Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

OUT NOW - Basement Jaxx, Slarta John - Jump 'N Shout (Sébastien Léger Remix): orcd.co/jumpnshoutremix

https://sebastien-leger.com

MGMT : SebastienLegerMgmt@purplewall.com
Bookings:  Bookings@sebastien-leger.com

Harnessing a distinct brand of artistry that knows no categorical bounds, the DJ, producer and record label head has cemented herself as one of the music industry’s most in-demand names at nothing short of breakneck speed. Her signature sonic approach masterfully blends genres with a visceral energy that commands attention, the ardent catalyst in her meteoric rise from Belgium’s underground to global phenomenon status.

An emblematic artist of the Palestinian underground scene, SAMA’ is one of the first DJs and electronic music producers to emerge from the region. Her sound, an original punchy kind of techno, is dry and musical all at once and has quickly made its way across Europe and beyond.
 
SAMA, meaning ‘sky’ in Arabic, started mixing in 2006 in parties around Ramallah, Palestine. Several years later she started producing her own music and expanding her interest in synthesis in 2010, with a focus on techno, house, and other deeper sub-genres of electronic music.
 
The artist graduated from the United Kingdom with a BSc in Audio Engineering and Music Production, then moved to Cairo where she worked as a sound designer for film, became a music producer and then instructor. SAMA’ now runs her own Audio Engineering & Sound Design company working across films and documentaries in the Middle East. In 2017, she was selected as a Laureate by the French Institute, and during that time attended a residency at the International City of Arts in Paris. SAMA’ also runs a publishing company called Awyav, representing independent artists from the Arab world.
 
In late 2018, SAMA’s Boiler Room performance and the associated documentary about the scene in Palestine went viral and more and more people are seeing that music has no boundaries. SAMA’ was recently listed in SheSaid.So’s Alternative Power 100 List, and plays a high-profile set at Ibiza’s World Heritage Site of Dalt Vila for the International Music Summit in late May. She is currently working on a studio album.

No accurate depiction of electronic music culture would be complete without special mention of Deborah De Luca. Widely acknowledged as one of the most prominent flag-bearers for Techno globally and a regular fixture inside the world’s most distinguished DJ booths, Deborah has the unique ability to transfix crowds with her electrically charged, technically nuanced sets, fusing hard techno with minimal grooves and melodic soundscapes to absorbing effect. A pioneer in the use of social networks as a promotional tool, whilst somehow managing to retain a strong sense of discretion in her private life, Deborah is unrivalled in her determination and passion, earning every part of her current status as one of the most exciting talents to emerge from the international Techno scene over the past decade.
Born under the shade of the infamous Vele di Scampia – one of the toughest districts in Naples – the now-globally recognised DJ, producer and label head came from humble beginnings, forging her path to international success against unlikely odds. However this was to become her making. “You shouldn’t let anybody tell you what you can or can’t become”, she expounded in a rare interview, referencing her early livelihood as a nightclub dancer. “It’s true, in recent years I have gained popularity, but I am very grateful for the long journey it’s taken”. More than anything else, Deborah’s roots and her unwavering ethic are an integral part of the flourishing artist we see before us today.
Deborah spent the formative years of her musical career in Northern Italy, following a brief stint at fashion school in Modena. Cutting her teeth on the European club circuit, where she quickly realised music was her true calling, Deborah’s hard work and relentless determination eventually began to pay off and in 2013 she launched her very own imprint Sola_mente Records. Created as a platform by which to release her own music, free from creative pressure and external constraints, the label went from strength to strength and in November 2018, Deborah marked a decade-long career in the industry with the critically acclaimed release of her debut album ‘Ten’. A huge milestone for the Italian producer, ‘Ten’ represented an important rite of passage and a body of work that she would cherish indefinitely.

A.Paul has been a driving force in the evolution of techno music since its inception. He is recognised for his intense DJ performances and his relentless stream of studio productions for some of the best labels in the world. Operating under his own name as well as aliases like Loudon Kleer and Beat Therapy, A.Paul has spent over 30 years dedicated to electronic music, earning a reputation as one of the most versatile and prolific artists in the scene.

His distinctive sound and technique have propelled him to a remarkable career, first gaining recognition in Portugal, where he was repeatedly voted the best Portuguese techno DJ, and later on an international scale. 

A.Paul has performed at some of the most prestigious mega-eventsaround the world, including Awakenings (Netherlands), Apokalypsa (CzechRepublic), Evolve (Canada), Nature One (Germany), Rock in Rio (Portugal),Syndicate (Germany), Ruhr-in-Love (Germany), Tecnolandia (Portugal),Aquasella (Spain), Liberty White (Belgium), and Decibel (Netherlands). He has also graced the decks at iconic clubs such as Tresor, U60311, Lehmann, and Butan (Germany); Fabrik, Moog, Makumba, Ind Copera, Row14 (Spain); Perron, Panama, Poema (Netherlands); Rex and Inox (France);and Locomia, Rocks, Kremlin, Gare, Pacha (Portugal), among many others.

A.Paul’s first record was released in 1995, followed by the creation of two of his most acclaimed projects of the 1990s: Squeeze Records and Onh.Cet Records, which were the primary outlets for his music during that decade. 

In 2005, he launched Naked Lunch, a bold new label that has since featured some of the best techno artists in the world and received incredible feedback from DJs and fans alike. In 2012, he relaunched Onh.Cet, alongside other projects such as Parallel 125, Dirty Ego, The Light, and Xtractz. He also co-founded MPC, a vinyl distribution company, with Michaelangelo (Labrynth Recs) and Cisco Ferreira (The Advent).
 
A.Paul has released over 100 vinyl records and many digital releases on labels like Kombination Research, Synewave, Planet Rhythm, Suara,bItalo Business, Pure Sonik, Theory, Mastertraxx, Beat Disaster, Yin Yang, and Impact Mechanics. He has also remixed tracks for renowned artists such as The Advent, Ben Sims, Eric Sneo, Angel Alanis, Orlando Voorn, Damon Wild, DJ T-1000, Virgil Enzinger, Robert Armani, Dave The Drummer, DJPreach, Mike Humphries, Spiros Kaloumenos, Torsten Kanzler, Bas Mooy, Housemaster Boyz, and many more.

Italian techno artist

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Booking, podcast, promo's, contact:
Albertotolo@live.it

Bandcamp:
https://albertotololive.bandcamp.com/

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