Hard Corps - Je Suis Passée

Digital download https://bit.ly/2Kc4zDR

Void Vision is a Philadelphia based solo female Minimal Synth / Cold Wave project from Shari Wallin. 

Already included by Rough Trade in their seminal Synth Wave compilations, the single is anticipating her full lenght 'Sub Rosa', out for Mannequin Records later in 2014. 

Remix by Vanzetti & Sacco aka Jos Van Galen with the Otto Kraanen, the boss of the acclaimed Bordello A Parigi from Rotterdam! TIP!

Limited Edition of 300 copies on aqua vinyl.

Mastered by Rude66.

Artwork by Alessandro Adriani.

Void Vision - Sour (Vanzetti & Sacco Remix)

Rossell feat. Emma- Dancing With Strangers (Lifelike Remix)

Le secretairre - Cercannin

https://soundcloud.com/mondowski
https://www.facebook.com/Mondowski

Focus on light (remixes)

Download

Teen Offers (MONDOWSKI remix)

Cititrax is thrilled to present a full length LP entitled Adieux Au Dancefloor by Montreal based recording artist, Marie Davidson. Marie Davidson has emerged as one of the foremost electronic artists working in contemporary pop today. As a long-time member of Essaie Pas (DFA Records), Davidson has had the opportunity to hone her many talents. She has been participating in the city’s vibrant experimental community for much of her adult life. However, in 2012 she began to unveil compositions under her own name, revealing a solo artist who possessed the combined confidence and vulnerability required to write, produce and perform unaccompanied. Davidson’s intimate solo work is embodied through a host of synthesizers, sequencers and drum machines which coalesce in synchronized harmony, punctuated by vocals, half sung, half spoken in both French and English. She masterfully shapes the overall mood, themes, emotion, expression and intensity of her work, which gives the final result a distinctive, cinematic quality. 
With Adieux Au Dancefloor, Marie makes a slight departure from her last two releases, via Holodeck (2015) and Weyrd Son (2014), by creating her first fully dancefloor oriented piece of work. Through the 45 minutes of music that comprises the album, she experiments with pop structures, defines her voice, and layers rhythms to make complex and beautiful techno tracks. She closes the album with the title track in classic Chanson style.
Adieux Au Dancefloor will be released on October 6th. The record will be pressed on 160 gram white vinyl and will feature photographs by the equally talented Corinne Schiavone. The record will be housed in a full color printed heavyweight jacket along with matching printed inner sleeve. Pre-order available now. Digital release to follow.

Order: http://minimalwave.com/releases/release/adieux-au-dancefloor/

Lyrics: 
It seems like honesty is not so fashionable these days, it's true, I ask a lot of questions.
You call me naive?
I'll tell you what, I'm naive to the bone.
Do you think I'm too soft?
Because I don't hide, or is it that your lost when I smile?
I don't need your love but I'll dare to ask you how you feel about me.
Just to get things straight.

I have no cards to hide.
My life is not a game.

Let me picture my future, a large room where you can hear the silence.
No space for arrogance, no pain in my chest.
Just the beating of my heart.
J'suis pas un cordeau moi! (In French)

In The Middle Ages, people used to wear clocks, it's 2016, get real.
So you think i'm too soft.
I have nothing to prove, I have no advice for you. But remember what Terrance said: 
"The last dance, we dance alone".

