Here’s some selected DJ feedback ----

Eats Everything 
'Lovely EP, some killer stuff in there.'

Maya Jane Coles 
'Liking Machine Code!'

Ewan Pearson 
'Machine Code is terrific. More Erotic Discourse vibes. Audiojack production chops always perfect too.'

Joris Voorn
'Paul & Paulo did a great job!'

Maxxi Soundsystem
'Love Machine Code. Smashed it to pieces in London at the weekend. Will be playing it lots more...'

Ben Pearce 
'Solidness! '

Huxley
'loving machine code!'

Doc Martin 
'Funky Bass Bizzness!!!!'

Oliver $
'love it!'

MANIK 
'Huge tune. Reminds me of the old shit they did. Love it!'

Tensnake
'thank you, nice pack’

Sidney Charles 
'Machine code is sick! gracias!'

Pirupa
'Great release!! full support!!'

wAFF 
'Machine Code Is sick, like Alex's remix too..... love you both you fat pairs of carrots xxx'

PBR Streetgang
'machine code hints of erotic discourse .. sounds a bit like R2D2 having a wank in a biscuit tin .. love it lads !! A R remix nice and groovy too '

Pezzner 
'There's a solid after-hours vibe to this release. I'll keep on hand for the right moment. 

Coyu 
'Alexis Raphael remix sounds very interesting. I will try it out'

Simon Baker
'Indigo is a nice bouncey number! '

Joyce Muniz 
'Paul C & Paolo Martini Remix is dooope !'

Andre Crom 
'great ep altogether, especially love machine code original.'

Edu Imbernon
'Machine Code is amazing, need more of this!'

Brett Johnson 
'MACHINE CODE!!! YES !!!!'

Waifs & Strays
'So much love for Audiojack, and again this is quality. Machine Code is gonna sound wicked on a big system. Alexis's remix is cool too.'

Droog 
'Indigo is my pick here, groovy shit'

Infinity Ink
'really cool e.p thanks'

http://www.beatport.com/release/machine-code-ep/1257794

GRU032: Audiojack – Machine Code EP
Release date: 7th April 2014. 
a1| Machine Code (original) 
a2| Indigo (original)
b1| Machine Code (Paul C & Paolo Martini remix)
b2| Indigo (Alexis Raphael remix)

Out now on vinyl, and digitally on Beatport, iTunes and over 100 more digital stores. 


Audiojack - Machine Code (original)

Another exclusive courtesy of mixmag.net 

Serving up his first EP 'Eighteen' six years ago on Croatian Sound Factory, Spanish producer Edu Imbernon has been somewhat of a phenomenon since, following it up with plenty more originals and remixes. 

One of those originals was the incredible 'El Baile Alemán' alongside Coyu while his work as a remixer has taken in The xx's 'Crystalised', Maya Jane Coles' 'You' and X-Press 2's 'Lazy'. 

http://www.mixmag.net/music/exclusive-music/premiere-edu-imbernon-john-tejada-remix

More exclusive music

Premiere: Edu Imbernon 'Dalt' (John Tejada remix)

Available on Beatport: http://tinyurl.com/oxvj4fl
itunes: http://tinyurl.com/nl6apwt
Amazon: http://tinyurl.com/opftgra


www.facebook.com/mobilee


mobilee134 - And.Id „Erotica"

1) Erotica (Original)
2) Erotica (Subb-an Terrace Remix)

Talented Birmingham producer and DJ, Subb-An, joins the mobilee label for the first time ever in remixing And.Id's 2010 mobilee hit, "Erotica".

Subb-An started out producing heavily and taking-on local residencies eventually cultivating a huge following and winning over the respect and admiration of key electronic music labels and figures. Releasing on Crosstown Rebels, Spectrical, Saved, and My Favourite Robot, in addition to cranking out distinguished remixes of Jamie Woon, Lana Del Ray, Noir & Haze and, Hollis P Monroe, Subb-An's hard work and drive didn't go unnoticed as he rattled the international circuits, subsequently, appearing behind the decks of highly acclaimed festivals, parties, and venues such as Fabric, Watergate, Warehouse, D'Edge, Movement, The Electric Pickle, Hot Natured at Sonar, The Garden Festival, Basics, Space in Ibiza, and BPM Festival. 

