Dumcode🤯

Jel Ford kicks off his return EP with two tracks of clean big room techno. The title track ‘Backyard’ is a moody affair with a low drone throughout that is complimented with layered synth stabs. Using reverb to create atmosphere within the track it subtly breaks down before a vocal hook transcends the track to deliver a killer blow. ‘Meeting of Minds’ is dubbier and uses a tripped out synth to add rhythm whilst working alongside a synth pattern to keep the track chugging along. The slow evolving pads add texture and keep the track nicely filled out whilst this timeless classic keeps on giving.

Jel Ford - Backyard - Drumcode - DC133

Jay Lumen - Departures [PURE096]

Julian Jeweil -Meteorite (Original Mix)FORM52

  We Play House: big bass, chopped vocals, and synths that won’t let you sit still.”

We Play House

<p>It&#8217;s time for Sasha Carassi&#8217;s &#8220;Echoes&#8221; from a few months ago to receive remix treatment, and Skober&#8217;s interpretation is up first and focuses on the melodic elements of the Original but cleverly adds moody synths which add to the overall epicness of the affair, especially in the grandiose breakdown. Layton Giordani is up next with his trademarked shadowy sound and impeccable arrangement, offering yet another angle of attack. Last but not least are Loco &amp; Jam dubbing things out with bursts of references to the original in key moments, while maintaining a rocksteady vibe sprinkled with discordant stabs.</p>

Sasha Carassi - Echoes (Layton Giordani Remix)

Dutch producer and DJ Reinier Zonneveld is racking up accolades about as fast as new fans are losing their shit to his far reaching beats. Having already released on Richie Hawtin’s Minus label and the ever-influential Traum Schalplatten, Zonneveld’s latest, an EP titled Rushchamber, is out on the increasingly important Stil Vor Talent, an imprint run by tastemaker Oliver Koletzki.

The 3-track EP captures the variation Zonneveld is known for and kicks off with “Sharp Bust,” a careening, pure techno number with detuned horns and whirring rushes. The titular track 2, “Rushchamber,” weaves in groovier house influences in the beat, and “Flatchat” levels off somewhere in the middle. The collection reflects the wide palate that Zonneveld, who was raised on classical music, brings to the studio. 

Reinier Zonneveld - Sharp Bust

The #pkbacktothefuture extended versions (6/9)

Hole In One - X-Paradise The Remixes (12")
See Saw 
Belgium 
1992

Hole In One - X-Paradise (Paul Kalkbrenner Version)

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label. 

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. 

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. 

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year. 

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’. 

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Amelie Lens - In Silence - Drumcode - DC178

Agoge

BITT130 - Tom Hutt - Agoge

Preorder: https://www.beatport.com/release/transmission/2448944

Over the course of two decades, Adam Beyer has turned Drumcode into a certified techno institution. 

It's the go-to imprint for all things slamming and dancefloor-destroying and Julian Jeweil is about to add to the list with his debut album 'Transmission'.

We've got the premiere of 'Mars' and it's been on heavy rotation in both Beyer and Jeweil's sets. Check it.

More exclusive music

Premiere: Julian Jeweil 'Mars'

Pre-order here — bit.ly/DC200BP

Techno’s most influential label hits 200 releases with two powerful Amelie Lens interpretations of an Adam Beyer classic.

Over the course of its lifespan, Drumcode’s vision has remained resolute, crafting techno that’s both functional and forward-thinking. It’s a philosophy that extends to the stable of artists who release on the label and play its showcases, with Adam Beyer’s eyes and ears always focused on the future. 

One artist in his viewpoint in recent years is Amelie Lens. Supporting her early productions on Lyase and Second State, a kinship naturally developed between the two artists, with Beyer asking her to contribute to 2017’s A-Sides Vol.6 compilation. Her blistering acid cut ‘In Silence’ blew the collective techno world out of the water.

Eighteen months on and now a regular on Drumcode showcase line-ups, Beyer has sought the Lenske Records boss to apply her energetic take on techno and remix ‘Teach Me’, his deep, Detroit-influenced cut from 2014. The Main Mix highlighted the Swede’s Drumcode Halloween set in London and is an exhilarating peak-team weapon driven by a grinding bassline that undulates with intensity, while Lens has made smart work of the vocal, teasing out the sample to harmonic perfection. The Acid Mix sees the Belgian deliver a stripped back 303-led affair, utilising the looped vocal to build energy in the first half of the track, before rapid-fire percussion and squelchy stabs take control and push the atmosphere into darker and more ominous realms. 

