

"The End"

Composer & player : Hamidreza Afarideh
photo : Hamidreza Afarideh

"پایان"

نوازنده و آهنگساز : حميدرضا آفريده 
عكس : حميدرضا آفريده

www.HamidrezaAfarideh.com

https://www.facebook.com/Hamidreza.Afarideh


The End - پایان

This is a short taster of a new soundscape undertaking...

It's all completely improvised and recorded using only 2 ribbon microphones.

We have longer versions available for use - royalty free!

To find out more or to get the full session, email us.

Keep checking back for more updates and more soundscapes...

Experimental Trailer

.mind at large.