Originally released on the mobilee 065, "Erotica" is one third of the EP, "I Will Be There", and is And.Id's most successful mobilee hit to boot. Mobilee's long-running relationship with Subb-An stems eight years ago during a showcase in Birmingham where they were acquainted with Subb-An as a fresh and driven resident DJ not yet resting on his laurels. Since then, he's been named DJ Magazine's "Best Breakthrough DJ" and together with Adam Shelton, has launched his own label, One Records, in 2009, and purchased a pub venue where him and Adam have hosted the likes of Sven Väth, Loco Dice, Jamie Jones, Seth Troxler, and Mathias Tanzmann, winning the hearts of locals, filling up over capacity, often selling out of tickets, and using the venue as a means to experiment and impress.

All systems were go when the Mobilee heads were approached by Subb-An himself about re-releasing. This summer is sure to re-spark the love of „Erotica".

https://soundcloud.com/and-id
https://www.facebook.com/mobilee
http://www.mobilee-records.de/artists...

subscribe here: http://tinyurl.com/m9nazsu

http://www.mobilee-records.de
http://www.beatport.com/label/mobilee...
https://soundcloud.com/mobilee-records
http://www.residentadvisor.net/record...

Get It on Beatport!

And.Id - Erotica (Subb-an Terrace Remix)

Slave To The Rythm Grace On Acid Mix

https://www.beatport.com/release/yemaya/1774412

Right on time for the Sonar week Gorge delivers his Mobilee debut release.
The Mannheim based dj and producer and man behind 8bit records and RYM 
delivers 2 hypnotic groovers. Labelpartner Nick Curly added a techno driven remix and completes the package of 3 latest state of the art club tracks.

Follow Gorge:
http://facebook.com/GorgeMannheim
http://instagr.am/Gorge_Music
http://soundcloud.com/Gorge
http://www.Gorge-Music.de

Yemaya

Get/Listen full length

Gorge - Yemaya

My remix for my good friend Michel De Hey on my own Rejected Records!

Buy on Beatport

Michel De Hey - You Feel Alive (Joris Voorn Remix)

Original from Redshape

BUY - Support the artist & label : 
www.beatport.com/artist/redshape/13979
www.beatport.com/label/running-back/3598

Track: Tel Aviv
Artist: Redshape
www.facebook.com/RedshapeOfficial/

EP: Best Of Live Vol. 1
Label: Running Back
Release Date: august 5, 2016

© & ℗ 2016 Redshape

TO OWNERS & COPYRIGHT HOLDERS:
This channel is created to promote magnificent songs, and as well, producers. Absolutely, NO COPYRIGHT INFRINGEMENT INTENDED. This CHANNEL CLAIMS NO RIGHTS OR OWNERSHIP over the contents posted. If you wish for a track to be removed, please let us know so we can remove it from our feed immediately.

Redshape - Tel Aviv

Martin Buttrich - Hunter

This is for promotional use only, I am simply trying to help promote the artists (Maetrik/Maceo Plex's) new EP by providing only the purchase link on the set. Please go support this artist by buying his music through beatport, and enjoy!

Maetrik- Walk Alone (Maceo Plex Revenge Mix)

taken off the upcoming artist album 'Noir' by Steve Bug - out Oct. 01

************************************************************************

FOLLOW: http://www.facebook.com/pokerflat.rec
FOLLOW: http://www.facebook.com/pages/steve-bug/8517364710

************************************************************************


Steve Bug, one of the world's most renowned artists in the electronic music circuit, presents his fifth and most mature longplayer. "Noir" doesn't deny its roots, but expands the usual spectrum and invites the listener to an exciting listening pleasure.

The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Origi- nally it was planned that way, but in the end Steve found the concept too rigid.

"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "

The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amazing. The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."

‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-re- leased single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.

‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has in- jected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a techni- cal difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track. Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre- scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'.

The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.

Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose mu- sic always seemed so rich, was done with the help of others, I have al- ways been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own.

From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric al- bum that throws a long and impressive shadow over most contemporary dance albums.

Premiere: Edu Imbernon 'Dalt' (John Tejada remix)

Mixmag

Recent comments

Nick Lodozov

Hunar

• VOICEnote •●.°•

drakey87

Related tracks