Ende Juli 2023 - auf dem Acker des Nation of Gondwana Festivals - haben wir ab Mitternacht des zweiten Festivaltags den "Bei Birke" Floor übernommen und zu dritt die musikalische Reise in den frühen Morgen gestaltet. Vor uns ging es sehr schnell zu und um die Tanzenden in ihrem Beat weitergrooven zu lassen, stiegen wir hier ein und fuhren das Tempo langsam runter - in ein wunderschönes Morgengrauen. Dort angekommen, breiteten wir euch einen sehr groovigen Klangteppich aus, voller kleiner Details und mit viel Platz zum Verlustiggehen. Wir freuen uns sehr, dass wir - Erika, Mareena und Resom - euch dorthin begleiten konnten. Viel Spass beim Nachhören!  Danke Team "Bei Birke" und überhaupt an die "Nation of Gondwana" für den praktischen Einblick in eine gelebte Utopie.

At the end of July 2023, on the field of the Nation of Gondwana Festival – in the middle of the night of the second day, we were allowed to take over the musical design of the "Bei Birke" floor and start a journey into the morning with those present. Before we took over it was quite fast, so to let the dancers groove on in their beat, we stepped in and slowly brought down the tempo, into a beautiful dawn. Once there, we spread you a very groovy sound carpet, full of small details and with so much space to get lost. We are very happy that we - Erika, Mareena and Resom - could accompany you there. Have fun listening! Thank you team "Bei Birke" and in general to the "Nation of Gondwana" for the practical insight into a lived utopia.

@mareenaofficial @resi-resom @erikadotnet

Ginger Coven @ Nation of Gondwana 2023 – Bei Birke

Munich meets Miami in a B2B that's a dream come true. A perfect brew of DnB, hip hop, techno, ambient, and bouncy mesh brings together two of the scene's most innovative forces. Skee Mask, the master of acoustic manipulation and dark atmospheric textures, teams up with childhood friends duo INVT, with their hypnotic, trippy Latin-scented audioscapes and intricate drum programming. An immaculate blend of INVT's gritty rhythms and Skee Mask's otherworldly sonic engineering.

INVT b2b Skee Mask - Climate Of Fear - April '24

Mixed by Ankith Woods

Contact me on IG @ankithwoods
ankithmgmt@gmail.com

Kingston Skrilla (Faye Webster x Kodak Black Mashup) [ANKITH WOODS MASHUP]

BFW- 90's Dancehall Reggae 1

Stones Taro invites Vís - 25 February 2025

PACIFIC MODE’s regular in Japan YELLOWHURU in studio.

https://www.instagram.com/yellowuhuru
https://www.instagram.com/m_s.healthyyy
https://www.instagram.com/pacific_mode22

https://soundcloud.com/pacific-mode
 

PACIFIC MODE with YELLOWUHURU and DJ HEALTHY @ The Lot Radio 05-03-2025

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

rhythmanalysis

▶︎うたつなぎ用
from BIG BEN(stillichimiya)

繋がったミュージック拝借
BIG RESPECT TO 思い出野郎Aチーム！

produced by ARI
（LOVIN' YOU RIDDIM 2020)

STAY NICE 2020!!!!!

繋がったDUBで逢いましょう

For the August edition we've invited Donna Leake from London who handed over a high spirited 2 hour mix. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Donna, welcome to the series. How's your day so far? Does your day normally involve music from the moment you wake up?

DL: Hi. Thanks so much for having me. My day so far has been real sweet. I woke up at 6:30am and all I’ve done is make coffee, listen to and dig for music, draw and paint. It’s now 13:30. Not every day is like this though! 

MFM: Before lockdown, was DJing the only thing that brought food on the table? How is that now, did you revise your approach or strategy after the whole live events scene collapsed?

DL: Yes it was the only thing bringing money in and turned out it was one of the main things keeping my soul full and my spirit high. So I’ve had to re strategise a few areas of my life recently. I haven’t come up with anything solid yet, I’ve always just gone with the wind. But I think now there is a sense of urgency to save myself getting into more debt because of this! But I did gain something massive and far more valuable than money since losing it, a new perspective as to what it was we were doing and what I was a part of. I now appreciate the beauty of people making the effort to gather and listen and share music together and the industry and all it's efforts more than ever. I always had thanks, but I guess you can really check in on something more closely when you stop and look at it from the outside.

MFM: Do you then also feel positive about the future of nightlife and culture?

DL: Yes I feel positive about it. The force of music is so strong and what it does to people is unstoppable. It may take some time and maybe it will change, but that might even be a good thing. We all got an opportunity to check in with ourselves and stop and even though this was a disaster for the economy and the effects of that will last a while, the essence of art and music have nothing to do with money and that’s where it should restart. If anything it might have a wonderful impact. Art can sometimes be richer if we’ve been through some heavy experiences. 

MFM: What in your opinion actually makes a DJ stand out?

DL: Most importantly, and this probably applies to everything, I think is to be yourself which will naturally be unique if you are able to harness your true essence. I know that sounds obvious but it’s often a journey to feel as though you know or to find yourself, but I think being true and present in every moment of that journey is how you’ll be able to tap into what’s unique about what you do. Being fully present and playing with the times whether that’s trying to express what's going on inside you or a response to what’s happening in the world. Also not to think but feel your way through. This will often be more accurate since our heads are pretty full and busy! Authenticity and truth can be applied to any taste and style. For me I like to go on a ride with twists, turns and surprises and hear a story with a variety of feelings from the lowest to the highest, but keeping it coherent and without being too much of a mess. Although a bit of mess is all right too!

MFM: Thanks a lot for your contribution. Can you take us through your process of recording mixes?

DL: I would say all of the above is the general process for any mix, or at least as much of this as possible is considered. But since recording mixes is the only way I’ve been sharing music recently and I’ve made so many, I have started to try to give each mix more of a focus. For example one I did recently was called music for chess. And this mix has a particular focus on psych. This is because I can feel summer ending is just around the corner and it’s been the most hazy, mind bending, deep, confusing but colourful and dream like summer I’ve ever had and I’ve never felt so inside and removed from my head and the world at the same time as I have this summer!

MFM Mix 019: Donna Leake

YELLOWUHURU (FLATTOP)
DJ / Producer in JAPAN [FLATTOP] founder Mixes electronic sounds and raw sounds organically, with house mind at its core!

rhythmanalysis

me0wranda

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