This account got suddenly got hack, BUT I am NOT a hacker. Please call me Face for now, but what I want to you guys to do now is to contact Midnight To Monaco in any different kind of way so they can change their password. Right now I'm light headed from what is happening. Thank you and have a nice day
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Rex Club. Paris. The late 1990s. 
 
A kid sneaks into a Respect is Burning party. Inside he experiences a sound unlike anything he’s ever heard. And it sticks with him forever.
 
The kid was Donnie Sloan. The sound was the French Touch.
 
Cut to many years later. Mr. Sloan, now grown. A multiplatinum songwriter and producer. He had everything he needed. Except the voice for his upcoming project.
 
At the time it must have seemed like just another jam session. Another late one in the hills. But the singer he heard that night was unforgettable. 
 
And Donnie knew instantly. 
That was the voice to take 50’s doo wop harmony into the future. 
 
Ricky Ducati got to LA with fifty bucks, his leather jacket and a pack of reds. But when you sing like Ricky, nothing else is required. 
 
It was over the next months that they cut the record on the same vintage Neve console as The Beach Boys, The Mamas and the Papas and countless legends before them. 
 
Ducati on vocals.
Sloan at the controls.
 
Their sound is a lifetime of influence.
Their name is Midnight to Monaco.

Satellite - out now 🧬 @muterecords 
MGMT - Info@goodlife-management.com
Bookings 
ROW - ollie.seaman@teamwass.com
N/S America - Ryan@liaisonartists.com

Run of AreaAudio for ISF
 https://soundcloud.com/isfinfestazionisoniche

Resident Of Fade Radio 
https://www.fade.radio/residents/r-a-s-h

https://soundcloud.com/faderadio
Resident  of 
https://www.fangoradio.com/shows/350
 
Biography
Empirical as a hard sip spilling from a discharged battery. There is always a nihilistic fetish in these youngsters dealing with technology. Stefano Martino, aka R A S H, is never hiding this darkest side in his composition. His machinery becomes a ritual object within which his human state becomes an algorithmic begging of change making its appearance at warm 50 hertz complacency.

His sound exploration is elaborated through decadent, post-industrial soundscapes inscribing the full failure of a consumer society which noise becomes an evidence whilst its awareness is modelled, reworked within a dystopian hexavalent chromium taste, blended into the future. Uncannily grainy, definitely remote. Until he stumbles upon a retrofuture device. Namely, a mono synth.Owner of  AreaAudio for Infestazioni Soniche Festival / R A S H lab

https://www.fade.radio/residents/r-a-s-h

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