Vinyl only, 180g, hand stamped and individually numbered.

People Get Real - Cane (Horn Wax)

Enter the sanctum of resonance. HARMONIC COLLAPSE weaves a dystopian tapestry of metallic reverberations, tribal pulses, and trance‑laden arpeggios. This chapter of the Frequency Descent series is a ritual of sonic annihilation and rebirth.
#Trance #DarkTechno #IndustrialTechno #EBM #Apotheosis

COLLAPSE OF THE METAL

Golden Ratio Concerto

HALLOWEEN

Final episode in Decades, our retrospective series focusing on the work of Tolouse Low Trax.

OUT NOW

TOLOUSE LOW TRAX - METAL TENT WICKED

Little one I had made especially for my live act. I needed some kind of tool to use as a transition to get smoothly to a more eastern vibe. Definitely inspired by 'Feta Version' from Center of The Universe. Feel free to ask for the full version if you like! :)

Am I Crazy for Talking to Myself All the Time?

The music of Chel White is celebrated in Automaton, a collection of mostly unreleased recordings from 1985 to 1991, by this innovative animator, film maker and visual artist. 
Having studied music theory in grade school, White taught himself drumming and played in a new wave band until, in 1981, together with Dan Gediman, they formed the minimal wave duo Process Blue (Alternative Funk, 1985 / Dark Entries, 2018). Here their experimentation went way beyond playing drums. 
His interest in industrial music, fostered in the late ’70s and early ’80s while working in factories as a way to put himself through college, informed his use of electronic instruments, tape manipulation, noise and unconventional percussion.
By 1985, as a now solo artist buoyed by newly affordable audio sampling technology, White tapped into his earlier teenage fascination with the art and films of both the Surrealist and Dada movements – in particular their disparate and fragmented imagery and sound – as a means to create striking new sonic palettes.  
Science & Industry – a track largely influenced by Balinese monkey chanting and the consumer excess of American in the 1980’s – is a clear example of “music collage”. Photocopy Cha Cha, made for the short animation film Choreography for Copy Machine (Berlin International Film Festival, 1992 / Sundance Film Festival, 2001) moved his music into the realm of early multi-media.  
Experimenting further, tracks like Liquid Shadows and Pensive provide minimalist moments, before the drone-like Dream #630 and Forest Song point to a future that included music video works (David Lynch/Thom Yorke). 12" record is out 30th November, pre- orders taken at: 

Bandcamp: https://platform-23.bandcamp.com/album/automaton
Juno: https://www.juno.co.uk/products/chel-white-automaton/723277-01/?fbclid=IwAR2dHsyDLG3v8WQRm_cSgRTmhqjJTm3W5wKna1RQ_w81OvwUqUTXUZyzp3w

YouTube

PREMIERE #696 | Chel White - Automata 7 [Platform 23] 2019

Dystopian cruise ship entertainment for mourning world order

CLOSING TIME

ttbc014 - Duncan Gray - Fuzzcakes

The Malcontent vol2 will be released later this year, and there are too many tracks to fit on the album, so this one is getting an early release on Bandcamp this friday (7th August 2020)

Buy this release

ttbc14 - Duncan Gray - Fuzzcakes (clip)

J.A.D.E invites @daire-crozier

Tracklist:
Curses-looking in
Phil Gerus- Ohashi Sky Garden (Richard zen remix)
Agoria- You’re not Alone (Solomon remix)
Moscoman- wakalaka Beach
Piezo-perccssszzzz
Whilk and misky - clap your hands(Solomon remix)
Curses-Gold and Silver (chiniski tech noir mix)
Giant Swan- High Waisted
Locked Club- Skreamer
Locked Club -Atom Hell
Schwefelgelb - Der Sichere Weg
Schwefelgelb- Auf Der Anderen Seite Vom Fenster
Surgeon- Radiance

https://soundcloud.com/jadetalktoyou

𝘑.𝘈.𝘋.𝘌 Podcast Series: DÁIRE CROZIER

Medium

no shows scheduled as I'm having a little break for medical reasons but I'll be back soon :)

Am I Crazy for Talking to Myself All the Time?

mirror minds