Darker Room

WILL BE RELEASED SOON

Shortinfo: 
The second „LOVEiT“ press comes right in time for the festival season and for dusty basements too. SUOLCITY is a young producer from Stuttgart, the spot for house business again. Probably he felt it already as intern at „rocker 33“, the club such as Panorama Bar and Robert Johnson. How else could you explain the B-Side „Rush“, you had to feel this dubby, gritty bassline. 
Not hard enough - so maybe „Rush Harder“, you can have it all. But still, Stuttgart is heart and soul for some Hip Hop generations, the SUOLCITY is no exception here. The second track might be called/used as „Early Morning Jam“, but you can hear this jazzy attitude of some Hip Hop jams and you will love it. „November“ delivers great atmosphere with groovy chords and bumpy drums for your deep moments. All in one - great homage to the best side of the 90s! - Prinz Eugen


Early Support:

Borrowed Identity (Quintessentials / Ostgut Ton): Rush - Evil dance floor weapon!

Lay-Far (Local Talk): I love the Early Morning Jam!

Peter Clamat (Big Bait Records): Early Morning Jam is my favorite.

Tim Toh (Mild Pitch / Philpot): Lovely to hear some new stuff on LOVEiT. These guys keepin' it raw and underground. This 12" consists of stompers and dreamers. At the most i´m a dreamer, therefore "early morning jam" is the one for me.

Rainer Trüby (!K7 / Compost): A great release from Suolcity here. Especially diggin´the 2 slower jams "November" and the "Early Morning Jam". Tasty! Full support!

Leif Müller (Coccoon / Relax2000): High quality EP! Timeless sound from Suolcity, love his productions since years. Early Morning Jam is my favorite.

Diego Krause (Unison Wax / Beste Modus): Rush is definitely my favorite, nice and pumping!

Jeremy Underground (My Love Is Underground): „B1 for me, looking forward to try it in clubs!“

ManooZ ( Housewax / Morris Audio): „Killer EP here, Early Morning Jam is damn sexy and Rush will damage the dance floors. Full support!“

Roman Rauch (Philpot / Quintessentials): Bangin' drums and smashin' chords, definitely gonna do proper damage to the dancefloor!! well done again guys!!!!!


SUOLCITY - Rush (snippet)

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Buy here: fanlink.to/shlomiaber-orion
Digital Release: 7th August 2020
Vinyl Release: 21st August 2020

01: Shlomi Aber - Orion
02: Shlomi Aber - Nuclear
03: Shlomi Aber - Orion (Pan-Pot Remix)
04: Shlomi Aber - Brikz

Israeli producer Shlomi Aber makes his Second State debut this summer with an assured package of nuanced, nimble techno, of the standard you’d expect from a chameleonic producer with over 17 years in the game.

“Orion” is a paranoia-laced stomper, with rattling beats and synths that dart around like eyeballs scanning the crowd for friends. Silky stabs lend the track a cinematic quality, almost mimicking a scene in a horror movie. “Nuclear” is just as evocative, layering a harmony of string stabs over teasing synthetic hi-hats and whipping FX. It’s complex and intelligent, but Shlomi makes it sound effortless. The Pan-Pot remix of “Orion” is stormier. The same rubbery, springy bassline is there but the track is trippier in character thanks to tribal drums and synths that pop like rayguns. Think “galactic circus” and you’re getting close. Buzzing insect sounds usher in “Brikz”, an atmospheric track designed to put you on edge, in a good way. At the track’s tensest point, the drums drop out altogether before returning in downtempo breaksy patterns. Definitely not your typical techno cut, but then nothing Aber does is typical.

Second State is thrilled to welcome this master producer into the family with a release that promises to expand minds while moving bodies.

@shlomiaber
@secondstateaudio

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Following up recent releases for 2000 and One’s 100% Pure label, and Carl Cox’s Intec, DYSART leads this latest techno transmission with the rattling intensity of ‘Mint’.  Shimmering ride cymbals dazzle over its funky rhythm and elementary tone pattern for a functional and gratifying club cut.  ‘Omnis’, meanwhile, comes out of the starting blocks with a pernicious kick drum and some twisted industrial sound mangling for a darker but no less deadly track.

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