Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

CHECK OUT MY ALBUMS FOR MUSIC COMPOSED BY MYSELF...
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CHECK OUT MY PLAYLISTS FOR DJ MIXES, MIXED BY MYSELF...

Follow me for live streams on Twitch https://www.twitch.tv/historyofhappyhardcore

Oi Oi I’m Ryan (HDSN). Welcome to my page. 

Here’s a little bio. 

I bought my first set of turntables at the age of 14 when I was already collecting Happy Hardcore records. DJing was one of those things that just come naturally to me. My friends were always over at my house for mixing sessions. At 16 I started playing alongside my brother and friends every fortnight at a local bar for an under 18’s night playing Happy Hardcore. Two years later, out of a thousand entrants my mix tape came top five in the ‘Ministry Of Sound DJ Of The Year’. I played a live vinyl set in Topshop situated in London’s Oxford Street, on a busy Saturday afternoon. I continued entering DJ competitions and talent nights along with a mid-week slot at a local bar. At 20, I was given full weekend residency at my local nightclub Steam, playing Old-Skool, House and Trance. In the next two years I reached the final of the ‘Young DJ Of The Year’ competitions, which were run by the Staffordshire & Cheshire’s number one radio station, Signal 1. I came out as overall winner of the competition in 2002. My prize was my first ever pair of Technics 1210’s (which I still use), mixer, flight cases and the opportunity to play a live set at Café Mambo in Ibiza. The win also landed me a set at the opening night of the Stoke club, Lomax, for the ‘Youth Upfront Awards’. I then tried to further my career by signing onto the internet DJ agencies, 'Topjox' and 'Club Dreams', sending out demos to gain recognition. In the early summer of 2004 I decide to try my luck by booking a one way ticket to Ibiza for the season. It was tough at first, but by the end of July I had a residency at the brilliant Plastik Lounge in San Antonio. After a few weeks playing with some of San An’s finest house DJ’s, I was given the chance to warm up the decks in Es Paradis funky lounge. But best of all, after weeks of trying, Alex Ellenger, who with Judge Jules ran the funky room in Eden, give me the finest two hours of my DJ career by asking me to play a set. The next year I returned to Ibiza and became one of the residents in the swanky new Hush bar in San Antonio's west end. When I came back to England I started my own night in a local bar. I then became one of the Tech-House/Hard House residents for my brother's local club night ‘Euphonic Fuzion’. 

Even though I enjoy playing many styles of dance music, I've never lost my passion for Happy Hardcore. It will forever be the biggest part of me musically and that's why I created this page. To share the love for this incredible music. 

I seriously didn’t expect quite the following on here but you guys have been absolutely amazing and I genuinely appreciate all your support, whether it be messages, comments, likes & shares. Thank you so much! 

I play Happy Hardcore, Jungle/Drum & Bass, Trance, Hard House, House, Electro & Techno and have since 1994. Expect lots of vinyl classic mixes, live sets on Twitch, mix compilations and upfront sets from these genres. Enjoy!!! 

All my mixes and ones which I have permission are available for download.

For future bookings please inbox me for details or via Facebook messenger.

FIGURE / Berlin
Founded by Len Faki. 

info@figure-music.com

🏴󠁧󠁢󠁷󠁬󠁳󠁿 

Part of the dogruff collective ...

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