THE SOUND OF NOW 2015
(THE FUTURE IS NOT FAR BEHIND)

Sound of Now (S.O.N) Productions always has and always will continue to bring you “The Sound of Now."

It is and has always been at the forefront of Melbourne’s and often the International dance scene!!!

Driven by the positive energy or “vibe’ that can be created by uplifting synthetic sounds, intelligent lighting and positive like minded people on a dance floor.

We will continue to give new deserving talent a break and keep the true pioneers in their respective genres in regular work.

Our new project this year will feature new innovative and futuristic developing concepts to place Melbourne’s producers, live artists and DJ’s on the Australian and international Dance music scene with original music.

S.O.N Sound Of Now!

Harmonic Connective Integration Invention!

#soundofnow
#JasonMidro
#NickSaffron

Initially banned from radio and shunned by media and industry alike, the Campbelltown-bred rapper refused to be ignored. Kerser initially opted only to self-promote via a monthly video upload to YouTube, some clips receiving up to 100,000 views in 48 hours. His YouTube boasts 150+ million views and 225K subscribers, and with over 173K Instagram and over 276K followers his loyal fan base continues to grow. 
Chart topper, ARIA nominated, record breaker, selling out shows nationally. The infamous emcee and CEO of ABK Records continues to smash the scene.

@MDJAY (MDMA PRODUCTIONS)
(DJ/Producer) 
Trance/Hard Trance/Techno/Progressive/EDM

Solid bass lines & uplifting sounds!
https://linktr.ee/mdjay
https://twitch.tv/mdjaymusic
https://youtube.com/mdjaymusic

Started DJ'ing on CD's & Vinyl back in 2001.Began DJ'ing at Clubs in 2006, Played at various venues in Melbourne such as Royal Melbourne Hotel, 3D Nightclub, Martini Lounge, Dream nightclub, Inflation, Seclusion,Jett Black, & Room 680 as well as various other private parties/events. 

Supported and partied with Myon & Shane 54 in there Asia Debut in Jakarta, Indonesia 2009 @ Club Centro.

Played main stage on April 6 2012 supporting Daniel Kandi @ Royal Melbourne Hotel -  Soundkraft Records - http://www.youtube.com/watch?v=2jonLhNLsZg&feature=youtu.be

DJ'd at Trance Generator(ITALY) for Bass Station event @ 3D Nightclub on 18/5/2012.

Ace Of Spades Resident DJ 




PLEASE NOTE: All mixes posted here are for promotional purposes only and are not subject to sale. The tracks used within each promo mix posted remain the property of the respective artists and are protected by copyright.

Comments and feedback are much appreciated! Thank you!


The vast majority of my productions/remixes are currently now set to private. They will no longer be available on Soundcloud. Contact me for private links or check out my youtube for some older productions. 
 MDJAY (Born To Rock The Party)P.L.U.R

Like, share, follow, repost and comment.

Thanks for the support ❤
#mashup #mdjay #trance #techno #edm #mashups #djsets #djmix #mdjaymusic #uplifting #hype #goodvibes #producer #artist #dj

twitter @mdjay IG/threads @mdjaymusic

Nathan Bennett is a DJ that aims to provide you with an experience you'll never forget. Always delivering an unforgettable performance, and an energetic stage presence.

Nathan started DJ'ing in 2003, playing mostly Hard Trance and Reverse Bass Hardstyle which are two of the biggest influences on his sound today. 
It was about a year or so later when Nathan started to discover multiple genres including Hardcore, Electro, Break Beats, Drum and Bass, Hip Hop, Dub and similar electronic styles.

Nathan has been a force in the club scene for a number of years having held residencies at Groove Inc. at Breed nightclub and Sublime at Home nightclub.

He currently holds a residency at Sydney’s only Hard Dance club, Masif nightclub owned by the famous Dj and producer Steve Hill.
It's no wonder that Nathan has now built up a loyal following of supporters. His Dj sets, mixes and mash-up productions frequently cause a massive stir amongst fans and Djs alike and is mostly recognised for pushing the sound of 'Reverse bass Hard Dance'

2009 was a busy year, with Nathan winning the Cronulla Northies Amateur Dj Competition. Several months later he won the Sublime Dj Competition, granting him a set on the Main Stage at The Final Transmission and skyrocketing his dj career.