Tracklist: 

1. Adam Beyer – Teach Me (Amelie Lens Main Mix)
2. Adam Beyer – Teach Me (Amelie Lens Acid Mix)

Buy all

Adam Beyer — Teach Me (Amelie Lens Main Mix) — Drumcode — DC200

Out now on Beatport
https://www.beatport.com/release/primate-ep/2483008

Steve Mulder is a veteran producer who has racked up an impressive back catalogue including Unrilis, 1605, Respekt, MB Elektronics, Bush, and Odd Recordings, along with previous solo EPs on Intec.

Giovanni Carozza is an exciting young talent who still early in his career, has already featured on many high profile imprints such as Unity Records, OFF Recordings, Suara, Bitten, and Phobiq.

The pair had previously met via Giovanni Carozzas release on Bitten where Steve Mulder contributed a remix, which proved to be popular with DJs and clubbers all around the world. With the blend of the two artists styles having proved so popular, it made perfect sense for them to further this notoriety by collaborating on some original tracks, and this EP is the fruits of their labour.

Primate opens the EP with its growling lead synth that gives it a monstrous sound full of ominous tension that adds to the track's ferocity. Like a ravenous predator with a huge appetite, the menacing mood of this techno track is full of aggression, and has an intensity perfect for maximum impact when being played through a club sound system.

All about the urgency of the arpeggiated synth, Avant Garde has enthralling tension full of excitement. Its stabbing lead sound adds further magnitude to its fast and furious groove, solidified with the pounding of the kick drum. Crunching claps and vocal phrases are all a part of this captivating cut that closes off the two track release.

ID171. 1. Giovanni Carozza & Steve Mulder -Primate

Featured in Sven Väths set from Boiler Room, Berlin. Hit the link down below for action 👇

https://youtu.be/uInltd4OkTQ?si=rsLqG4O9n1ZL7OKK&t=4650

Instant classic 😎😎

DC99 - Manic Brothers - Black Bay (Original Mix) [Drumcode] 10-09-2012

Two contrasting remixes of ‘Space Date’ come courtesy of Pleasurekraft and John Monkman, as the three-way collaboration between Adam Beyer, Layton Giordani and Green Velvet continues to thrill. Joining the strong reworks is an unexpected treat for fans; a last-minute inclusion of a fresh new original track from the trio.

Drumcode got its first taste of Pleasurekraft’s unique production touch in 2016 when ‘Dopefield’ dropped on ‘A-Sides Vol.5’. The Swedish/American duo’s exploration of cosmic techno realms made them the ideal candidates to re-work ‘Space Date’. Their contribution is as visceral as they come; defined by a hypnotic vocal arrangement, a stirring call and response melody and propulsive galloping beats fashioned for peak-time moments. No surprise it was a highlight of Adam Beyer’s Ultra Resistance sets and gobsmacked Maceo Plex who requested a promo to play at Time Warp a week later.

Meanwhile Drumcode debutant John Monkman steps up with a very different, but not less deadly reinterpretation of ‘Space Date’. The Brit has impressed in recent times with strong releases on Ellum, Kompakt and his own Beesemyer imprint, and takes this form into DC207. His is a twisted intergalactic re-rub drenched in warped electro, blistering modular sounds and touches of IDM that manages the difficult task of taking the original to darker, more leftfield realms without ever losing its powerful dancefloor pulse. 

A new collaborative work ‘Data Point’ joins the pack, only completed by the trio of Beyer, Giordani and Green Velvet in late May in time for the Drumcode boss to drop it at IMS Dalt Villa during the sunset slot with Ida Engberg.

A new collaborative work ‘Data Point’ joins the pack, only completed by the trio of Beyer, Giordani and Green Velvet in late May in time for the Drumcode boss to drop it at IMS Dalt Villa in his B2B with Ida Engberg. The track’s sleek melodic grooves and hypnotic vox complimenting the sunset slot perfectly.

Premiere: Julian Jeweil 'Mars'

Mixmag

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