Unclassifiable composer. A kaleidoscope of emotions that unravels the inner world of the one who dares to listen

Guitarist, singer, songwriter, sometimes happy in his own shell. Based in the UK but am lucky to have travelled and played all over the world. This channel is for anyone interested in guitar playing and British accents

Sunken Cages is the moniker of drummer/electronic music producer Ravish Momin. He studied with US Jazz master-drummer Andrew Cyrille. He has worked as a sideman with a wide array of musicians from Shakira to avant-Jazz legend Kalaparush Maurice McIntyre (AACM/Chicago.)  In addition, he has also led his own Jazz/global group Tarana and Turning Jewels Into Water (with Val Jeanty) on international stages for the past 14 years.
As Sunken Cages, Momin plays electronic and acoustic drums, and triggers melodies and textures. While rooted in Indian and Black Music traditions, he is also influenced by the street sounds of underground dance music from Sao Paolo to Durban to Mumbai and beyond.
He is signed to OnTheCorner Records (UK) and Akuphone Records (FR.)
He has done remixes for Depeche Mode, renowned global electronic music producers Batida (Portugal) & Babani Sound System (Mauritius.) He has recently performed at Big Ears Festival (US), LeGuessWho? Festival (NL), Positive Futures Festival (Austria), Lincoln Center Outdoors Festival (New York City, US), Slingshot Festival (US) and Festival Congedi (Italy.)

Bklyn-based trombonist & curator (@tiltbrass, @EitherOrEns), composer, improviser, teacher (@MannesCollege), husband, father (he/his/him)

Composer Chris Burke, aka glomag, helped create the sound of 80s horror, scoring such films as Splatter University (1984), The Toxic Avenger (1984), Blue Vengeance (1989), The Refrigerator (1991) and many others. Concurrently, he worked on set with some of the most creative talents in contemporary film and theater, including directors Robert Altman, Lucio Fulci, Enzo Castellari, theater wunderkind Peter Sellars and more.

	 

As studio-owner of Bong + Dern, Inc. in NYC, he wrote music and sound design for videogames and helped create an interactive remix of Bjork's I've Seen It All, directed by Floria Sigismundi and supporting the release of Lars Von Trier’s Dancer In The Dark. Here Chris also created the award-winning "talk show in game space", This Spartan Life (2005-2015). With upwards of 1.5M video views and likened to "a mashup of The Charlie Rose Show and the video game Doom" by Wired Magazine, TSL featured interviews with film directors, musicians and others, all while being attacked by other players in the online, multiplayer first-person shooter Halo. The series ran for 10 years and attracted the attention of countless mainstream media outlets, including Wired Magazine, The BBC, Reuters, Stuff Magazine, and BusinessWeek, and won Best Machinima Series at the 2005 and 2007 Machinima Festival.

			

Chris has nine music releases to date, ranging from the experimental Idioglossia (Mode Avant, 1990) to his electronic band Glorified Magnified's All Wave Super (Sire/Warner, 1994), through his releases as glomag by 8 Bit Peoples and his contributions to Astralwerks’ We Are The Operators chiptune tribute to Kraftwerk. His Pocket Calculator remix with the 8 Bit Operators of the Kraftwerk original, rose to number 17 on the Billboard Magazine Hot Dance Music Singles chart in 2007. He has collaborated with music producer Don Was and former Rage Against The Machine and Audioslave guitarist Tom Morello. Chris has performed all over Europe, Australia, the US and Canada.

Press contact: glomag00@gmail.com

Progressive music beyond jazz, rock and the unknown.

MoonJune has already long established its' pedigree with “in-the-know” progressive music fans. The focus of MoonJune is to discover and release music by artists from a variety of international settings - exploring the expanding boundaries of genuine, challenging, "non-over-produced music" that cannot be easily categorized into any specific format or genre. The ongoing goal of MoonJune is to support music that transcends stylistic pigeon-holing, but operates within an evolutionary progressive musical continuum that places jazz at one end and rock at the other. The ever-expanding boundaries of these two musical categories have since come to include everything from progressive rock to ethno-jazz, from experimental avante-garde to jazz-rock, and anything in between.

MOONJUNE RECORDS, Inc., was established in 2001. The company is the vision of entrepreneurial producer, tour manager and promoter Leonardo Pavkovic. The international independent label is dedicated to exploring the boundaries of jazz, rock, avante-garde and the unknown; and draws its' name from Soft Machine drummer Robert Wyatts famous 1970 epic The Moon in June.

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