2010 was jam packed with exciting events for Nathan with one of his main gigs Magic City at Homebush State Sports Centre, followed by an invitation to play at the world renowned Defqon.1 Festival
In 2012 Nathan was granted a slot on the Main Orange Stage playing alongside some of the worlds best Hard Trance Djs .

Nathan has continued his success with invitations to the 2011, 2012, 2013, 2014, 2015, 2016, 2017 & 2018 Defqon.1 Festival. 

Thoughout Nathan’s career he has played along side and supported such top Shock:Force, Organ Donors, Alex Kidd, Kidd Kaos, ASYS, Fausto, Phil York, Activator, 
Josh Lang, Nomad, Kuruption,  Headhunterz, Wildstylez, Donkey Rollers, Zany,  Noisecontrollers, Kamui, The Pitcher, Jowan,  Dr Willis, Nitrouz, Dj Isaac, Tatanka, Code Black, Slim Shore, Chris One, Toneshifterz, Steve Hill, S-Dee, Hardforze

With a bright career ahead of him Nathan Bennett is the one to watch right now

Member of Parkbench Philosophers
Representing Back-Ally Bandits

(Booking Details) - "All inquiries will be responding to as soon as possible." (Email: ryleyghirardi@hotmail.com) 
(Facebook:  https://www.facebook.com/kwote.parkenchphilosophers)

Once transmitted through speakers and into the airwaves, music belongs to the people. The audience ascribes meaning and significance to songs and ultimately absorbs them for life.

By the same token, SIX60 belong to listeners. The history-making award-winning New Zealand quintet—Matiu Walters [vocals, guitar], Marlon Gerbes [keyboard], Ji Fraser [lead guitar], Chris Mac [bass], and Eli Paewai [drums]—stir rock, reggae, funk, and pop together with a twist of kiwi roots music and Maori instrumentation. Invoking this spirit and Kiwi roots, their latest music and next evolution showcases traditional Maori instruments such as Pūtātara and Pūkāe (stone and long trumpets), Bone Kōauao (Bone Flute), and Karanga Weka (Stone Flute). “We want to take our Maori culture and put it into a mainstream radio world,” exclaims Matiu. “There are only a handful of people in the world who can play these instruments, and we felt getting them into a mainstream album could give them a chance to stay alive.”
Over a decade before breaking records and selling out stadiums back home or signing to Epic Records stateside, the boys then welcomed the world into their musical ecosystem and set a career precedent in 2008 while still students.

“At University of Otago, we shared a flat at 660 Castle Street in Dunedin, New Zealand,” recalls Matiu. “We originally didn’t name the band. Instead, our first college fans gave the band the name by calling us the ‘SIX60 Boys,’ which evolved into SIX60. We adopted this philosophy into our albums. The fans add the final touches and have naming rights over things we do. The songs aren’t done until the audience has them. So, the album doesn’t really have a spirit or a name until the crowd consumes it.”

As such, SIX60 engender a rare level of devotion from fans, bordering on downright phenomenal. The group’s 2011 full-length, SIX60 (I. The Gold Album), bowed at #1 on the charts in New Zealand and eventually went septuple-platinum. SIX60 (II. The Colours Album). saw them reclaim the top spot on the charts in 2015 and go quintuple-platinum. To date, New Zealand single sales exceed 1 million as global streams surpass 200 million and counting. At the 2018 NZ Music Awards, they garnered “Best Group” in addition to five other honors.

A year later, they made history. Performing their biggest show to date, they sold out Western Springs Stadium in New Zealand and became “the first New Zealand Act to Sell 50,000 Tickets to a Show at the Stadium” (They repeated the same feat for 2020!). The gig proved to be a major milestone both professionally and musically.

Mitchell Saw is following