nimda - sleep mind 2

1. Astropilot - Gods Channel (Original Version)
2. Aural Planet - Exposure
3. Easily Embarrassed - From Water To Life
4. Sync24 - Replicant
5. Bob Guido - Leaving The World Behind
6. Hammock - Before The Celebration
7. Loscil - Steam <--- copyright issue! ( http://vocaroo.com/i/s0xCaoXyCu12 )
8. Vangelis - La Petite Fille De La Mer
9. Venture & ZiD - I Had To Walk Away
10. Biosphere - Kobresia
11. Biosphere - Poa Alpina
12. Biosphere - The Things I Tell You
13. Robert Rich-Somnium Part I
14. Robert Rich-Somnium Part II
15. Robert Rich-Somnium Part III

nimda - sleep mind 2

music

Robert Rich -Somnium

IDM/Downtempo

Taken from the alum 'Goodbye'.

How to describe Ulrich Schnauss's music? Let's see. It's shoegazing heroes. Slowdive headlining a rave. It's krautrock plunging headlong into the celestial raptures of the Cocteau Twins. It's U2 if Brian Eno had ousted Bono and commandeered the band in 1985. It's Balearic with a view of the Baltic instead of the Mediterranean. It's art-techno for the heart as well as the head. It's stadium chillout, as immense as a festival field and as intimate as a bedroom. It's celebration and catharsis. It's vapour trails and meteor showers. And it's very, very good.
 
So far, the quietly spoken German who creates this music has operated beneath the radar. His first two albums, 2001's Far Away Trains Passing By and 2003's A Strangely Isolated Place, worked their way into record collections by stealth. People heard tracks played by Rob Da Bank or Tom Middleton, or chanced upon him on stage at the Big Chill or Bestival, or heard about him from friends. However they discovered him, they were hooked. XFM's Lauren Laverne called A Strangely Isolated Place "a life changer everyone I have forced to buy it loves it."
 
Ulrich's third album, Goodbye, is his first for Independiente. It is also the end of a chapter in his sound. "I see these three albums as moving closer to something I wanted to do right from the beginning but didn't quite manage," he says. "Merging songwriting and indie elements with electronic music. I've tried to take all the ideas to the maximum."
 
So the ambient tracks are more spacious, the songs more memorable, the multi-layered, guitar-heavy tracks more ragingly psychedelic. Just listen to the obliterating rush of Medusa, or the cloudbusting dream-pop of Stars (performed by long-time collaborator Judith Beck). At times, there are over 100 different audio tracks playing simultaneously: a tower of song. No wonder Goodbye has taken three solid years of in the studio.
 
If Ulrich hailed from somewhere less boring, things might have been different. Fortunately, he was born in 1977 in Kiel, an unprepossessing city on Germany's Baltic coast best known for its naval base. It seemed to the young Ulrich as if everything important was happening elsewhere.
 
He explains, "I was talking to Andrew Sherriff from Chapterhouse and he told me that being from Reading had a significant influence because the place was so shit that you had to create beautiful music to get out of that state of mind. I'd say the same thing for me. Kiel is probably the most boring, ugly place in the world. The whole city is grey concrete. Places like that inspire you to create something that elevates you out of reality for a few minutes."
 

Bands didn't tend to play in Kiel, but at least the NME arrived regularly at the train station, albeit four weeks late, and the british forces radio station was good. Around 1990, Ulrich discovered electronic music and shoegazing simultaneously: the Orb alongside My Bloody Valentine, 808 State next to Ride, Shades Of Rhythm beside Slowdive. He also followed up every artist namechecked by LFO in their 1991 single What Is House?: Brian Eno, Tangerine Dream, YMO His core ideas about music were forged there and then.
 
"For me that was the magic of those days," he says. "You couldn't say if a band was electronic or rock. I'm not interested in purist ideas. I like it when things you don't expect merge and mix and something new comes out of it."
 
And because he never got to see his heroes in the flesh, they maintained an aura of mystery and wonder. "You make up your own idea of how things are. For me that whole early '90s scene was something I imagined, like a fairy tale - an alternative reality to what I was experiencing."
 
Ulrich worked as a psychiatric nurse as part of his national service. After that, he moved to Berlin, where he tried in vain to become accepted by the electronic scene. "I felt really isolated. I desperately tried to integrate but it just didn't work. I was trying to marry what I wanted to do with what was trendy at the time and I always ended up with a foul compromise. So I thought I might as well do what I want to do."
 
After a few years of watered down, pseudonymous productions which he'd rather you didn't seek out, Ulrich released Far Away Trains Passing By on the dauntingly hip City Centre Offices label. He was amazed they even wanted to release it; more amazed still when it became a cult success. With its abundant charm and unabashed optimism, it was the most pleasantly surprising electronic debut since Boards of Canada's Music Has The Right To Children.
Its more rock-influenced successor, A Strangely Isolated Place, received an even warmer response, from critics and other musicians alike. It led to Ulrich remixing some of his shoegazing heroes (Neil Halstead and Rachel Goswell of Slowdive, and Mark Gardener of Ride), as well as Depeche Mode, Justin Robertson, Lunz (Hans-Joachim Roedelius), and Longview.
 
