'All Things Made New' is about a fresh start, restoration, transformation - about finding a fix for the troubles in the world. @danielschrage

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All Things Made New

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Daniel Schrage - All Things Made New

Flagada (2012 Unreleased)

Following a string of beats-free ambient releases, Gang Violins delve back into the groove with Ghosts of Aleppo.

117.7 BPM

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Ghosts of Aleppo (Citadel Opus)

Originally composed for Thanassis Triaridis' play "Zyklon or the Destiny", this haunting score by Manos Milonakis returns with re-recorded parts, new mixing and mastering by Christos Megas, and stunning artwork by Tilman Z.

Inspired by themes of confinement, dark energy, and temporal suspension, Zyklon combines classical strings, evocative piano, music boxes, and cosmic electronic textures. Featuring Müriel Bostdorp (piano), Christina Georgeli (violin), Elisso Papastrati (violin), Thodoris Papadimitriou (cello), Björk Oskarsdottir (violin), and collaborations with Jacob David (piano) and Gregoire Blanc (theremin), the album bridges the past and present in a unique sonic narrative.

Discover Zyklon on January 24, 2025.
Presave now: https://bfan.link/zyklon

La Forza Del Destino (Live in Kópavogur, Iceland)

Layers of Afternoon

We Begin Anew (feat. Scott Moore)

Cape Town

This is a serene and introspective piece for felt piano and strings, reimagined from my earlier piece, Twilight Clouds. The delicate tone of the felt piano creates an intimate space for reflection, while the sound of strings unfold like a backdrop to your thoughts. It  invites you to pause, immerse yourself in your emotions.
I hope you'll enjoy!
I'm thankful for the picture from Beatriz Lira (https://www.pexels.com/hu-hu/foto/30992614/)

If you liked my music, you can find more here:
https://zoltantamasi.art

Where the sky meets the heart

98 - Reminiscent Ashes

113 - When We're No Longer Really Here

from 'III' [CD|2xLP|DIGITAL]
Denovali Records · den246
available on all formats at [http://denovali.com/bersarinquartett]

Melancholia. Longing. It is difficult to speak about these moods or states of the mind without invoking stereotypes. In ancient medicine, melancholia was considered to be one of the four temperaments, matching the four humours. In fact, melancholia, meaning "black bile" in Ancient Greek, was thought to be caused by an excess of this very body substance. By contrast, in more modern interpretations, literates and Freudians relate many variations of longing to the one primordial longing, the desire to return to one's mother's womb. In this context, the womb is considered to be the place of absolute comfort and cosiness, of total bliss. Thus it should not be surprising that to many of us melancholia is a mood which we like to invoke and to maintain, we like to envelop ourselves in it like in a warm blanket. Our brain and our sensory systems appear to be made for perceiving and emotionally responding to music in a very immediate fashion. Consequently music is the obvious drug for all of us melancholia-addicts. However, there is a thin line between melancholia and sadness, and music which is meant to be melancholic too often crosses this line by far. Only very few artists succeed in avoiding this crossing, and in creating music which is melancholia in its most pure form. It is safe to say that BERSARIN QUARTETT - the electronic music project of Thomas Bücker - is one of them.

After his successfull selftitled debut in 2008 and the sophomore "II" in 2012 - album of the month in many magazines and in numerous "Best of the year" lists - Bücker returns with his third BERSARIN QUARTETT album "III", due for release 6.11.2015 on Denovali Records. Much like his two predecessors, III is a pure paradox. It is the creation of a perfectionist, an adamant control freak. Every element, be it a note, an ambience layer, a string arrangement, a field recording, a baseline, a vocal (Clara Hill on Track 11) or a beat, is meticulously modified and then assigned its place in Bücker's vast but still minimalistic arrangements. Thus, superficially Bücker's pieces seem to radiate a certain mechanical bleakness. However, there is a unique reduced warmth and liveliness emerging from these stainless compositions and transcending them. This transcendence is precisely the point where Bücker ironically looses control over his creations. In contrast to the first two BERSARIN QUARTETT albums, III offers a few darker shades and succeeds even further in narrowing down the arrangements to the absolute essentials without loosing the characteristic grandeur of Bücker's sound. Whereas BERSARIN QUARTETT's debut was merely a description of melancholia in its most pure form, III maybe even goes as far a defining what melancholia really is. It is the only emotion in the vast spectrum of human states of mind which one can bear forever. 

Bersarin Quartett - Jeder Gedanke umsonst gedacht

"Light Through The Fog -∞-"
Composed & Produced By Brock Hewitt.
Violin Performance By Reade Snair

Light Through The Fog -∞- (feat. Reade Snair)

For any scoring or licensing inquiries : clement.peres@gmail.com

Flagada (2012 Unreleased)

mindthings