This a remix of https://soundcloud.com/mattmadd/duodronedrumtrio-disquietjunto0474-revised-and-corrected which was the third part of a triadic collaboration with joyneski and melondruie for last weeks Disquiet Junto. As recommended in this weeks junto assignment, I dug into all three of the contributions to find parts to use, then added more of my own. I heard a latent shoegazing droney noise rock vibe in so I went in that direction, doing what I can to do what needs to be done. As I mix, conceive, arrange, chop and tweak, (and wonder what the heck is happening), I'm reminded that I know nothing. Not exactly true, I probably (maybe) know something. Just as our ego tells us we're pretty darn smart and cool, we're reminded we don't actually know all that much. So keep learning, you fool. 
As I was browsing Disquiet.com to find info for this week's post, I stumbled on this 50th anniversary tribute to Allen Ginsberg's Fall of America album (https://allenginsberg.bandcamp.com/album/allen-ginsberg-s-the-fall-of-america-a-50th-anniversary-musical-tribute), and the track "Elegy for Neal Cassidy." Was great to hear that (thanks for sharing that Marc). I love that word, elegy. So since I know nothing, this week can be an elegy for the presumed knowledge it's time to let go of, and a reminder to learn something. 
The image: Someone took some smashed asphalt at the park and made some cairns. Thank you person, for making my walk special today. 
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More on this 475th weekly Disquiet Junto project — Low End (4 of 3) / The Assignment: Remix a trio by doing forensics on its component parts — at:

https://disquiet.com/0475/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0475-low-end/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Elegy For False Knowledge - [Disquiet0475] - Remix of Matt Madden, Joyneski & Melondruie

What is there left to do?
Can't we do something new?
I found my old guitar,
I'll tune it up and play for you.

Join my mailing list for occasional news and updates: http://eepurl.com/dhWgP1

Welcome to halF unusuaL, an evolving project inspired by the playful spirit of ‘hai’ (meaning “fun” or “unusual” in the word haiku). Here, improvisation meets the unexpected, exploring the boundary between music and non-music to shape soundscapes that feel familiar yet foreign. Listen freely, explore deeply, and if you’d like to see these sounds come to life, stop by the YouTube channel. Thank you for joining the journey! Your support helps keep this soundworld spinning. 🥰

multi-instrumentalist & composer.
music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

1. Trying to get some of the musical noise in my head into the outside world. 
2. Still learning about sound construction and production (and hopefully always will be).
3. If you hear unrealized potential in any of my postings, do please get in touch as I'd like to explore doing some collaboration.

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Creating eclectic music and enjoying the journey. 
I participate in Weekly Beats (as miraclemiles) and the Disquiet Junto. 
This account has my solo and Creatures Once band music.

Electronic music, field recordings and weird electroacoustic sounds.

Elegy For False Knowledge - [Disquiet0475] - Remix of Matt Madden, Joyneski & Melondruie

August Miles