Невероятный трек. Подскажите, что это, пожалуйста.

Это мой самый любимый из "сувениров"

Как в оригинале именуется последний трек?

это что то невероятное

@a17ur: Вот из этой чудесной пластинки: https://www.discogs.com/%D0%97%D0%B0%D0%BF%D0%B0%D0%B4%D0%BD%D0%BE-%D0%A1%D0%B8%D0%B1%D0%B8%D1%80%D1%81%D0%BA%D0%B8%D0%B9-%D0%94%D0%B6%D0%B0%D0%B7%D0%BE%D0%B2%D1%8B%D0%B9-%D0%9A%D0%B2%D0%B0%D1%80%D1%82%D0%B5%D1%82-%D0%A1%D0%B8%D0%B1%D0%B8%D1%80%D1%81%D0%BA%D0%B8%D0%B9-%D0%94%D0%B6%D0%B0%D0%B7-3/release/2959229

A live recording of DJ Done Deal's DJ set from our party at De Liceiras 18 (Porto, Portugal) with Vera Dvale on 19/12/21.

Special thanks to the whole crew at Materia Prima Records and De Liceiras 18 for welcoming us in with open arms & Vera Dvale for kindly recording this set.

Enjoy the killer selections courtesy of local legend, DJ Done Deal!

DJ Done Deal @ De Liceiras 18 x Good Morning Tapes 19/12/21

‘This time around, I’ve invited Noa from Voice Actor to join me on an ethereal NARR Radio journey. Using Noa’s material, we’ve crafted an absurd narrative mix—a mind film, if you will. Noa takes the role of storyteller, her voice seamlessly woven into atmospheric sonic tapestries and subtle textural dissonance. This set is a reflection on music as a dream, where emotions morph into surreal imagery’

Featuring tracks by:
Baal & Mortimer, Elen Huynh, Chaperone ft Nazanin Noori, Great Ghost, Jake Muir, Joanne Robertson, Lena Platonos, Lucrecia Dalt, Plum, clu, Smerz, as well as previously released material by Voice Actor and yours truly.

doris dana & Voice Actor (Noa) 11.02.24

I’d see him outside stuff. It was that awful dubstep era so he wore black Gore-Tex, but I knew that jacket had seen more than dark afters. We met properly and appropriately on a wee island, high as mountains. He stopped me ripping a heater from its correct place after I took offence to the heat it was producing.

Then there was that time in Glasgow, him in pants, cocooned in a duvet, mixing Groovejet into Mac-Talla with one arm. His bike had bucked him aff, and he’d twunted his collar and radius. I’d slept a wretched drunken sofa sleep, emerging from unconsciousness sporadically to the sound of retching or co-codamol fever dream groaning.

Us putting on the boys in a coire, expensive speakers satched by the same sleet settling on his now solidified shoulders. My pal warning me the city boy looked overexposed, me knowing he weathered weather well.

A night in Fort William, a bleak bleary attempt on Curved Ridge turned D Gully Buttress backtrack. Relieved retreating, spouting smut, and a swift dash to Steall meadow to burn off the fidgets.

Taking all that lot to Ben Alder Bothy in the middle of the fucking night, the sound of gutties squelching and boisterous swigging, giving way to hungover mutiny. He lost that black Gore-Tex jacket on the way out. Probably got sidetracked by a stonechat or chit-chat. I was right, that jacket had seen more than dark afters.

😊😊😊

Compiled by Craig Gallacher & John Smith for Magic Mountain. Released on a double-sided C60 tape in an edition of 50, now sold out.

Mixed by Craig Gallacher @gallachercraig
Mastered by Gavin Lyall Sutherland @vinlanders
Tape obis printed by Lesley Sharpe.
Illustration by Keith Shackleton.

