you may be right about it being too dense for a part of three .. but I'd like to hear a stereo version of this : )

intense trac tried something https://soundcloud.com/bick-brannigan/sharing-tounges-spreads-cooties-duet-with

Based on Great Bells of Fire created by @ray_cobley and @33per: https://on.soundcloud.com/41Mg671BgkPgyLmX8

Feeling instantly inspired -- this reminded me of the duo work of Mark Fell and Will Guthrie -- I set about improvising some bassy, repetitive riffs on my Tele through 1440 looper, Pladask Elektrisk's Fabrikat and some other tone-shaping gadgets. Includes minuscule edits, albeit with loads of after-the-fact looping etc., to create more of an illusion of synchronicity. Enjoy!

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Fells Of Fire (disquiet0638)

Lots of great duos to choose from -- so went for adding ingredients to https://on.soundcloud.com/yEVsaczJg9y3fz1R8 by @blaaroed and @he_nu_ri. Strictly improvisatory approach, first take of what came to my mind off the top of my head. Panned dead centre as per the instructions, hence the song title (the post code for London's Centre Point building).

Enjoy!


More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/


Centre Point innit.....

WC2H 8LH_disquiet0638

A collaboration with @alanblip and @rabmusiclab. Thank you both :)
More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Droning Sheep {with Alanblip & RabMusicLab(disquiet0638)

For my second contribution I added granular guitar to the collaboration of SamPlair (@user-248104983) and @wasabicube . Thanks a lot for letting me work on this.

Also contains parts of the field recording “Horse Trek Horsemen” by iainmccurdy -- https://freesound.org/s/571363/ -- License: Attribution 4.0

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Disquiet0638 - Train Ride (with SamPlair and Wasabicube)

Thanks to @torstengoerke and @RabMusicLab for such a lovely collaboration. Yann Tiersen feeling all over : )
Again, I don’t think I do this collaboration justice but while far from perfect this is the best I could do in the allocate time.

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Printemps Fleuri [with Torsten Goerke And RabMusicLab] - Disquiet0638

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Right (1 of 3) by @randomshuffle

Left (2 of 3) by @xhg

Brushed Off (feat. xhg and Marc Eisenschink) Disquiet0638

This week's #disquietjunto prompt was complete a trio begun by two other musicians.

I used a random number generator to choose from last week's duos at random, and I ended up with Right to Drum https://soundcloud.com/33per/right-to-drum-with-mikey_a by @33per and @mikey_a

I listened to it a few times and started hearing a low-pitched melody, like something played by a euphonium or trombone. Unfortunately my brass instruments are not with me (fortunately, perhaps, in my neighbors' opinions). So, I decided to try recording a melodica melody. 

I just got a dictaphone, and I want to experiment with recording things on the dictaphone and then pitching them down, so I recorded at double-speed and then altered it in Ableton Live.

The result actually clashed with Mikey_A's chord voicings, so I ended up just time-stretching everything but using the melodica's pitch.

The melodica sounded a little harsh (free reed instruments can have a lot of odd overtones, I read somewhere), so I used a saturator to try to even things out. It seemed crazy to add a saturator to something recorded on a dictaphone, but it worked, and I think the end result maybe sounds closer to a synthesizer.

I did some basic audio sculpting, like sidechain compression so all of the instruments made room for each other, and adding a slow filter sweep to the synths to give them some more movement. The track also starts in mono then quickly adjusts to stereo, then goes back to mono.

All in all, a fun project!  Thanks to eeper and mikey_a for sharing their creativity and music!!!

* * * * *
More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Center To Sing (disquiet0638)

I choose to work from this piece since it gave me tingles! These artists are amazing and thought I would try something slightly more "traditional"
Live Bass Soundscape - disquiet0636 https://on.soundcloud.com/bMEWdN7A9NLBmffS8
Daniel Diaz https://soundcloud.com/daniel-diaz

Krakenkraft & Etherkraken
Reflecting Fragility [disquiet0637] 2/3 (first) 
https://on.soundcloud.com/wbJ45HZykAtjyDLz6
Krakenkraft & Etherkraken https://on.soundcloud.com/y8wkG5YwApB7E34L7

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Reflections of Sliced Fragility Disquiet0638 3O3

Thank you @AlvaroDeCampos and @blisterpop. Wonderful track you gave me to work one.
As was the case last week, the instructions for this week’s project are fairly detailed, so please read them at disquiet.com/0638 15 (rather than me stuffing them into a post here).

This is the third phase of a three-phase sequence over the course of as many weeks during which, consecutively and asynchronously, musicians build trios together.

You can participate in any or all three of the three projects. If you participated in last week’s project, please note these two things:

    be sure to set your track as downloadable
    to avoid bot issues on Soundcloud, make sure its license is set to allow creative reuse

Also important: In normal circumstances, Junto projects have a one-track-per-participant limit. However, as with the preceding project that led up to this one, you can contribute more than one track this week. The details on that are in Step 5 of the project instructions 9.

This post popped up at disquiet.com/0638 9 (thanks, powers of automation) shortly after 12:10am Pacific Time on Thursday, March 21. (I was asleep at the time.) The email containing those instructions went out around the same time, also automatically, via juntoletter.disquiet.com. (We recently switched over from TinyLetter, because TinyLetter was shut down by its owner, Mailchimp, at the end of last month.) Come morning, after I woke up, I posted the instructions here, and at my Mastodon account, plus Bluesky, Threads, and Instagram, etc. And if you’re on a platform, like Mastodon or Instagram, that uses hashtags, please use the #DisquietJunto tag. Much appreciated.

Six variations in a knot (with @AlvaroDeCampos and @blisterpop) - disquiet0638

Left track: Marsh Bone - by Raincat
Right track: Marsh Bone Epoch - by Tristan Louth-Robins

More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Marsh Bone Evening Epoch (disquiet0638)

All sounds from recordings of my tongue drum. I had big groaning, creaking sounds in mind. Created in hotel room on day three of a power outage caused by falling trees after a windstorm. Took a walk and found this big pile of fallen trees by the river. So here's some droniness, some crunchy textures and a little melody because there's always some of that around. 
Experimenting with Ableton Live's warping modes for most of the sounds. Some delays and verbs. Rolled off a little low and high end. I hope its not too full and dense for someone to add more to it!
Panned left as requested for the project. Stereo version (and abstract video of trees) here: https://youtu.be/BRw_IARdFhY

BPM: 100
KEY: D minor (?) The notes on the tongue drum are in D "celtic" minor scale: D3 A3 C4 D4 E4 F4 G4 A4 C5 I have pitched some notes up and down. 
Arrangement: 
Intro: 8 Bars
A section: 9 bars
B section: 8 bars
A section: 12 bars
B section: 8 bars
Outro: 4 bars

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

disquiet.com/0472/

More on the Disquiet Junto at:

disquiet.com/junto/

Subscribe to project announcements here:

tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/disquiet-junto-pr…ject-0472-jam-time/

Shared Tongues - [Disquiet0472]

Creating eclectic music and enjoying the journey. 
I participate in Weekly Beats (as miraclemiles) and the Disquiet Junto. 
This account has my solo and Creatures Once band music.

Shared Tongues - [Disquiet0472]

August Miles

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