Adieux Au Dancefloor

Marie Davidson - Naive To The Bone

Some things just make sense and we’re pleased present the first collaboration of 2 of our favourite artists : RED AXES & C.A.R. 
This release has been a long time coming. Tracks were first exchanged back in 2014 and it’s been an organic, intuitive process. Like-minded musically & likeminded lyrically - Red Axes & C.A.R. seem to work the same way. Recordings happen fast. One or two takes. It’s punk and it’s effortless. 
1960’s, psychedelic 2040 arrived on queue. A sweaty, London-summer evening, after spending the day writing alone out Hackney Marshes, Chloé demo’d the vox. - languid, nostalgic, at arm’s reach from the city - the track depicted the moment perfectly. A paper thin Victorian wall separating her from the chatting neighbours, she shut her eyes and got as close to the mic as possible. 
A few weeks Red Axes & C.A.R. were together in Tel Aviv. Ten times sweatier than London. To say the studio was dripping hot is an understatement. There was a party heaving in the square below, a van parked in the middle, broadcasting out on the radio waves. Dori was determined to use the intimate London vocals for 2040 and so they cracked on with Incognito, a club track that isn't one but works in its own way: rockabilly reverbs, an almost hip-house delivery, the strange alchemy of 808 fumes. Already inebriated from the city, Chloé had written her words off-cuff in the hotel room, just hours before.
Fastforward a year. Summer 2015. Niv had sent Space Cream a few months earlier - an electronic 4/4 ballad which already featured looped samples of some of the stuff they’d recorded in Israel. Heady and sticky, Chloé had to wait for longer days before she could get anything down.
Finally XMan, descends further down into psychedelia… Perfect for the London winter closing in. Heads filled with Cookie Mueller & memories of losing oneself in dark, basement parties - the words rolled off the tongue. 
Last autumn Red Axes invited C.A.R. down to London’s Pickle Factory to perform Incognito live. During soundcheck she penned some words for a new track they were debuting, which they also ended up doing. It’s an experience synonymous for this collaboration. What comes easy, makes sense.

01 - Incognito - Red Axes / C.A.R.

Pre-order 'Flourishes':  https://www.beatport.com/release/flourishes-ep/2005759

'Axiom 13' takes the EP to its next levels, wasting no time before bursting into a combined soundscape of grinding layers and an addicting, sharp snare, constructing a perfect arc for the tension that's so sought after in the genre. Out on PILO's forthcoming EP 'Flourishes', out digitally and on vinyl May 5 on BNR.

http://mixmag.net/read/premiere-pilo-and-dean-grenier-build-a-tense-techno-bomb-with-axiom-premieres

More exclusive music

Premiere: PILO & Dean Grenier 'Axiom 13'

Robotiko Rejekto - “Rejekto”

A1) Rejekto (Perfekto mix)

AA1) Rejekto (U.S. Dub)
AA2) Rejekto (Frenchbloke cover version)

Optimo Trax 30 celebrates a double 30 year anniversary; the original release date of “Rejekto” and 30 years since Twitch started dj’ing. In 1987, Twitch, who wasn’t known as Twitch yet, picked up a copy of “Rejekto” at Glasgow’s then numero uno import shop, 23rd Precinct. He was smitten.

Shortly after that he got his first ever dj gig and played “Rejekto” in his first ever dj set. Nobody danced to it. He kept playing it and still nobody danced to it. Eventually he gave up playing it, but never stopped loving it. 

A few years ago he felt the time was right to try playing it again and this time people danced to it. In fact, people loved it and would ask about it and shriek in delight when they heard it. There is often a lot of false nostalgia talked about in dance music and how it “was better back in the day?”. Well, in some ways it was but in many it wasn’t and 30 years later it feels as if perhaps ears are more open, or perhaps “Rejekto” was just ahead of its time?

From Germany, written and produced by Ra-Hen and Talla 2XLC, Robotiko Rejecto’s “Rejekto” was the inaugural release on the Techno Drome International label. With a powerful and seductive vocal sung in Romanian it has latterly been categorised as EBM / Techno but at the time didn’t really fit into any convenient genre. Twitch called it Electrobeat.

To celebrate this 30th release on Optimo Trax, the 12” comes in a  special sleeve designed by Katie Shambles and Andrew Beltran. As well as featuring the original classic “Perfekto” and “U.S. Dub” versions this reissue features a slo-mo cover version by long-time Twitch friend and ally, the mysterious Frenchbloke who was the only other person he knew back then who also loved this wonderful record. Robotiko!

Two track 12" (and digital) released on July 21st 2017. Distributed by Kompakt and Rub A Dub.

