77:77

1.Muladhara

Peter Gundry - When Darkness Spoke

The new Hollie Kenniff LP is out this Friday, Feb 10th! 
Pre-order/stream: ampl.ink/2YMZK
Bandcamp: https://holliekenniff.bandcamp.com/album/we-all-have-places-that-we-miss

We All Have Places That We Miss

We All Have Places

Hollie Kenniff - Eunoia (feat Goldmund)

Inspired by the E minor progression and the deep space above.

This is the first track I created as part of my personal challenge to create a track every week.

Sakma is the name of my ambient music project.

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Sakma - Storyline

{{XXTAR MIX}} MORNXNGXXTAR ~ MYTHR0N3 ~ {prod.RAZIELCHAOTIQUE}

Follow Dean Walcott On:

Instagram • www.instagram.com/Funny10488

Youtube/Music Video • https://www.youtube.com/watch?v=ZQM9eeEe5O4&list=RDZQM9eeEe5O4&start_radio=1

Patreon • www.patreon.com/Funny1048

Spotify • open.spotify.com/artist/1RKvKJQp2L9h9ejvsplW9i

Breakin Free (Slowed + Reverb)

09 Diary of Dreams - Wild

Listen / Purchase: https://lnk.to/mscars

Meander scars are geological features formed by the remnants of winding or meandering water channels. They are caused by the varying velocities of current within the river channel.

Lost Tribe Sound's second installment in its 8 album subscription series, 'We Stayed The Path That Fell To Shadow' comes courtesy of friend, musician and talented music writer, Gavin Miller. While his name may not be instantly recognizable to some, Gavin has been creating music for nearly a decade as one half of the sublime electronic ambient duo, Worriedaboutsatan, and has quite a few solo releases under his belt. In addition, Gavin has been a invaluable force in bringing many overlooked musical acts to the forefront through his brilliant writings for the UK publication, Drowned in Sound. 

'Meander Scars', Gavin's new double album is very much a departure from his previous output. While the use of acoustics has always resided in the backdrop on many of his solo and group efforts, it's plain to hear that with 'Meander Scars' these natural elements have risen to the top. Lost Tribe Sound is the ideal home for a Gavin Miller this delicate and organic. 

The aerial visuals formed by meander scarring and the origins of their creation, fit both the artwork and the vibe of music incredibly well. The long-form compositions were constructed from a series of slow churning rhythmic guitar loops, warm noise, soft synths and distant choirs which build over time into colliding patterns of pastoral bliss. Patient and mindful listening is key for these innocuous sounds to begin to carve their saturated pathways through the mind. Much like a river meandering over thousands of years, slowly dragging away the sediment and scaring the surrounding land, these pieces begin to take form, eroding away the malleable earth, letting gravity take hold to travel the course of least resistance.  

Being the ever curious and meddling types here at LTS, we engaged multi-instrumentalist and label mate Aaron Martin (From the Mouth of the Sun) to utilize his gorgeous cello sounds and other odd bits in his musical arsenal to fill out moments in the songs. Graciously, Aaron joined in, adding trembling washes of strings, chimes and other indiscernible noise to Gavin's compositions. Gavin than revisited his original material, carefully layering and balancing in the new instrumentation from Aaron. 

Excited by the results, Gavin shared them with us, and it was undeniable that Aaron's arrangements had created deep new conduits for the ears to follow. Yet, it wasn't until this moment that we fully appreciated the beauty of the original works. Torn by which versions to present as the final album, we realized why not present them both.  

Each version had a seemingly different affect on our conscious. The 'Upper Course' with Aaron Martin's additions, flows very much like a young river, faster, more active and commands the listener to be more attentive. Whereas, the original source material of 'Lower Course' mimics the behavior of an older river, slow flowing, in moments coming to a crawl. It's no longer the force able to move large boulders from its path. Yet in its stripped down form, it allows the listener to more easily traverse its tame currents, becoming the perfect cyclical backdrop needed for writing, drawing, and a multitude of other tasks requiring increased mental faculties.

Meander Scars

Upper Course I

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Gavin Miller - Upper Course I (feat. Aaron Martin)(from Meander Scars)

Я Улетаю

Composed and performed by Richard Brincklow (Bledig) on Piano and Andrew Phillips (Grasscut) on GuitarViol and effects. Part of an album, Dusk, Andrew and Richard hope to release later in the year.

09 Diary of Dreams - Wild

Minduim Mateus