Wild Raver

Wild Raver (Side A)

HORROR OF A MAN MERGES BAD WEATHER. HE BRINGS PEOPLE TO AN EARLY GRAVE WITH A SMILE. MAKES MUSIC FALL DOWN THE STAIRS

Nosedrip @ Kiosk Radio 14.04.2024

Fish - Of Course

The Ritual Must Be Kept Alive w/ Sofia [13.09.24]

Tune into Ghost Notes Worldwide for that post-twilight sound. Night time music of all strains, with blunted R&B and hip hop instrumentals, neo-downtempo productions, slow jams, and hazy dancefloor sounds. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/impey/episodes/impey-17th-october-2024

Ghost Notes Worldwide w/ Nicky Soft Touch & Eldon 171024

Get the party started with DJ Wawa & Clay Wilson's Hit Factory Records.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/hit-factory/episodes/hit-factory-19th-december-2024

Hit Factory 191224

Step into The Head Zone - one hour of musical selections from the mind of Moon Duo's Ripley Johnson. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/moon-duo/episodes/moon-duo-9th-january-2025

The Head Zone w/ Ripley Johnson 090125

Новогодний сувенир

Here comes mix number 12 in the series, kindly contributed by our long time dear friend Suso Sáiz (@saizsuso) who gave it the title 'Oat Flakes Falling In My Carpet At Sunset - Japanese Ambient 1'. Interview (excerpt) down below.

www.musicfrommemory.com 

MFM: Hi Suso. You live in central Spain, right? How important is living there for you and your music?

S: I live in a little town not far away from Madrid. It’s very quiet and I’m in contact with nature. I feel good in the place where I live. My choice to live there is not arbitrary as I need peace and silence to work and this place meets all the conditions.

MFM: In 2019 we happily received and released your latest album Nothing is Objective where in the liner notes you say you never listen back to a finished piece of music. Why is that? Isn't that an important part of learning and progress?

S: Usually, I’m not so interested in the past. I prefer to live present time as deeply as possible and sometimes, to dream in the future as the child I was. Listening to my own work tends to be self-destructive as I’am aware of glitches that grow up as time goes by. Meanwhile, my pieces begin to move away from reality. My intention is to evolve continuously. I spend a long time working in them as to allow my “new self” (that appears as a result of my evolution) to destroy them.

MFM: Do you actively look for and listen to other people's music though? 

S: I’m a melomaniac before a musician. Listening to music is one of my greatest pleasures as well as an endless source of knowledge. My listening is very eclectic. You can find my inspiration in music and musicians as Miles Davis, Steve Reich, Ralph Towner, King Crimson, Mahler, African and Indonesian ethnic music, etc.  

MFM: Do you visualize an idea for a piece of music before you start writing it? Could give a bit insight in how you normally get to write a piece?

S: Musically, I always start with something that I hear inside my head: I cannot specify what it is. That’s the reason why I begin an experimental process that finishes when I synchronize what I hear inside me with the sounds I make.

MFM: Is there such a thing as a Suso state of being when writing music, to get to that "ingravidez"?

S: I usually work alone and at daytime. I try to use the night to sleep. My studio is a cozy place, where peace and quiet are essential to make my work. The “ingravidez” I talk about, is a result of the sound not of a state of mind. I try to set up sound capsules that generate such “ingravidez”, regardless of other conditions. 

MFM: You speak of music as being very spiritual, something that connects to the soul and transcends it's structures and textures. Has your disease played a role in this or did you always approach it that way? 

S: I have always tried to search my deepest self with my music. It’s possible that you find spirituality in that search. Things have not changed with my disease. 

MFM: About your last album you said “It is the most honest album that I have written in a long time. I feel it is honest with myself, as I feel a deep sense of acceptance with who I am and with what I do.” What did this do with your thoughts on any next project? Do you now maybe have a different view concerning collaborations vs. solo works? 

S: I try to make each work unique and although it belongs to a same lifeline, it’s not necessary that they refer to the same things. Obviously, if you collaborate with other artists your point of view changes as it goes through other person filter and your reactions will be upon impulses not generated by yourself. I always try that honesty is a constant that never should disappear from my music. I always try to sound as I am. Actually my intention is not to go to a fancy dress ball, although..”never say never again”..

MFM Mix 012: Suso Sáiz

Music digger. Soviet jazz & soviet electronic fan. Member of @estetikazvuka. Curator of the project Cinesthesia, Souvenir jazz.
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Новогодний сувенир

Miracle Libido

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