More stuff to find on my YouTube-channel. Check it out and please follow me there. Thank you :) 

I am a DJ and have a NuDisco and DeepHouse fetish, so I started making some remixes in that style (and others as well). 

For management please contact: miles@vivalamusic.co.uk

find me on: 

twitter.com/clausnors
facebook.com/clausnors

DISCLAIMER:I do not own anything in this music. All music belongs to the rightful owners. 
It is just for fun and my DJ-gigs. 
Don't forget to support the artist by legal platforms. This is why I never open my files for download.

Producer duo from Los Angeles, CA. 

Members: @yungjg & @powercord

For all inquires, please contact: ItsHolyBeats@gmail.com

WAVS and full Edit catalogue here :: https://www.patreon.com/AndyBuchan

Highlights:                    
Craig Charles plays ‘Fly Guy’ on his 6Music show Say A Prayer EP is one of the top-selling EPs on Juno Download and one of Greg Wilson’s tracks of the year
‘Caught in the Middle’ spends over 5 months in the Beatport Top 100 Disco charts, with support from PBR Streetgang, Danny Rampling, Rinse FM and more.
Named as one of the Top 60 Disco and Nu-Disco producers in the Traxsource 2018 
6 releases in the Juno Download Best of 2021 round-up 
3 Juno Disco No.1s in 2022
Tours with The Brand New Heavies across the UK 2021                     
Signed to​... Hot Gorilla Records, Peppermint Jam, Hot Digits, Paper Disco, Sprechen, Disco Fruit, Midnight Riot, Alpaca Edits, Citizens of Vice, Masterworks Music, Chopshop, Rare Wiri, Editorial Records, Thunder Jam Records, Spa In Disco, Golden Soul and more.    
Support from​... Craig Charles, Mixmag, Danny Rampling, Greg Wilson, Peggy Gou, Horse Meat Disco, Claptone, Jacques Renault, PBR Streetgang, Nick Warren, Bicep, Dr Packer, Chris Coco, Fingerman, Yam Who, Rinse FM, Wildblood & Queenie, Conan The Selector and more


Named a ‘stellar edits provider’ by Mixmag and the ‘nu-disco don’ by Juno, Andy Buchan​ has become one of the most consistent names in the disco and edit scene for the past few years with chart-topping releases on dozens of disco-fried labels including Peppermint Jam, Hot Digits, Midnight Riot, Paper Disco and on his own Hot Gorilla Records imprint.    

Hot Gorilla Records launched with a bang including several Juno Download No.1s, multiple Traxsource Top 10s and four tracks in the Best of 2021 Beatport chart. Plus they’ve had repeat plays from BBC 6 Music and support from Greg Wilson, Horse Meat Disco and Craig Charles. Hot Gorilla Records also supported The Brand New Heavies on their 2021 sell-out tour across the UK. 
Andy’s own music has been picked up for reviews in DJ Mag and Mixmag, plus radio support from 6Music and Rinse FM and club and festival plays from big-name DJs including Bicep, Claptone, Horse Meat Disco, Greg Wilson, Peggy Gou, Justin Robertson, Electric Chair and more. And he was also asked to enter his music collection into the British National Library Sound Archive.     
He’s currently the resident DJ at Flight Club and Chow Down in Leeds and a regular guest DJ at leading Edinburgh venue The Street. Alongside that, Andy has played across the UK in recent years, warming up for Huey 6 Music, Dr Packer, Groove Armada, Psychemagik, Hot Chip and more. 

This is just the latest chapter in Andy’s career. After freelancing for Mixmag and training as a journalist, he moved to Dubai in 2004, working for Time Out Dubai before launching DJ Mag Middle East. He was a regular on the club and festival scene, first with his own long-running, award-winning nights and with long-term residencies at Pacha and Trilogy. He was also booked for Creamfields UAE twice and cemented his open-genre, curveball DJ style by playing alongside a wide variety of DJs including Fatboy Slim, Mark Ronson, Basement Jaxx, Todd Terje, Norman Jay, Liam Gallagher, Feel My Bicep, Graeme Park and more. 

Now back in the UK, he’s become a mainstay of the disco scene while his label Hot Gorilla Records continues to grow into one of the most exciting labels in the scene including 2022 festival slots at Beatherder and Standon Calling.

Germany-based Sebastian Stuetz is the brain and mind behind the well-known music-project “Final DJs”. Besides producing and DJ’ing, he is also into blogging at Nu Disco Your Disco , a prominent base for Nu-Disco around the web.

After experimenting with different kinds of electronic music, Daft Punk’s album „Homework“, gained his attention thanks to its sampled and retro-influenced house-music. While playing French-house, disco-house or synthwave for a few years as a DJ, the enthusiastic virtuoso followed up by creating his own music-project.

