A good track for headphones. it explores the stereo of sound with an array of soundscapes that blast you through the perspective of sound. Enjoy.

Vast Array of Illusion

Raul Apxpei - Adrenaline Pulse (Official Audio)

CURSE

1nsane - Curse (free)

Blue 02 - SMX / Koehler
Release date - 11th May 2018
Buy - whities.bandcamp.com/album/blue-02

A - SMX - Sleep
B - Koehler - Thief

Designed by Alex McCullough. 
Mastered by Beau Thomas

Distributed by Rush Hour

Blue 02 - SMX & Koehler: Sleep / Thief

Wetman - God of Discogs EP (PRE-ORDER AVAILABLE)

Filth

@botany

"Broke Open" is the first offering from Taysha.

Taysha is a compilation of "ambient" works produced exclusively by Texas based artists - out on January 14th.

Botany is North Texas raised, Austin based, Spencer Stephenson, who has been releasing with Western Vinyl since 2010. 

"With only a handful of releases to his credit, Texas native Spencer Stephenson has covered a vast, impressive array of musical ground with his work as Botany. Integrating live instrumentation and dusty samples, his compositional techniques are informed by hip-hop and beat-heavy electronic music, but they reference spiritual jazz, psychedelic folk, ambient, and numerous other styles. His work varies from more rhythmic, pulsating tracks to free-flowing washes of sound, but it’s always conscious, uplifting, and organic. Originally from northern Texas, Stephenson started experimenting with music production as a teenager, inspired by Four Tet, Madlib, J Dilla, and others. He began sharing his music online in 2008, and his first EP, Feeling Today, was released by Austin-based Western Vinyl in 2010. A bit more poppy than some of his later releases, the recording featured vocalist Ashley Rathburn. Botany remixed artists such as Ryat and Cuushe and produced a track on Lushlife’s 2012 album, Plateau Vision. After relocating to a farm outside Austin, Stephenson recorded his full-length debut, Lava Diviner (Truestory), which appeared in 2013. Dimming Awe, the Light Is Raw, the most hip-hop-oriented Botany release to date, appeared in 2015 as a limited LP; guests included rapper Milo and Leaving Records founder Matthewdavid. In 2016, Botany released Deepak Verbera, a surprising excursion into cosmic music and free jazz, channeling artists such as Alice Coltrane and Popol Vuh. Just three months later, Stephenson issued a batch of instrumentals titled Raw Light II, and in 2018, released a collaborative album with Philadelphia rapper Lushlife under the name The Skull Eclipses that included guest features from Open Mike Eagle, as well as members of Shabazz Palaces, and Dirty Projectors. The duo performed at the legendary weekly showcase in LA, Low End Theory, before the event was discontinued last August."

Artwork by Sarah Sissy
Mastering by Dylan Cameron

Taysha

Botany - Broke Open

Blâme EP out on March 6th 2020 via [re]sources.
Remixes by Mr. Mitch, Piezo and Mamboussa.

Premieres by Ransom Note, Tsugi, Insert and Seek Sick Sound

Early support by DJ Plead, TSVI, Low Jack, Barely Legal, Feadz, Doctor Jeep, De Grandi, Chrissy Murderbot, DJ Orgasmic...

Bells EP

BLÂME - Bells (Mr. Mitch Remix)

Second Language

Voiced and Unvoiced

Farsight - Not Here, But Somewhere is OUT on Maloca
Preorder (Vinyl/digital) : maloca.bandcamp.com/album/not-here-but-somewhere

“There’s a space for each artist...
Kandinsky said it very good — Not here, not there, but somewhere.” -Willem De Kooning

For Farsight, California’s bucolic San Geronimo Valley was the space that allowed for the creation of this handpicked selection of artistic output. Following a period of deep interest in abstract painting and its relationship to music, the artist found this lush and sparsely populated region to be an ideal location for contemplation and composition. Although the majority of the work was executed in the first two months of 2020 in this forested setting, some of the pieces were based upon drafts created as early as Summer 2017.

United in their eclecticism, the six cuts that comprise “Not Here, But Somewhere'' reveal a broad spectrum of musical influences. They are statements in an age in which influence is omni-directional, and in which the pace of artistic invention outstrips the ability of observers to identify and reify sub-genres. Although each track presents a unique approach, “Cadena,” “Sans Titre,” and “Door to the River'' reflect the continuing global suffusion of Latin American and Carribean styles such as reggaeton and dancehall.

Simultaneously, the duo of “While” and “Hot Half” suggest the ongoing dialogue of techno, electro, and industrial music and the interstices between them. “Mid-Winter Burning Sun” invokes the intensity of American trap music with its booming bass while touching equally upon the feel of early dubstep.
Ultimately, the idea that there is a “space for each artist” can be taken both in a literal sense— One’s physical environment— And also in the figurative sense that there is room enough for the ideas of all artists, who are kindred spirits in the endeavor of radical self-expression. In this way, “Not Here, But Somewhere” exists as an acknowledgement and gesture of goodwill towards every artist daring enough to explore the unknown.

Farsight - Mid - Winter Burning Sun

'Aegis'. New Album. Oct 2nd. http://smarturl.it/patten-Aegis via 555-5555 // video https://youtu.be/BIglZiK5NLM

Aegis

Torque

bookings & abuse: minorscienceminorscience[at]gmail.com
promo: minorsciencepromo[at]gmail.com

Voiced and Unvoiced

Minor Science

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