Optimo Trax 30 - Robotiko Rejekto - Rejekto! 12" (sampler)

A remix appendix to Jennifer Touchs last year EP-Debut on Riotvan. A record, on which essentially everything has already been said. That´s why it is not astonishing that the assemled adaptations do not necessarily evolve the sound narrative of „Feeling C“ but rather revitalise the spirit of the originals in various clubscenarios.

www.riotvan.de
www.mutingthenoise.com

@llewellynmusic
@jennifertouch

Feeling C Remixes

Wordless (Llewellyn Remix)

Bandcamp

Jennifer Touch - Wordless (Llewellyn Remix) - Snippet

Identified Patient & Sophie du Palais - Peaceful Panic (Original Mix)

Switzerland is famous for lots of reasons,Chocolate, skiing and Roger Federer, alongside that is the talent thatis John Parsley.
Zurich meets the sunshine and faultlines of San Franscisco when John Parsley releases Schlanke Socke on Roam Recordings. 

https://soundcloud.com/parsley-3
https://www.facebook.com/John-Parsley-371370766327300/?ref=br_rs

https://soundcloud.com/roam-recordings
https://www.facebook.com/roamrecordings/

buy here: http://classic.beatport.com/release/schlanke-socke/2243877

Schlanke Socke

PREMIERE | John Parsley - Schlanke Socke [Roam Recordings] 2018

Paula Temple remixes This Country by Fever Ray. Out now: rabid.lnk.to/paulatemplethiscountryYo

The original is taken from Fever Ray's sophomore album Plunge: rabid.lnk.to/plungeYo

In May Fever Ray will embark on their first North American tour in 8 years followed by a run of Festivals across Europe.
Dates and tickets available at feverray.com
Website: rabid.lnk.to/frwebsiteYo
Instagram www.instagram.com/feverray
Facebook www.facebook.com/FeverRay
Twitter twitter.com/feverray

Fever Ray - This Country (Paula Temple's DESTROY Remix)

Djedjotronic joins Nitzer Ebb’s vocalist Douglas McCarthy for a new, 1-track collaborative EP on Boysnoize Records.

“Take Me Down” is a hard-hitting EBM monster anticipating Djedjotronic’s forthcoming debut album. Rolling metal-made arpeggiators punctuate Douglas’ dehumanized, screaming vocal cuts. Severe surveillance warnings echo among the walls of an industrial district. Order and law nullifies the individual in a never-ending 4/4 march, in the religious veneration of the God rhythm.

Take Me Down (feat. Douglas Mc Carthy)

Within the whole retro-mania of '80s induced club music, you rarely find an artist being as deeply immersed in the affective reverberation of old synthesizers as her. Jennifer Touch showcases her immaculate ability to build dance floor-ready bridges between '80s synth-aesthetics, post punk and wave, as she returns to Riotvan with her second artist EP.

Honouring the original by taking in almost everything of the source material, the undisputed one man army Llewellyn, retouches “Chemistry” into a vibrant, dance floor chugger, focussed on Touch’s Postpunk- and Wave-kissed dreariness. Highly recommended!

Read more: http://liquidyouth.nl/music/premieres/jennifer-touch-chemistry-llewellyns-retouch-riotvan/
Pre-order: https://riotvan.bandcamp.com/album/rvn016-chemistry-ep
Stay tuned: www.facebook.com/liquidyouthams/

https://soundcloud.com/llewellynmusic
https://soundcloud.com/jennifertouch
https://soundcloud.com/riotvan-family

Chemistry 

Premiere: Jennifer Touch - Chemistry (Llewellyn's Retouch) [Riotvan]

The Minimal Wave label was founded by Veronica Vasicka in 2005 to create a network for synth wave enthusiasts and promote 80s electronic music via an online archive and vinyl releases. The label specializes in high-quality vinyl pressings of electronic artists from all over the world. Our sub-label Cititrax focuses on modern and experimental electronic dance music. Aside from limited edition vinyl releases, both labels' catalogs are available digitally as well.

Marie Davidson - Naive To The Bone

Minimal Wave

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