'I Wanted More' EP

rRoxymore - Last Day Last Dance

Cathartic and introspective ambient from Kincaid on Grid Records.

Read More & Buy: https://www.stampthewax.com/2022/04/27/premiere-kincaid-more-good-than-bad/
Listen on YouTube: https://bit.ly/KincaidGrid

More Good Than Bad EP

Listen on YouTube

Kincaid - More Good Than Bad (STW Premiere)

I wrote ‘Joy’ as an expression of gratitude to the people I love; my girlfriend, family, and friends. They’ve been by my side through the coldest and darkest moments; through my grief. My last single, ‘Better days’ represented the transition out of winter into spring. ‘Joy’ represents the summer, a time to share happiness with the people I care about the most. They are my Joy.

sentiment

https://www.youtube.com/watch?v=vCyGiwmqNXA
Buy it now @ https://dogandfox.bandcamp.com/track/who-gets-the-cows

Who Gets The Cows?

Artist: STILL
Album: I 
Format: LP / Digital
Cat.No: PAN 80 
Release Date: 15 September 2017
@st-ill

order:  https://still-pan.bandcamp.com/album/i

Shapeshifting through his vernacular worlds of sound and imagery, Milan artist and musician STILL (Simone Trabucchi)'s practice is defined by a unique, nomadic approach. Previously known as Dracula Lewis, a project developing his personal take on ‘folk’ music, he has accumulated a number of releases on various seminal labels, alongside running Hundebiss Records.

His new moniker, STILL, follows the unearthing of the histories that connect his hometown of Vernasca to Ethiopia and Jamaica, explored under his visual arts project Invernomuto as an in-depth fieldwork lead to ‘Negus’: a series of sculptures, installations, a book, and a long-feature experimental documentary, screened at Unsound 2016.

'Negus' revolves around a cleansing counter-ritual performed by Lee "Scratch" Perry in the Vernasca square where 80 years earlier, an effigy of Haile Selassie I was burned. The documentary then follows a trajectory connecting Italy's overlooked colonial past seen through personal history to a reverberation of symbols in Ethiopia and Jamaica. Within STILL, he connects these research threads, evolving their sonic and linguistic aspects further, where ‘computerized riddims’ sustain a shared gospel channelled through a polyphony of voices.

Six Milan-based African-Italian vocalists and singers voice a complex, overarching past that is both communal and individual. Using the medium of language, the record is a multi-layered with meanings contemplating the historical weight of words. Both the city and the studio became workshops for the shaping of their complex network.

The release is mastered by Rashad Becker at D&M, artwork by Invernomuto & Bill Kouligas.

STILL - Nazenèt [Wasp Riddim] (PAN 80)

Two of London's most exciting new forces link up as @objectblue releases her four-track 'REX' EP on @lgsrec.

Originally intended to be the London-based producer's debut release, 'REX' has been a labour-intensive effort from object blue, involving a total scrapping of original demos back in December. Inspired in part by King Lear, it unfolds with a Shakespearean sense of narrative energy, channelling wild emotions into finely crafted cuts that simmer. 

'(time to) WORK' is the first techno track she ever wrote, showing a characteristically unique spin of the genre, weaving an Aaliyah sample soaked in metallic reverb and palpitating percussive lines into the mix.

Out July 13, pre-order here: http://lgsrec.com/album/lgs008-object-blue-rex

More exclusive music

Premiere: object blue '(time to) WORK'

Crack Mix – Irish Ambient mixed by J Colleran

Details and tracklist here: https://crackm.ag/2uLaY1C

Crack Magazine 

Crack Mix – Irish Ambient mixed by J Colleran

Released exclusively alongside a limited woven blanket available on http://luckyme.net, http://jacquesgreene.com or jacquesgreene.bandcamp.com 

Design by Hassan Rahim. Hand-numbered and limited to x30 world-wide.

Premiere: object blue '(time to) WORK'

Mixmag

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