Fainted

Fainted (MCR-T Remix)

Bandcamp

PUSHIN' KEYS

Pre-order: https://umay.bandcamp.com/album/maktub

Nene H (@nenetreat) launches her own label UMAY (@umay_works), aimed at representing SWANA and QTBIPOC artists. Inaugurated by Munich based trans activist BASHKKA (@bashkka), the EP titled 'Maktub' (Arabic for ”it's written”) materializes the artist's solo debut, and its trail blazes for queer club bangers. As BASHKKA states, ”Maktub is an idiosyncratic love letter to myself, my heritage and my community. My songs reflect the expedition of the past year and a half up until now and all the emotions that I gave myself space and fortitude to deal with and to also to relish in''.

BASHKKA, trained singer and songwriter, was born in Munich, but came of age amid the New York Ballroom scene, which offered a different kind of family to the traditional Turkish one she grew up in. This dichotomy has been equally important in shaping BASHKKA’s identity as an artist—and is echoed throughout her solo debut which blends uptempo dance floor music with Kurdish vocal samples, alongside a Chicago-influenced bounce house piece featuring BASHKKA’s own vocals. The artwork by Copenhagen based Noah Umur Kanber complements these influences impressively, taking inspiration from Sumerian mythology and the non-binary goddesses Ishtar and Ereshkigal which can be seen in the motif. It's these two figures that BASHKKA has found most interesting in reflecting on her inner conflicts in regards to her personal history. Ishtar as the goddess of love and sexuality and Ereshkigal, representing the underworld. That is why BASHKKA’s debut EP turns out to be an intensely personal project, a love letter towards her foremost defining influences: her Turkish heritage and the queer community. She says, ”my sound hasn’t been as much of a thought through process and rather an echo of feelings passing through different margins, styles and all underrepresented communities..”

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Premiere: BASHKKA 'Act Bad'

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Sportmix of a classic from the early 2000s.
Y2K ting iykyk.
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DISCHI is thrilled to unveil the inaugural collaboration between Teki Latex and Sylvere: SUBMECHANOPHOB1A. Drawing its name from the fear of colossal underwater structures, SUBMECHANOPHOB1A plunges into the Parisian producers' most techno-centric inclinations, delving into the boundless potential of strong four-to-the-floor kicks. High energy, percussion-driven "Computer End Program" is a nod to their shared sonic muse, Berlin electronic duo MMM. Meanwhile, on "Permission To Speak Candidly", the producers skillfuly manipulate the CDJ’s slip function, crafting a groovy techno vortex that keeps on edge with its brainy break. SUBMECHANOPHOB1A guides the listener on a sultry, immersive journey through the depths of a never-ending club night. Prepare to dive in.


AD by Basile Fournier 
Mastering by Domenico Bercelli

DA039

Computer End Program

BUY HERE

SUBMECHANOPHOB1A - Permission To Speak Candidly -

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@stippmusic @alecdienaar

HARD22-B2
Hardline ©
2024

BUY: hardlinesounds.bandcamp.com/album/hard22-2

STIPP & Alec Dienaar - H-Tool 04 (HARD22)

ALLFIVE - Don't Wanna

LINKS:
Spotify: https://open.spotify.com/artist/6LNXW0D3wHVjm8Hojjw4lr?si=FHHbepD0TrqyBTxqtiIAWA
Soundcloud: https://soundcloud.com/allfivemusic
Instagram: https://www.instagram.com/_allfive/
Facebook: https://www.facebook.com/profile.php?id=61554411321392
Beatport: https://www.beatport.com/artist/allfive/1090684
Apple Music: https://music.apple.com/us/artist/allfive/1544156245
TikTok: https://www.tiktok.com/@allfivedj


Premiere: BASHKKA 'Act Bad'

Mixmag