https://soundcloud.com/marijnswillens https://soundcloud.com/selvamancer
🛒 https://marijns.bandcamp.com/album/digital-tears-ep

Marijn S is a Dutch producer and DJ who showcases the organic age of dance with radiant breaks and gritty, icy soundscapes.

As a producer, Marijn combines multiple contrasts in her work; the raw, pure and timeless essence of music. Embracing simplicity and tranquility, Marijn is also intrigued by darker, experimental, and complex music. Her artistic expression is characterised by the playful juxtaposition of these contrasts.

She’s played notable gigs such as De School (AMS) Garage Noord (AMS), Dekmantel Festival (AMS), La Cheetah (Glasgow) and participated in events like Ilian Tape’s Amsterdam takeover at the Melkweg. Marijn S has recently made her live performance debut for Speedy J's STOOR / PINK NOISE during ADE, playing only with her so described ‘machine of self expression’: One hour full of her own creations, ranging from textured ambience and dreamy IDM to heavy distorted bass, abstract noise and heavy hitting electro & techno.

Her most recent EP, Digital Tears, is entirely composed and produced using the Elektron Machinedrum MKII. Some tracks, like Digital Tears and Soft Fall, were recorded in a single take to capture the raw energy, live vibe, and personal touch that come from working with analog equipment. She uses techniques like layering, resampling and overdubbing to produce a richer, denser, and reimagined sound (Gleam), as well as recording several elements individually, processing and arranging them in a way that enhances the overall coherence of the sound (Magnetic Fields).

Marijn S - Digital Tears EP will be out on September 12th on Selvamancer.

Tracklist:

1. Soft Fall
2. Digital Tears
3. Gleam
4. Magnetic Fields

PREMIERE: Marijn S - Magnetic Fields [Selvamancer]

FEATURE > https://inverted-audio.com/feature/the-burrell-connection-looks-back-on-10-years-of-craigie-knowes 

For Zander Hay - better known as @theburrellconnection - music has always been as much about people as it is about sound. His new EP for @craigie-knowes, 'I Waste My Time So You Don’t Have To', arrives as the label marks its 10th anniversary, a milestone that means more to him than most. Not only has Zander released music with the Glasgow-born imprint, he’s also been quietly running their PR from behind the scenes since the early days, helping to tell their story to the world.

That dual role makes this release feel like a full-circle moment. The EP gathers together material shaped in the club, in the bedroom, and most importantly, in the company of friends. Lead cut “E Before I” has already been heard echoing through Berlin basements, including in a live version taken from Zander’s performance at Tresor, invited by LNS and DJ Sotofett. The B-side heads deeper, pairing the dubbed-out force of “Celestial” with the warm, widescreen pads of “Ensemble” - tracks that carry what he half-jokingly calls his “signature sound,” something he’s been chiselling away at for over a decade.

Zander speaks candidly about the title of the record, pointing to the endless hours spent in pursuit of something original. He’s unflinching in his criticism of DJs hiding IDs or passing off other people’s tracks as their own - a reminder that, for him, credit and community go hand in hand. “Music is not a luxury, it’s an essential,” he insists, and it’s clear that ethos drives not just his own practice, but also the way he moves through the scene.

That scene has taken him from Glasgow, where he cut his teeth at La Cheetah Club and soaked up records at Rubadub, to Berlin, where he now co-runs Slurp of the Antics with Valcat - a party deliberately centred on live performance in a city often saturated with DJ culture. Between the drizzle-soaked after-hours of Scotland and the intensity of Berlin’s underground, he has carved out a practice that feels both grounded and exploratory, rooted in place yet open to evolution.

At the heart of it all is Craigie Knowes. For Zander, the label’s story is bound up with his own - from being pushed creatively by deadlines and honest feedback, to finding genuine friendship with Max, Mitch and the wider CK family. “Friendship!” he says without hesitation when asked about the most rewarding part of his journey so far. That word runs like a thread through his reflections: from teenage trips to Sub Club on borrowed IDs, to afterhour residencies, to the countless connections made through music over the years.

As he sets up a new studio, offers tuition, and continues to develop his live shows, Zander isn’t slowing down. 'I Waste My Time So You Don’t Have To' is more than a title; it’s a snapshot of where he’s at right now - committed, outspoken, and still finding joy in the graft. For him, the story of Craigie Knowes at 10 isn’t just about a label’s legacy, but about the friendships that make the music possible.

