Daryl Quincy debut album, Senses Collide is launching! Visit Misapprehension on Bandcamp for the full album with extra tracks.

If you'd post a few words in review of a track or the whole album it would help bring our site to life and we'd love to know what you think. 
Many thanks, Team Misapprehension

Bandcamp: https://misapprehension.bandcamp.com
Please support our independent label by purchasing from Bandcamp

Senses Collide by Daryl Quincy [Bandcamp for full album w/extra tracks]

Full song https://misapprehension.bandcamp.com/track/grey-unpleasant-wasteland-2
The band are tight and driven on this rock track - growling bass, Copelandish drums, retro guitar textures, spacious synthesizer and vocal harmonies propel the song through a blistering 4 minute snapshot of Britain today.
Released ahead of the forthcoming debut album, Senses Collide. Please like, follow and share. 

Recorded and mixed by Daryl Quincy
Vocals and guitar: Daryl Quincy
Bass: Dave Sturt
Guitar: Mark Beeston
Backing Vocals: Craig Roper
Drums: Will Barber
Synthesizer: Brian F Melville
Produced by Daryl Quincy and Mark Beeston
Mastered by Daryl Quincy

released April 21, 2020
Written by J.D.Eden. Published 2020 J.D.Eden
© J.D.Eden 2008 All Rights Reserved. Unauthorised duplication is a violation of applicable laws.

Senses Collide

Grey Unpleasant Wasteland

Arranged as a rock trio song featuring Dave Sturt of Gong and Aaron Comess of The Spin Doctors, Number Crunching is a sort of sister song to Grey Unpleasant Wasteland. With the reification of statistics, bureaucracy and the obfuscation of selective data, pseudo-science and management-speak there can be less truth than ever in business, politics, marketing and the media. Attainment targets, 'continual improvement', appraisal procedures, public relations, human resources - ongoing conjurers' tricks in a smoke and mirrors conceit. Yet as philosophers and mathematicians have questioned - after all the trickery and deceit, how much certainty, control, and meaning do we have in our carnival of absurdity?
credits
released June 7, 2020
Recorded and mixed by Daryl Quincy
Vocals and guitar: Daryl Quincy
Bass: Dave Sturt
Drums: Aaron Comess
Produced by Daryl Quincy
Mastered (Hi-Res 96kHz / 32 bit) by Daryl Quincy

Written by J.D.Eden. Published 2020 J.D.Eden
© J.D.Eden 2016 All Rights Reserved. Unauthorised duplication is a violation of applicable laws.
license
all rights reserved

Number Crunching

Written in Stoke-on-Trent in 1992 and initially recorded with the late Race Newton on piano in Whitby then with Dirk Zodiac at Race's goat farm in Grosmont. Years later, around 2007, Daryl would be fortunate to encounter Dave Sturt who had played in London with both Race and Dirk in the 1980s. Through Race, Daryl had met Isaac Guillory a couple of times and Dave Sturt had also performed with him. It was fitting, then, that Dave kindly agreed to play bass on this song as the 1994 sessions on cassette with Race and Dirk had survived in the archives and were arranged by producer Mark Beeston along with fresh drums in this 2020 version.

credits
Recorded and mixed by Daryl Quincy
Vocals and guitars: Daryl Quincy
Piano: Race Newton
Saxophone: Dirk Zodiac
Double Bass: Dave Sturt
Drum Programming: Mark Beeston

Produced by Mark Beeston and Daryl Quincy
Mastered (Hi-Res 96kHz / 32 bit) by Daryl Quincy

Written by J.D.Eden.
Published 2020 J.D.Eden
© J.D.Eden 1992 All Rights Reserved. Unauthorised duplication is a violation of applicable laws.

Out Of My Head

Out Of My Head (feat. Race Newton) on Bandcamp

Recorded and mixed by Daryl Quincy
Vocals and guitars: Daryl Quincy
Bass: Dave Sturt
Drums: Will Barber
Sax:Mat Anderson
Sax:Dirk Zodiac
Organ and piano: David Ives

Produced by Daryl Quincy and Mark Beeston
Mastered (Hi-Res 96kHz / 32 bit) by Daryl Quincy

Written by J.D.Eden. Published 2020 J.D.Eden
© J.D.Eden 2008 All Rights Reserved. Unauthorised duplication is a violation of applicable laws.

Catalogue Of Heartache

Recorded by Mark Beeston and Daryl Quincy
Mixed by Daryl Quincy
Vocals and guitars: Daryl Quincy
Bass & Drum Programming: Mark Beeston
Organ and Piano: Brian F Melville
Horns arrangement: Brian F Melville
Saxophone: Mat Anderson
Produced by Daryl Quincy and Mark Beeston
Mastered (Hi-Res 96kHz / 32 bit) by Daryl Quincy

Written by J.D.Eden.
Published 2020 J.D.Eden
© J.D.Eden 1995 All Rights Reserved. Unauthorised duplication is a violation of applicable laws.

Denied

Bandcamp: https://misapprehension.bandcamp.com
Please support our independent label by purchasing from Bandcamp. You may also wish to follow us on Patreon. Thanks.

Introduction to Misapprehension:

Having drawn together numerous talented people over nearly 3 decades, Misapprehension has been created to represent achievements in varying fields, including music, film making, video game production and writing. We are therefore setting up as a record label, film and games studio.

Our first example of this is the launching of the debut album by Daryl Quincy. Daryl began production on this in 2004 using songs written since 1992. He took time out, moving house and jobs and so on and added enough songs to create an album from 2008. Now 12 years further on, after several health difficulties and practical obstacles (housing, hard drive crashes, day jobs, university work etc) the album is launching in 2020. Daryl is our example of never giving up, of fulfilling a dream - however unlikely or unprofitable - to create, to deliver, to experiment living with some regrets and not allowing other regrets, finding out what happens if you reach for the stars keeping your feet on the ground. Ignoring calls of "Don't bother", "Its too much work", "It'll never pay" in order to see projects through that may be a gamble, but in several ways are better done than not done.

Daryl Quincy's debut album, for example, brings together several musicians who's paths coincidentally crossed in the 1980s and he combines them in performance across decades into one song, "Out Of My Head". He fuses Indian, folk, jazz, country, blues, classical and funk music into an album of short catchy 'pop' songs. These have been a long time in production, yet are not 'overproduced' - maintaining some rough edges and real/natural artifacts from basement and attic recordings, with some piano and sax parts even recorded on cassette in the 1990s. His hope is that he has created a natural, 'organic' and genuine anthology, a 'human' album with textures, atmosphere, vulnerability and strength. 

Such a debut album perhaps fittingly encapsulates the ethos of Misapprehension - warmth, humanity, vulnerability, hope and resolve. We hope we deliver this in the creative projects to come. Thank you.