Other People is a record label started in New York City in 2013 by Nicolás Jaar. In its 10 years of existence, it has featured the sonic work of over 70 music releases, highlights include Terepa (2015), a "telepathic" collaboration helmed by Kohei Matsunaga (aka NHK’Koyxen) featuring Rashad Becker, Charlotte Collin, Lucrecia Dalt, Laurel Halo, Julia Holter, Grégoire Simon and Kohei himself, Caves (2021), a compilation of silences featuring Laraaji, Aho Ssan, Ana Quiroga and more, Weavings (2022), a collaborative live piece with Juliana Huxtable, Ellen Fullman, Wukir Suryadi and Rully Shabara of Senyawa, Angel Bat Dawid and others. The label has also put out the 1990 spoken word piece "Conspiracy of Women" (2015) by Lydia Lunch, as well as Tomaga & Pierre Bastien's collaborative album entitled Bandiera di Carta (2019) and Lucrecia Dalt's Esotro / Veta release (2014) with remixes by William Basinski and John Wall. It has also featured the likes of Magdalena Dàugosz, Barbara Zawadzka, Bernadetta Matuszczak, Krzysztof Knittel, Bogusław Shaeffer, Saint Abdullah, Eomac, Dienne, Charbel Haber, Okokon, Against All Logic, FKA Twigs, Darkside, Nicolás Jaar and others.  It has featured the visual work of Maziyar Pahlevan, Africanus Okokon, Zofia Kulik, Jena Myung, Charbel Haber, Abeera Kamran and Somnath Bhatt among others. The label’s current contract states that an artist on the label owns all their rights and decides the full percentage of the revenue they wish to make from their releases on the label, after recoupment. Any of the label’s profit gets given out to artists in forms of grants, workshop and educational initiatives. The label has collaborated in this form with more than three dozen exceptional organizations and individuals in the past three years. Although the label works not-for-profit, it is not a registered non-profit.

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

OUT NOW - Basement Jaxx, Slarta John - Jump 'N Shout (Sébastien Léger Remix): orcd.co/jumpnshoutremix

https://sebastien-leger.com

MGMT : SebastienLegerMgmt@purplewall.com
Bookings:  Bookings@sebastien-leger.com

Curve of the Earth - the new album is out now.

Few figures in contemporary music have influenced their respective fields the way Frankie Knuckles has revolutionized dance music.As one of the most renowned DJs in the world, Frankie Knuckles is still packing dance floors with his unique style for almost 30 years. Legions of admirers during his travels penned Frankies nickname The Godfather of House the press picked up on it and made it stick.

He has played a pivotal role in the creation and evolution of house music, which has become the dominant staple of dance clubs throughout the world. It was this celebrity and his constant fundraising for some of his favorite charities dealing with aids, homelessness, and education of our youth, that garnered him one of the most prestigious honors by the City Of Chicago.

On August 25th 2004, the Mayor of Chicago proclaimed the date Frankie Knuckles day, and a street naming Frankie Knuckles Way .As a Producer and Re-Mixer, Knuckles lent his talents to some of R&B and Pop musics elite. Artists such as Mary J. Blige, Sounds of Blackness, Michael Jackson, Janet Jackson, Diana Ross, Luther Vandross, Michael Bolton and Toni Braxton. Frankies production and mixing career was officially recognized by the music industry in 1997.

He became the first recipient of a Grammy for Remixer of The Year and has served as a Governor and Trustee, for the NYC Chapter of The National Academy of Recording Arts & Sciences.As an artist enjoying the success of two Virgin Records releases, Beyond The Mix and Welcome To The Real World . The first album included The Whistle Song which is most memorable as the Lipton Ice Tea commercial in the mid 90’s.

In 2001 Definity Records released the single Keep on Movin by Frankie Knuckles featuring vocalist Nicki Richards. The new song opened his Mix album Motivation and was the beginning of the collaboration between Knuckles and Richards 2004 A New Reality release. Billboard Magazine writes in the Album Reviews noteworthy section Knuckles strings together an inspirational and spiritual collection of gospel-infused club songs .

With critical acclaim from nearly every Electronic Dance and Club Culture magazine through out North America and Europe. Definity strategic crossover plan launched with a visibility campaign in Major Chains for Black History Month in February. Reviews in Vibe, Ebony, Black Beat, Essence, and BET made this Motivation album the first Def Mix Productions release to garner recognition with mainstream Afro American press.

Knuckles was back in the USA mainstream with his positive message. The launch of his Motivation world tour put Knuckles message again in the forefront on an International level and Knuckles realizes post 9/11 was a New Reality for him. In 2003 Knuckles released an exclusive mix album for Armani AX which also renewed his positive Message, and introduced the forthcoming studio album.He started digging through the vaults and writing, and came up with his first studio album to release in 7 years.

A New Reality released April 2004 in the USA, UK, Italy, Australia, and Japan simultaneously, and continues to receive media attention. Knuckles Launches his A New Reality” Tour on the heals of his Bac N da Day success around the globe. Bac N da Day is the first collaboration in 20 years with long time friend, House legend and co writer Jamie Principle. His second single Matter of Time features Nicki Richards, who is one of the most sought after vocalists in the USA. She works with everyone from Janet Jackson to Stevie Wonder. A breath of fresh air, Nicki is featured on half the album and is backed by some of the most amazing vocalists the business has to offer. She also sings with Will Downing who sings backing vocals for her on What’s Goin On .

Knuckles continues to use his celebrity and much of his spare time providing entertainment for various AIDS charity events. He supports anything that has to do with children, noted as saying I cannot stand to hear a child cry of want, hunger, or a lack of love . He has let his services for many past organizations, including Meals on Wheels, GMHC, Pediatric AIDS, and most recently Harvey Milk School.

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