Tired of the Berlin scene, Ulrich moved back to Kiel to make Goodbye. Most of his schoolfriends had moved away, so he didn't have to worry about distractions. His last two album titles spoke of isolation, but was that the pain of enforced loneliness or the comfort of voluntary solitude? Goodbye is equally ambivalent. "Emotionally, I find farewell situations interesting," he says. "Saying goodbye can be tragic or hopeful."
 
Like its predecessors, Goodbye constructs its own world, vast and vivid. When he's making music, Ulrich sees colours: one song might be red, another blue. Next time, he wants to "record an album based on more traditional electronic music structures - which could enable me to merge all these different influences beyond recognition". Meanwhile, this is the album he's been moving towards for over a decade: a sonic tour de force, an alternative reality, a life-changer.

Ulrich Schnauss - Stars

AstroPilot - God's Channel

limited 7" split with http://soundcloud.com/joney

iTunes:  http://bit.ly/R1scBo
Beatport:  http://btprt.dj/UJOy9J
Amazon:  http://amzn.to/QMxuj1
Audiolith:  http://bit.ly/Szfx3K
<3

Sonne Park und Sterni

Beatport

Sonne,Park und Sterni (OUT NOW)

Robert Rich - Somnium Part II

Acoustic Plantation Releases

Aural Planet - Exposure

Sync24 - Replicant

Robert Rich - Somnium Part III

Robert Rich - Somnium Part I

Uploaded due to FB requests. Ask and ye shall receive! This one is from my 2006 album entitled "Mellowdrama" Click the "Track Video" button above to view the video on YouTube.



Behold

Buy and Stream links https://fanlink.tv/oohuman

www.olivierorand.com

https://www.facebook.com/olivier.orand
https://www.instagram.com/olivier.orand
https://twitter.com/orandolivier

Mixed and Mastered at hyperelief.com

Human

Hours

Download "Leaving The World Behind" here:
http://bobguido.bandcamp.com/track/leaving-the-world-behind

Streaming Everywhere: hyperurl.co/LISTEN-TO-BOB-GUIDO


"Dedicated to the memory of my brother and sister"


Music composed, produced, recorded and mixed by Bob Guido 

Electric guitar, vocals and treatments performed by Bob Guido 



Album cover photo of Jökulsárlón Glacial Lagoon, Iceland by Bob Guido 



℗ & © Bob Guido Music. All Rights Reserved

Leaving The World Behind

Bob Guido - Leaving The World Behind

EP illustration by Meghann Stephenson

Guitar and vocals: Sorcha Richardson
Written by Sorcha Richardson
Produced by Tristan Fogel

Download --> http://www.sendspace.com/file/pji6m6

http://soundcloud.com/sorcharichardson/sets/sleep-will-set-me-free-ep

Sorcha Richardson - Alone (Tristan Fogel Remix)

A soundtrack for a Blade Runner-type ripoff movie I imagined in my head.

If I had any skill I'd mix it into something continuous, but those talents evade me.  Any takers to string this all together?

Ulrich Schnauß - Monday-Paracetamol

Heute vor einem Jahr wählte ich Musik für meinen Mix "Lebenslänglich" aus und einen Tag später ging er online. Die Auswahl folgte keiner bestimmten Logik – nur gefallen musste sie mir. Was danach geschah ist für mich heute noch unglaublich! Auch wenn Zahlen nur Schall und Rauch sind, schrieb ich wenige Wochen später ein paar davon zusammen mit wünschenswerten aber für mich völlig utopischen Zielen auf einen Zettel und legte diesen in meine Schublade.

Die Ziele wollte ich am letzten Tag des Jahres überprüfen. Ich habe nicht daran geglaubt, sie zu erreichen – geschweige denn zu übertreffen. Eingetreten ist jedoch beides. Ich blicke stolz auf das wohl ereignisreichste Jahr meines Lebens zurück und bedanke mich von ganzem Herzen!

Ich danke euch, meinen treuen Fans und Unterstützern, ich danke allen Künstlern, die mich mit ihrer Musik versorgen und mich inspirieren, ich danke allen Clubs & Veranstaltern, die es mir dieses Jahr ermöglicht haben, andere Menschen glücklich zu machen, ich danke allen neuen und alten Freunden sowie meiner Familie dafür, dass ich bin wie ich bin.

Aber besonders danke ich meiner Freundin, die mir jeden Tag zeigt, dass man alles schaffen kann, wenn man hart genug dafür arbeitet und an sich glaubt. Oft erscheinen uns Ziele zu groß und wir uns zu klein, aber in jedem von uns steckt mehr als wir denken!

"Ich bin heute Abend nur deinetwegen hier. Du bist der Grund, weshalb ich bin. Du bist mein einziger Grund. Danke!"

