Between bass, leftfield & club music, Montreal-based label Causal Chain will release its next compilation: "VA [CC003]".⁠
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Read more on CxC 🔗 couvrexchefs.com/en/causal-chain-obsession-dj-suzmo

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PREMIERE: DJ Suzmo - Obsession (Causal Chain)

Premiering "Paimon" by Real Tears taken from collaboration EP with Moscow Legend out now via UNITED
Download: https://unitedgang.bandcamp.com/album/real-tears-moscow-legend

The next instalment in UNITED’s series of releases sees London-based Real Tears team up with UNITED’s very own Moscow Legend for a menacing new grime EP. 

Real Tears’ ferocious track, ‘Paimon’, combines a fusion of dark elements to create a 145 BPM demonic ambience. The use of signature Real Tears sounds throughout the song remind you that despite the unmistakably grimey nature of the claps in the track, this is still Real Tears at his best. 

Moscow Legend’s ‘Everblasting Bass’ showcases exceptional sound design, consistent with the forward-thinking nature of his grime production. The track has already garnered considerable attention as a dubplate, receiving plays from General Courts, Boylan, Grandmixxer and Skee Mask. 

The unique nature of these two producer’s styles blends incredibly well in this EP, demonstrating UNITED’s enduring ability to produce collaborations that seamlessly represent the work of their Russian producers with that of established UK artists.

Links:
https://soundcloud.com/real_tears
https://soundcloud.com/united_gang
https://unitedgang.bandcamp.com
https://www.facebook.com/united.gang

REAL TEARS & MOSCOW LEGEND

UNITED BANDCAMP

[PREMIERE] REAL TEARS - PAIMON (EP OUT NOW VIA UNITED)

Exit (time to leave)is taken from DJ Pitch's forthcoming EP 'Spiritual Claustrophobia' - think covid fever dreams and an itch for club glory. Full record out on the 16th of June.

DJ Pitch - Exit (Time to Leave)

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produced by @gutttosensit
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mastered by @riedelchristoff
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✩♬ download ✩♬

Gutttosensit -  Ionización

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@undrwght 
Mastered by Imaabs
Artwork by Eric Hernandez

Ruegate & Undrwght - Estrés

HERSTORY

@bzzhound @djsustancia & @linapary - POSEÍDA (@trexeter Jungle Flip) (taken from 'POSEÍDA', out on the 20th of February via @traaampaaa)

Colombian label Trampa has always had a thing for gathering many greats within one release - after all their in-demand compilations featured dozens of Latin American talents throughout the past few years. With their upcoming release they're taking it to the next level though as 'POSEÍDA' not only sees three big names - DJ Sustancia, Linapary and BZZHOUND - meet in a single track but also brings a diverse line up of remixing producers, including the likes of JOTADELLI, Nuevo Prohibido, NEGRACONDA or Trexeter, the latter of whom boldly departed from the original and delivered a jungle rework. 

[PREMIERE] BZZHOUND, DJ SUSTANCIA & LINAPARY - POSEÍDA (Trexeter Jungle Flip) (Trampa)

Ritmo del Perreo II - Reggaeton Beat

www.mixmag.net/read/premiere-murlos-at-the-end-die-for-me-is-a-glorious-club-electrifier-premieres

You just know a Murlo track's going to be full of zing and able to electrify a dancefloor.

Wind Me Up

More exclusive music

Premiere: Murlo 'At The End (Die For Me)'

During the making of this record I was primarily concerned with the anxieties of postmodern existence. Living with constant information connects us but ultimately drives us apart as powerful institutions use information and disinformation to manipulate the public and manufacture consent. As a first generation Chinese immigrant raised in the west, I am interested in the process of sampling from ethnically diverse, "foreign" origins as well as local, familiar sources and seeing how they interplay with each other in startling new ways. Sampling is an old artform, a foundation of electronic music, and we are learning as a new generation how to utilize this tradition under changing ethical standards. Stylistically this record was made with the intention of using a lot of disparate samples from politically-incongruous places: European colonialist films, a white Mormon indie rock band, Japanese kabuki, traditional Chinese hand percussion, Nixon's speeches, vocals from both American and Cantonese pop icons, an experimental record about the Vietnam war, etc., and combine them in ways that are unexpected, non-fetishistic, and nuanced. As post-millennial people, we enjoy greater access to cultural artifacts ("samples") than ever before which can lead to great artistic works if used with respect to context, meaning, and cultural significance. This EP was an attempt to explore that. 
-Ciel (@cl_lit)

Premiere: Murlo 'At The End (Die For Me)'

Mixmag