“Final DJs” was born back in 2010 and soon after, several remixes for labels like Kiez Beats, Universal Music or Pyramid (Kitsuné) saw the light just before in 2012, the first EP dropped via On the Fruit Records. The EP featured a remix by the hands of Justin Faust (Nervous Records) and was well-received by several prestigious blogs like Tracasseur.com, Neonized.net, Dödselectro, Discobelle.net as well as several prominent DJ*s.

In 2013 the single “One Day In The Sun” (Kiez Beats) which featured popular house-music vocalist Stee Downes went on to be played at Abercrombie & Fitch-stores worldwide while it made its way into the Beatport Nu-Disco charts thanks also to remixes by Teenage Mutants and Vintage Culture to stay there for quite some time.

The next release “Moonshine” in the very same year on Pole Position Records scored a “Ministry of Sound TV” video-feature and also popular DJ’s like Drop Out Orchestra, Anoraak or The Cyclist showed a lot of love for that tune.Besides all of the releases mentioned above, the Final DJs produced remixes for globally-known acts & artists like Goldroom, Kris Menace, Lifelike or MRTN.

A new EP is in the works and features Patrick Baker while he is also putting his hands on new songs that will be getting the cherry on the whip-cream thanks to talented singers like Jane Elisabeth Hanley and Dana Jean Phoenix who are both adding their beautiful voices to his productions. International blogs like TILT! Mag in Los Angeles, Como las Grecas or Wohlwill hosted Final DJs as guest-mixers.

Clubs like Kiki Ortaköy (Istanbul/Turkey), MyyyBitch Club (Vienna/Austria), Singerhaus(Basel/Switzerland), Wanderlust (Paris/France), Bar Romantica (Stuttgart/Germany), Buddha Lounge (Stuttgart/Germany), Klub International (Berlin/Germany) played hosts to the energizing sound of Final DJs already and a few more are up on the schedule already.

You can support me at :

https://mikespawn.bandcamp.com/

Looking for a singer (man or woman), if you're interested, please pm :)
Looking for a saxophonist and a guitarist, please pm :)

Bring back the 80's |
SYNTH POP |
NZ |
NEW LP 'Communication' OUT NOW!

Launched in 2010, THE REFLEX is a project from producer / DJ Nicolas Laugier, a French national based in the UK since 1998. Following on the footsteps of remix / DJ edit pioneers Larry Levan, Shep Pettibone, François Kevorkian or John Luongo, The Reflex somewhat redefined the remix rules book by using stems and multitracks to craft fresh, innovative versions (dubbed ’revisions’) from classics tracks and artists, genre-hopping through the decades and styles with ease, combining creativity and functionality with often spectacular results.
With constant support from superstar DJs, tastemakers, A-list artists and creatives to high profile brands / events through to bedroom DJ’s, The Reflex revisions are now part of the musical landscape.

Clocking over 100M+ streams, The Reflex is a multi-faceted artist that has lent his skills to ads for Louis Vuitton, Karl Lagerfeld, to remixes for the biggest names in pop and dance music, to extensive catalogue revisits for the likes of London Records, Salsoul/Westend and Zagora/Because, to a long standing collaboration with Noel Gallagher and to legendary artists like Joe Walsh (Eagles), Cerrone, Kathy Sledge, Blondie, Michel Polnareff, Nile Rodgers, Rita Lee, Kid Creole and more.
Boasting a strong online following and a loyal fanbase, including 322,000+ fans on YouTube, The Reflex is now ready to move into original productions; his first artist track “Weekend” has been snapped up by Glitterbox for release in May, with Ibiza / Malta gigs and a Defected Basement mix lined up to support the arrival of this first single.
On his own vinyl label Discolidays, The Reflex has collaborated with Because Music in Paris re-imagining the catalogue from (Daft Punk) Thomas Bangalter’s father, Daniel Vangarde, and his label Zagora while showcasing his remix work for Cerrone, Patrice Rushen, D.C. LaRue, Nile Rodgers ft Nubiyan Twist, Bruise and others to commercial and critical acclaim.

As a DJ, The Reflex sets are energy-packed workouts firmly rooted into disco / house / balearic territory somewhere between trainspotters’ paradise and revision anthems, with an ability to adapt to audiences and venues through his 20+ years DJ experience.

Bookings / Remix / Press Enquiries: mgmt@discolidays.com
https://linktr.ee/thereflex

Socials
https://www.youtube.com/c/TheReflexRevision
https://soundcloud.com/thereflex
https://www.facebook.com/thereflexmusic
https://www.instagram.com/thereflexmusic/ 
https://open.spotify.com/artist/6E7SbenCPEit9gDFnMlDUA?si=RxLmyt67Q9W-NJgCSSQC9A

A podcast on radical politics, critical theory, and history. Hosted by Alex Doherty.

Patreon: https://www.patreon.com/poltheoryother

Contact: politicstheoryother@gmail.com

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


Miranda&#x27;s Lab is following

Miranda's Lab is following