The Burrell Connection - Celestial [Craigie Knowes]

Adepta Editions | AE-14
Limited Edition 8" Lathe Cut Vinyl + Digital 
BUY LINK: https://adepta.bandcamp.com/
Label: Adepta Editions (https://soundcloud.com/adepta)
https://www.instagram.com/adepta_editions
> Self Oscillate (https://soundcloud.com/user152947)

We are very excited to announce the latest offering in our AE series, an 8-inch lathe cut vinyl from Self Oscillate, the solo project of Ingo Zobel, who has been making electronic music for more than three decades and is probably best known for his work within the group Drøn. The new release, AE-14, moves beyond a simple collection of IDM tracks, offering an emotional dive into a universe of elegant glitches that creates a vast, deeply-felt sonic landscape.

BUY LINK

PREMIERE : Self Oscillate - Yearning For Summer

Pre-order: melodizemusic.bandcamp.com/album/killing-culture

Bristol-based producer @zobol lands on Brooklyn imprint @melodizemusic with 'Killing Culture', a bold, four-track statement that fuses electro and breaks into something raw, physical, and emotionally-charged.

B-side track 'Weapon of Mass Distraction' unfolds from a looping synth fragment, slowly ramping into a tense, bass-driven groove - relentless, exacting, and distractingly armoured with acidity.

More exclusive music

Premiere: Zobol 'Weapon of Mass Distraction'

Following the debut album Only Skies Stay Eternal, the Remixes EP takes a bold step forward. These reinterpretations reshape Fille’s introspective sound into more club-oriented territories, signaling a new phase in her sonic evolution. 

Rico Casazza opens the release with a standout electro remix - fluid rhythms, a wavy bassline, and catchy vocal hooks push Fille’s sound into elevated, high-energy territory. 



BUY on BANDCAMP

PREMIERE : Fille - Reach the Nucleus (Rico Casazza Remix)

Bristol-based producer Zobol lands on Brooklyn imprint Melodize with Killing Culture - a bold, four-track statement that fuses electro, breaks, and electronica into something raw, physical, and emotionally charged. Known as one half of the label Distorted Sensory Perception - a platform showcasing honest, forward-thinking electronic music - and as curator of the UK underground event series d3pth_p3rc3pti0n, Zobol brings a fiercely independent, hands-on ethos to his productions.
Built entirely on hardware - including the Korg MS20, Roland JX-3P, Prophet Rev2, Acidlab Drumatix, Behringer TD-3, Elektron Octatrack, Soundcraft Signature MTK12 console, and finished in Ableton Live - the EP captures a live-wire energy that feels both urgent and immersive.

 Closing track “Oppression” dives deeper into emotional terrain: the weight of distorted low-end channels the presence of authoritarian force, while fragile melodic elements flicker like voices struggling to be heard - eventually weakening, fading, and falling into silence.

"As shattered cultures bleed beneath a technocratic sky, the silenced cries of Palestine, Sudan, Yemen and other forgotten lands echo a world where humanity's dawn is cruelly denied; a stark testament to faltering global systems, demanding urgent change before the irreversible erosion of our shared future.”  

https://soundcloud.com/melodizemusic
https://soundcloud.com/zobol

Zobol - Oppression [Melodize]

A debut label outing from Ambient Babestation Meltdown & Borai, the production pairing whose musical partnership has birthed a string of releases on Optimo Music, Me Me Me and Ritual Poison.

Known for their excursions into scuzzy, cyberpunk and EBM electronics, they join forces once again for ‘Why The Tiger And The Monkey Are Sworn Enemies’; a three-track EP chronicles the pair’s ventures into chugging grooves, wormhole acid and early 00s tech house à la Playhouse and Rework.

Waves

Buy/Stream

Ambient Babestation Meltdown & Borai - Waves

New Beat swagger meets EBM menace on the latest Kri release. New York based producer, DJ and Samo Records owner Facets channels the raw spirit of late ’80s New Beat and EBM into a modern club context with stripped-down rhythms and tense electronics lock.

Four original tracks are bolstered with two heavyweight remixes courtesy of Marcello Giordani, the Italo Deviance maestro, and the iron-fisted British techno icon Broken English Club / Oliver Ho.

Lathe cut vinyl and digital will be released on the 29th of October 2025.

Bandcamp:
https://krirecords.bandcamp.com/album/sonic-ocean-ep

@facets-music
@oliverho13
@marcellogiordani

KRI012 Facets - Sonic Ocean EP - Snippets

INNATURE

The world we living in, is it real or virtual? Do we take the next step in human history? Instead traveling to the stars we are transforming our beeing in binary parts of us ... is this eternity?

Premiere: Zobol 'Weapon of Mass Distraction'

Mixmag