---------- Download ----------

Kostenlos downloaden unter:
http://bit.ly/37axZ04

Weitere kostenlose Mixe, Podcasts & Livemitschnitte downloaden unter:
http://bit.ly/fh-auf-sc

---------- Playlist ----------

Falscher Hase - Rückblick (Dezember 2012)

01. Bright Eyes - No One Would Riot For Less (Clueless Dubstep Remix)
http://soundcloud.com/cluelessbeats/bright-eyes-no-one-would-riot

02. Phaeleh - Should Be True
http://soundcloud.com/phaeleh/should-be-true

03. Lianne La Havas - Forget (Shlohmo Remix)
http://soundcloud.com/shlohmo

04. Daughter - Medicine (Electrohertz~ Thinkfull Edit)
http://soundcloud.com/electro-hertz/daughter-medicine-electrohertz

05. BlackIsBeautiful - Pergamon
https://www.facebook.com/pages/BlackIsBeautiful/161910655631

06. Edu Imbernon & Los Suruba Feat. Daniel Wilde – Leopard (Sascha Braemer & Dan Caster Remix)
http://soundcloud.com/stilvortalent/svt093-edu-imbernon-los-1

07. Dominik Eulberg - Mikroorgasmen Im Morgentau
http://soundcloud.com/traum-schallplatten/traum-v156-dominik-eulberg

08. Ornette - Crazy (Sebastian Barsch Remix)
http://soundcloud.com/sebastian-barsch

09. James Yuill - Rusty Nails (Matthias Kick & Freiboitar Remix)
http://soundcloud.com/freiboitar/james-yuill-rusty-nails

10. B. - Drive Darling (M. V.'s Lovely Edit)
http://soundcloud.com/maurovalente/darling-mvedit

11. Aleah - Water and Wine (FlicFlac Edit)
http://soundcloud.com/flicflac/aleah-water-and-wine-flicflac

12. Trifonic - Good Enough
http://soundcloud.com/trifonic/good-enough

---------- Social Media ----------

Falscher Hase auf Facebook: http://bit.ly/fh-auf-fb
Falscher Hase auf Instagram: http://bit.ly/fh-auf-ig
Falscher Hase auf iTunes: http://bit.ly/fh-auf-it
Falscher Hase auf Resident Advisor: http://bit.ly/fh-auf-ra
Falscher Hase auf SoundCloud: http://bit.ly/fh-auf-sc
Falscher Hase auf Spotify: http://bit.ly/fh-auf-s
Falscher Hase auf Twitter: http://bit.ly/fh-auf-t
Falscher Hase auf YouTube: http://bit.ly/fh-auf-yt

Falscher Hases Termine: http://bit.ly/fh-live
Falscher Hases Musiktipps: http://bit.ly/fh-mt

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Falscher Hase - Rückblick (Dezember 2012)

Type : Album
Release date : 04 Feb 2008
Produced by : Jeffrey, Nick, Peter Spaargaren
Mastered at : EE-Studio by : Jeffrey van der Schilden
Label : Cardamar Music (CARD012)

From Water to Life

Benedetto & Farina - Fair shakin' world (Oliver Schories Remix snip)

HVOB have only just released their impressive debut album, but the next EP is already on the way: "Always Like This" is almost a tribute to the Vienna-based electronic duo's current wave of success.
Number 1 in the iTunes Dance Charts in Austria and number 3 in Germany, number 3 in the Beatport Deep House Charts – and HVOB's eponymous debut album continues to win the band critical acclaim in a success story which began when the first snippets appeared on Soundcloud a year ago. HVOB's Berlin-based label Stil vor Talent, which is no stranger to success, has been delighted by one of its best selling albums to date.
HVOB's third EP is scheduled for release on April 26 – and the track selection seems to be more than mere coincidence. "Always Like This" is an accurate reflection of the young Vienna electro duo's life right now. Anna Müller and Paul Wallner are "super happy" with the way things are going, busy as they are with all the live appearances in cities like Berlin, Paris and Istanbul, long nights spent in the studio and the formation of new partnerships: alongside Four Artists, Primary Talent, one of the world's major booking agencies, will in future be looking after the interests of HVOB.
"Always Like This" is the third single from the album "HVOB". HVOB's cover of the track by British indie rock band Bombay Bicycle Club mixes warm synth pads with soft beats, while Anna Müller's distinctive voice puts an entirely new spin on the melancholy of the original. Oliver Koletzki and Andhim have both made remixes of HVOB's interpretation of "Always Like This": Oliver Koletzki's version is powerful, emotive and melodic, while Andhim's shows incredible attention to detail and is intensely deep and original.
HVOB, which stands for "Her Voice Over Boys", are Anna Müller and Paul Wallner, who formed the duo in spring 2012. Müller (composition, production, vocals) and Wallner (composition and final production) produce intelligent, sophisticated electronic music, which is both easy to listen or dance to. The Vienna duo, who favour live on-stage performances with the backing of a drummer, will be appearing at the Donaufestival in Krems, Lower Austria, the Lighthouse Festival on the Lanterna peninsula (Porec, Croatia), the Pratersauna in Vienna, the Übel & Gefährlich in Hamburg and the Ninkasi in Lyon. For more information and event dates visit: www.hvob-music.com.


Robert Rich - Somnium Part II

mharris75