This is followed by EMOTIONAL LOGIC - ANGER by the Serbian composer Misha Cvijović (*1984), who lives in Berlin. Her work Emotional Logic, which was premiered as a complete cycle last year by the Zafraan Ensemble, was about giving expression to basic feelings such as fear, disgust, sadness, anger, joy and surprise.

In the wake of the Covid 19 crisis, the project took a surprising turn. Corona protection and quarantine on the part of the contributors became an unplanned constituent factor of the composition. Sound research and self-reflection occurred in a double way: in the real reality of all musicians as well as in the virtual reality of their communication. The georg katzer ensemble Berlin presents a new version of the piece ANGER (Wut), which the composer wrote especially for the georg katzer ensemble Berlin for Festival Klangwerkstatt für Neue Musik Berlin 2021.

Misha Cvijovic - Emotional Logic_ANGER for trompete and ensemble (new version)

Misha Cvijović is a Serbian composer and pianist based in Berlin. She developed her musical career in the fields of instrumental and orchestral contemporary music, electroacoustic music, contemporary opera and musical theater, theatre and film music.

Her compositions have been performed at numerous international festivals, including: Heroines of Sound Berlin, KLANG Copenhagen, SONIC MATTER Zürich, MaerzMusic, Unerhörte Musik, Monat der Zeitgenössischen Musik Berlin, Klangwerkstatt für Neue Musik Berlin, Darmstäter Fereinkurse, Symposium Neues Musiktheater Deutsche Oper Berlin, Originaltöne Festival, Frauen im Musiktheater Neuköllner Oper, 11th IMPULSE Graz, ADK Hamburg, Performing Arts Festival Berlin, Fresh Works for Fresh Minds Basel, Forum Neue Musik Berlin, Zoom+Fokus Berlin, 29th Belgrade Jazz Festival, Cannes Film Festival, 40th Saarbrücker Max-Ophüls-Preis, Filmfestival Achtung Berlin, EPTA World Piano Conference and many more.

Her compositions have been performed by many internationally established soloists, ensembles and orchestras for contemporary music, including: Ensemble LUX:NM, Zafraan Ensemble, Ensemble RADAR, Sebastian Berweck, Siirje Viise, Zone Experimentale Basel, Orchestra Radio Television Serbia, SYNK Ensemble, Disturbulence 3 and many more.

Her compositions were conducted by Titus Engel, Alessandro Crudele, Mike Svoboda, Marcus Weiss, Nodoka Okisawa, Musashi Baba, Davis Bui and others. Her compositions were broadcasted on Radio Deutschlandfunk, WDR 3, Radio Bremen, Radio Television Serbia.

During her Opera/Theater/Film career she worked as composer, arranger, pianist and musical director. She worked with directors like Peter Kastenmüller (Theater Bielefeld), Jonas Eglof (Deutsche Oper Belin), Jan Sobrie (Deutsche Oper am Rhein), Alienor Dauchez (Donaueschinger Musiktage), Fabian Gerhardt (Neuköllner Oper, E.T.A. Hoffmann-Theater Bamberg, TD Berlin,Theater am Kürfüstendamm), Andrea Moses (HfS Ernst Busch), Johannes Müller (Sophiaesaele Berlin, Theater Rampe), Ulrike Schwab (Neuköllner Oper), Demjan Duran (Ballhaus Ost Berlin), Miloš Lolić (Yugoslav Drama Theater Belgrade), Aleksandra Odić (arte, Cannes Filmfestival), Boris Hadzija (rbb, International Filmfestival Rotterdam), Jovana Tomić (Yugoslav Drama Theater), Iva Milošević (Atelje 212 Belgrade), Kokan Mladenović (Atelje 212 Belgrade), Nebojša Bradić (Opera & Theatre Madlenianum), Snežana Trišić (UK Parobrod), Đurđa Tešić (Atelje 212 Belgrade).

She participated in many international composition festivals and seminars with Georges Aperghis, Mark Andre, Catherine Milliken, Heiner Goebbels, Lucia Ronchetti, Hannspeter Kyburz, Wolfgang Heiniger, Pierluigi Billone, Stefano Gervasoni, William Blake, Brian Ferneyhough, Johannes Schöllhorn, Brigitta Muntendorf, Isabel Mundry, Clara Iannotta, Sarah Maria Sun, She She Pop, Forced Entertainment and many more.

Misha graduated piano from the Academy of Arts in Novi Sad in the class of Vladimir Ogarkov, as well as composition from the Faculty of Music Arts in Belgrade in the class of Vlastimir Trajković. She graduated composition from the renowned HfM Hanns Eisler Berlin in the class of Eun-Hwa Cho.

Misha is a scholarship holder of the scholarship program for professional Berlin artists and curators of the Senate Department for Culture and Europe in Berlin 2021 and the Musikfonds Berlin 2021 with Trio Splitsignals Berlin.

https://www.youtube.com/user/DRORELIMELECH120V

https://www.facebook.com/dror.elimelech.338/


ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .