At heart, Stas Sharifullin is a supporter. His label Klammklang (co-curated with Julia Sharifullina), his teaching work, his shape-shifting multi-disciplinary artistic practice and his other projects are all a testament to his unique ability to work alongside and lift others up. Perhaps that’s also part of why he has never released a full-length record under his HMOT moniker – until now, he’s been too busy helping others.

But his first ever full album – ‘This Music Greets Death’, written between 2014 and 2021 – is finally arriving. A grim-sounding title is accompanied by a soft watercolour painting of strange, gentle creatures and their unknown world. A curious juxtaposition. But all is clear to Stas Sharifullin, and everything is as it should be. “This is a record about the horizon of possibilities,” shares the Moscow-based sound artist. Here, death signifies a new beginning, a clean slate, a starting point of discussion. We’ve gotten this far and everything has gone wrong – where do we go from here?

In a sense, this is a record of extra-ordinary optimism, a record celebrating curiosity and hope, despite an opening track which could be interpreted as nothing but bleak. “What if the consensus is simply self-erasure?,” asks Rupert Clervaux in an almost matter...  more

https://soundcloud.com/hmotology
https://soundcloud.com/warmwintersltd

This Music Greets Death

Premiere: HMOT - Oneiropolis (feat. Zurkas Tepla)[Warm Winters Ltd]

release on 1 October 2021 : https://bit.ly/3mhi3lg
@nebulo

Since 2006, Nebulo has been shaping electronic structures with mobile geometries. In his latest releases for Le Cabanon Records and Conditional, the French composer deepened his work on dynamics by modelling abrupt trajectories where silence clashed with synthetic saturations. For Borders, Nebulo chose to exploit the static temporality of repeated confinements to approach an encompassing musical universe.

Nebulo - Border D

Natura Oculta is a work by the irrepressible mutli-disciplinary artist Rubén Patiño, channeled through his Lag Os alias. It investigates  the potential for the recreation of imaginary landscapes by the use of sound. Patino set out not to create a collection of musical pieces or a sonic narrative, but rather a kind of oniric and surreal space in which an  ensemble of audible objects (or rather, creatures) could move, prosper and interact. 
Patiño primarily focus on the wetland, a typology of environment that becomes a metaphor of the eerie, the amorphous and the unknown. It is not a matter or imitating or replicating nature, tho, rather of using many different sound design techniques to establish the possibility for a different kind of nature to sprawl out: an uncanny one, at once familiar and alien. 
The aim of the work is to create fictional narratives that blur the boundaries between the natural and the artificial, the actual and the virtual, the physical and the imaginary. Immersing in this work means exploring a space that exists as much in the physical manifestations of its many weird voices as in the interaction between the sound and the listener’s subconscious.

Natura Oculta will manifest in two forms. First as a digital album released by Haunter Records and presented in public via a nocturnal soundwalk. Then alongisde a complementary virtual environment, an experential videogame developed in collaboration with Andrea Belosi.

Natura Oculta

Porta Falsa

Tracklist:

Jack Goldstein – The Lost Ocean Liner
Christina Kubisch – The Cat’s Dream
Richard Chartier – feedback [with AGF] (Excerpt)
Bengt Emil Johnson – (Among) II
Adam Bohman – Sweepings
Cathy Berberian – Here, There and Everywhere
George Gurdjieff – New York Numbers #2
G*Park – Baum 
Nico – On The Desert Shore (All That Is My Own) (Demo)
Catherine Ribeiro et Choeurs de l'Armée Soviétique – Les Partisans
Alvin Lucier – Sferics (Excerpt)
Steve Lacy – The Cryptosphere
Kiera Mulhern and Jack Patterson – 090805_07.wav
Carlfriedrich Claus – Basale Sprech-Operationsräume (Excerpt)
Sydney Spann – October 2 at Home
Tony, Caro & John – Morrison Heathcliff
Kiera Mulhern and Jack Patterson – dec. 29 without voice
Dionigi Burranca – Sonada De S'Elevazioni

APOD0045 Kiera Mulhern and Jack Patterson Takeover. Edition Erich Schmid Ep. 21

SOMA • ep01

Mix recorded at Paturia 2021

Visual: 
Pierre Clement, huRI, meshGTi(karen), 2021
Acrylic and polyester resin on canvas, fiberglass, artist custom aluminium frame, varnish, UV print and acrylic on transparent plexiglass, stainless steel. 70 x 50 x 10 cm. Unique. Pic by Fred Plateus.

SOMA • Altera Vita • ep01

Premier épisode de IL Y A QQE CHOSE KI CLOCHE consacré essentiellement à l’univers sonore de la cloche, sonnaille, carillon, sonnette, clochette et tout autres instruments percussifs aux sonorités métalliques, ainsi qu’aux rythmes désorganisés et aux rythmes de bouche qu’on appelle plus généralement “Beat Box”.

SONNAILLES DE BELLEGARDE-en-Diois
MR. FORMERLY - Fourth of July
DIANE - But Still Childish
MAX B - Your Messages
MISS BEAN - Cloche Beer
HARUOMI HOSONO & YELLOW MAGIC BAND - Shambhala Signal
A.G. COOK - Drum Solo
DOLO PERCUSSION - Dolo 9
MM/KM - Chorus Beach
DANSE MUSIQUE RHÔNE-ALPES - Prise sur Maison Roche
MM/KM - Tane
YASUAKI SHIMIZU - Boutique Joy
A.G. COOK - A-Z
CHEVRON - Good Friday
FRANK ZAPPA - The Beltway Bandit
MMEGA - 0.3 ohms
JAMES FERRARO - Text Bubbles
ARIEL PINK’S - Flying Circles
SNOOP DOG - Drop It like It's Hot

IL Y A QQE CHOSE KI CLOCHE (24/09/21) w/ Musique Chienne

ssabæ – tous les murs sont des portes

Spinning Tires

oqbqbo - The Way Of Tea

Various Artists 'Love Too Can Spread Like Thistles And Wildfire'

Janushoved no. 100

www.janushoved.bandcamp.com/album/love-too-can-spread-like-thistles-and-wildfire

www.soundcloud.com/y_yuri
www.yuriyuri.bandcamp.com

Yuri - Keo Moni Pagoda

Mental

Mittland och Leo is 
Milan W. & Joke Leonare 
♩ ♪ ♫ ♬
bookings@jjfunhouse.com




Spinning Tires

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