Ssshhhiiittt! - Танцы(Original)

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Deceive (feat. Sune Rose Wagner of The Raveonettes) [Clip]

Free Download - 320kbps:

https://www.mediafire.com/file/zpg6no1bnfc1eyu/Daitana+-+Hope+(indie+rock+type+beat).mp3/file

Post punk + new wave + pop punk + indie rock type beat [Free Download] [320kbps]

Неважно

SUDNO - ВІЛЬНИЙ

Spotify: https://open.spotify.com/artist/7ud4BSqYxbum6CEult1m1G
Apple Music: https://music.apple.com/ua/artist/sudno/1591762131
YouTube Music: https://music.youtube.com/channel/UCY9gOC3yZk9CaCxSEvxstyg?feature=share
All music streaming platforms: https://songwhip.com/sudno

Lyrics

SUDNO - ВІЛЬНИЙ

Почекай, не йди,  
Я бачу сонце
Серед зламаних вітром дерев.

Почекай, не спи  
Я бачу сон цей,
До якого нас ніч забере.

Почекай, не йди 
Я бачу сили
Серед зламаних днями людей.

Треба пронести 
На наших спинах 
Наші сили і слабкості.

У твоїх очах був цілий світ,
У твоїх очах тепер пустота.
У твоїх очах була неба синь,
А тепер лише моря печаль.

У твоїх очах був цілий світ,
У твоїх очах тепер пустота.
У твоїх очах була неба синь,
А тепер лише моря печаль.

Вільний

Gas Tank

Pissin’ away the light
And all I thought was wrong
Manhattans made at night,
Are lover’s words on a lark
Cool birth “bohemian,”
We’re coming after you
Subvert and infiltrate,
Ideas as weaponized brooms

These active charcoal eyes
Like spinning plates all around
Is it love at first like?
All these leaders lying down?
Agree to disagree,
Our wills are barely stable,
We finally earned our seat
Right here at the broken table

Who called in the spiders
That’re weaving beside us?
The rules are dead….
Midsummer nights 
They chase euphoria
Their minds are poisoned red
The broken light 
Reveals dysphoria
The broken table’s set…

Now I’m drinking all their wine
And all of my silk is drawn
I’ll be crossing every line
Since my past is dead and gone
Cool birth bohemian,
My will is left unstable
Destroyed after use
Maintaining the broken table
I’ve called in the spiders
That’re weaving beside us
The World is dead…

Midsummer night 
I chase euphoria
Cremating Care to Death
This is my rite
Elite consortium
The owl fire spreads
The broken light 
Reveals dysphoria
The broken table’s set…
[who called in the spiders 
that are weaving beside us?
who called in the spiders?]

Broken Table

Someone is watching

There are strangers in my house
They came through the water as I crossed over

Now all my little strangers like children dance with me They're playing ring­a­rosy
All fall down inside of me

Blood of my blood, Flesh of my flesh We are one My passenger
And I think the stars
Are peepholes in the firmament

Someone is watching

I heard your footsteps on the wooden floor
But I couldn't face what was behind the door
When the student is ready, the teacher will appear I have many spirits and they're always near

Blood of my blood, Flesh of my flesh 
We are one My passenger

And I think the stars
Are peepholes in the firmament

Someone is watching

Mixed by Ewan Pearson
￼​℗ © 2 0 1 6 H u n t e r A s a H o r s e

Buy on iTunes

The Passenger

TWIMC SHOP http://twimc.cc/shop/nosa
Spotify http://twimc.cc/spotify/nosa
Apple Music http://twimc.cc/apple/nosa
iTunes http://twimc.cc/itunes/nosa
TIDAL http://twimc.cc/tidal/nosa

flawed beauty and moderately danceable beats
written by: Edvald Johansson

from the forests of Karlskoga, in the midwest of Sweden, comes producer,
musician, and songwriter Johan Lundgren.
with half a lifetime of producing and songwriting behind him, solo debut
was never a topic of discussion, until he swapped the long winters of
Stockholm for a few years in California, where Tungorna came to life.

he describes the change of environment and the limited equipment as a way
to challenge himself. “i only had my laptop, a cheap microphone and a
small keyboard with me, but nowadays, that’s all you need.”
sharing this mindset are his fellow collaborators of the audiovisual
project iamamiwhoami, for which Lundgren has been a frequent live
musician for many years - Johan Lundgren describes the experience as “a
creative push”.

this is also how Tungorna was introduced to their label, To whom it may
concern. “eith their label they have formed an inspiring environment,
with their music and the world surrounding it, keeping total control, not
only of the creative process but also the production, without some guy in
a suit intervening.”

from the likes of artists and producers such as Four Tet and Caribou,
Tungorna creates music with a lo-fi and naïve quality that still occupies
depth through its multi layered musicality.
Lundgren describes Tungorna’s sound as “a collage of interesting bits and
pieces that don’t necessarily have to be ‘good’. the beauty is in the
flaws and is kept together with melodies and a moderately danceable
beat.”

Tungorna debuts on TWIMC and Kobalt Music, with the dark and playful
single “NOSA”, on November 11.
the track also comes with a video by WAVE, the director collective
composed by Jonna Lee & John Strandh, who describe it as a “beautiful but
dark memory caught on camera”.

http://twimc.cc

Broken Table

Minds Without A Face