This track is so beautiful. I can't help myself. As much as I love to listen to fat wubs and some funky beats most of the time, I love making down tempo music and letting my brain sooth in the harmonic sounds that I put together for y'all and myself. Enjoy

Peace Of Yourself

[FREE] Che + Glo + Swish Type Beat - romance

Buy / Lease

[FREE] UK Drill Type Beat x NY Drill Type Beat "ELEMENTS" (prod. Baziohussar)

Wetman - God of Discogs EP (PRE-ORDER AVAILABLE)

“QL2 is Faster than You” are 6 tracks of ener-getic juke, deep bass, rhythm cutted samples and celluloid atmospheres, that penetrates and rumbles in the rib cage. Three first experi- mental songs, and three final juke bangers: “fast is better than slow” is said in a song, this moto is followed by the kick on every track in the album. "Everything is About Me" we will find the classic sound of padded Rhodes, digital toms, mysterious and enveloping sam- pled vocals. "Heavee Floor" is experimenta- tion, inverted noise textures. "Slow Tachyon" is a synthesized footwork exercise, on board a synth lead without brake, that mourns due to a soft glide and an acid resonance that increa- ses until ending in a rave, Braqueberry style. 
"Theorema of Acceleration" as an interlude, we enter the acceleration lane of the Nascar speedway, smoky car skids and subwoofers, hectic percussions on the asphalt. "Take Me Hiiigher" transports us to the classic Iberian juke sound of BSN Pose, directly from record store, still dust in the record cookie, overactive warmth. The dessert: "Foot Foot Foot Foot Head" similar production style of juke geniuses such as Traxxman, a peculiar collage of cine- matic semblance speckled by a cowbell, all this led by a rhythm with a strong influence from the capital of the state of Illinois. An excellent job of the Spanish producer QL2 "Qleeph” for the reference number 14 of the label that is building the juke scene in Spain.
credits
released March 25, 2019 

Artwork : QL2 
Mastering : Stay Puft (BSN Posse)

QL2 - Foot Foot Foot Foot Head

Elusive London-based producer J-Shadow delivers his first EP for Beat Machine Records, 'The Astral Series'. Hear the moody, ambient interludes punctured by frenetic drum & bass on 'Orlov's Casket'

More info:

BMR023

Premiere: J-Shadow 'Orlov's Casket'

Second Language

Voiced and Unvoiced

https://ikonika.bandcamp.com/album/rarities-vol2

IKONIKA - M.ENTERPRISES CHAPITA (DUB RMX)

TRAXMAN digs thru our catalog for the 5th volume of our MODUS OPERANDI mix series.

From HOUSE MUSIC bangers by Todd Terry, Dudley Slang, Stacy Kidd or Chambray to JUKE & FOOTWORK belters by Waxmaster, Big Dope P, DJ Rashad, Manny & co, the chi town legend brings the heat for 50 minutes full of classics & hidden gems from our label.

Corky also included 2 BIG unreleased cuts from PAUL JOHNSON & DJ EARL coming soon on MOVELTRAXX.

http://smarturl.it/momix005

Release comes with a selection of 18 individual tracks downloadable taken from the mixtape

Download / Stream

[MOMIX005] MODUS OPERANDI : TRAXMAN

Farsight - Not Here, But Somewhere is OUT on Maloca
Preorder (Vinyl/digital) : maloca.bandcamp.com/album/not-here-but-somewhere

“There’s a space for each artist...
Kandinsky said it very good — Not here, not there, but somewhere.” -Willem De Kooning

For Farsight, California’s bucolic San Geronimo Valley was the space that allowed for the creation of this handpicked selection of artistic output. Following a period of deep interest in abstract painting and its relationship to music, the artist found this lush and sparsely populated region to be an ideal location for contemplation and composition. Although the majority of the work was executed in the first two months of 2020 in this forested setting, some of the pieces were based upon drafts created as early as Summer 2017.

United in their eclecticism, the six cuts that comprise “Not Here, But Somewhere'' reveal a broad spectrum of musical influences. They are statements in an age in which influence is omni-directional, and in which the pace of artistic invention outstrips the ability of observers to identify and reify sub-genres. Although each track presents a unique approach, “Cadena,” “Sans Titre,” and “Door to the River'' reflect the continuing global suffusion of Latin American and Carribean styles such as reggaeton and dancehall.

Simultaneously, the duo of “While” and “Hot Half” suggest the ongoing dialogue of techno, electro, and industrial music and the interstices between them. “Mid-Winter Burning Sun” invokes the intensity of American trap music with its booming bass while touching equally upon the feel of early dubstep.
Ultimately, the idea that there is a “space for each artist” can be taken both in a literal sense— One’s physical environment— And also in the figurative sense that there is room enough for the ideas of all artists, who are kindred spirits in the endeavor of radical self-expression. In this way, “Not Here, But Somewhere” exists as an acknowledgement and gesture of goodwill towards every artist daring enough to explore the unknown.

Farsight - While

Mix for Not So Difficult Mag #1!

Including some new tracks by myself, Susobrino, Pippin & many others. Interview and tracklist in the first printed edition.

Mix Not So Difficult 2020

bookings & abuse: minorscienceminorscience[at]gmail.com
promo: minorsciencepromo[at]gmail.com

Voiced and Unvoiced

Minor Science

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