Osmura is a London-based record label focusing on dub and deep techno alongside percussive and bass soundscapes.

Fast paced raw/hypnotic grooves 💥

Co-Founder of @fragment_ldn 

Resident DJ @fragment_ldn  /  @mothercollective

Bookings: antoniomusic.bookings@gmail.com

Seven Veils
Songwriter. Producer
Romania
email- vlad21dacau@gmail.com
https://linktr.ee/sevenveils

Fatima Yamaha’s now classic single ‘What’s A Girl To Do’ taken from the EP ‘A Girl Between Two Worlds’ saw the light of day in 2004, but it wasn’t until 10 years later that a re-release made the song truly explode. 
For many years, Fatima Yamaha was shrouded in mystery, known only to be a project led by “a young lady born to a Japanese father and a Turkish mother”. By now we all know Bas Bron is Fatima Yamaha. The Dutch producer has many guises, but Fatima Yamaha is his most enigmatic.
The album ‘Imaginary Lines’ was released in 2015 and followed the success of ‘What’s A Girl To Do’ with the fabulous single ‘Love Invaders’. Later followed by another banging club anthem ‘Araya’.
His live shows unfailingly live up to the highest expectations, offering refined house and techno complimented by virtuoso synths. But after years of selling out tours and headlining the most prestigious festivals all over the world, Bas took a year off touring to focus on new material and other ventures.
He directed, produced and made the soundtrack of the short film ‘Heian’ and recorded lots of other tracks, for many different projects. But this autumn there will finally be a new Fatima Yamaha album; ‘Spontaneous Order’. Bas shows his versatility on the album, effortlessly moving form harsh dancefloor tracks to spacious ambient drones and funky electronic pop tracks.

Robot Koch
www.robotsdontsleep.com
contact@treesandcyborgs.com

Robot Koch is an award-winning composer, producer, and sonic innovator whose work exists at the intersection of sound, art, and immersive technology. With a deep curiosity about the connection between music, science, and consciousness, he creates cinematic soundscapes that transcend traditional genres, blending electronic, ambient, and modern classical elements into deeply evocative experiences.

With a discography spanning multiple albums and over 100 million streams, Koch's music has been featured in films, TV series, and immersive audiovisual experiences that captivate audiences worldwide. His live performances, known for their multi-sensory depth, have sold out venues across the globe.

A recipient of multiple international awards, including "Best Immersive Experience" at the DTLA Film Festival, Koch has collaborated with renowned artists such as Grammy-nominated conductor Kristjan Järvi, as well as Max Richter, Christian Löffler, and Anoushka Shankar.

Constantly exploring the transformative power of sound, Koch’s work pushes the boundaries of music as a tool for healing, connection, and expanded awareness—bridging art, technology, and human emotion in profound and unexpected ways.

One Ripple nudges all.
Meliora VA: https://www.beatport.com/release/meliora/5363846

Send your demos to: oramorna@gmail.com

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Mitznova is following