Field recording-layered dub techno. This particular recording I made at Parc Montsouris in Paris a few years ago.

Parc Montsouris

Premiere/Demo Submission » https://goo.gl/forms/FyrkblqnAw1Sxug93

Please send your demo and promotion requests with a private SoundCloud link. Do not send as attachment in email, it will be deleted.

+-=+-=We have various outlets to share your music.=-+=-+

Drift Deeper Youtube Channel (http://www.youtube.com/driftdeeperchannel) - Setup to help promote dub techno, we mainly post creative commons music.

Drift Deeper Live Show - Every Fortnight on Sunday I play new and exclusive dub techno/deep techno/deep house from 2pm UK Time. Please send me your music for a chance to be included in the show.

Drift Deeper Recordings - I am always accepting demos. Deep and dubby sounds please 

Natural Expressions - Accepting demos, please only put forward your most high quality work. A label focusing on physical releases and limited edition artworks, super special stuff thats definitely worth following as stuff sells out quick!

Deep / Dub / Ambient / Dubtechno / Drone / Experimental / Detroit / House / Minimal / Field recordings / Fractals 'n Vectors / Bits 'n Bytes / Dreams & Poetry
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All tracks here online on SC are currently listed as 'Work in Progress'  and are unreleased and unmastered. // All rights Reserved. (c) 2012.
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KERN CONCREET - Thanks for listening!
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I started dj'ing around 1995 after regular visits to Geushky...the only club in Portsmouth that played 'proper' techno in the 90's. 

It was my love of true minimal techno like Rob Hood, Jeff Mills and Dan Bell that spawned my email address and, subsequently, a name that I became associated with by anyone that knew me through the music (minimal boffin).

I was always fascinated with the idea of making my own music, having played the trumpet and violin through my youth, and started messing around with a few cheap pieces of gear when I went to University in Scotland around 1997. My very first track was a remix of Aztlan by The Aztec Mystic.

I stopped buying records around the time that Covert Records closed down in Brighton and, after a lengthy hiatus from anything musical, I started making music again when I moved to Australia in 2005.

I think that the music I make is a result of my past as much as anything else. I feel it's a lot more 'driving' than a great deal of the other tracks around that might be considered the same genre. 

I LOVE the sound of grainy, moving, rhythmic pads and percussion and it never ceases to amaze me how much can be achieved with a laptop, a basic plugin synth with a few effects and your imagination.