Effing Epic Noise

Very excited to be featuring a brand new track from Riton for FREE MUSIC MONDAY today. He has given us his track 'Gas Pedal' as an exclusive free download. If you like what you hear you can also get the full CAN'T STOP THE CLOCK mixtape over on the Noisy website on Wednesday. He's stripped down some of his favourite R&B acapellas   for it featuring vocals from M.I.A, Cassie and Aaliyah. ENJOY x

Watch the teaser for the mixtape here: http://m.noisey.vice.com/en_uk/noisey-show/watch-the-nsfw-teaser-for-ritons-new-mixtape-feat-mia-aaliyah-and-cassie

https://www.facebook.com/ritontime

FMM: Riton feat. Sage The Gemini - GAS PEDAL

Afsila

Portable - Keep On

An exclusive courtesy of http://www.mixmag.net/germany

Download here

Download: Martin Eyerer 'The Cake' (Stephan Hinz remix)

Signed to king street sounds, Coming in early 2014.

D33P Ft. Jess Nitties - Never Gonna Love (Original Mix) *OUT NOW!!!

Junge Dame und freundliche Telefon Stimme by Bangkok Impact

https://soundcloud.com/svenweisemann
Buy link: http://www.delsinrecords.com/release/4865/sven-weisemann/fall-of-icarus-ep

​Head to Sven Weisemann's SoundCloud page and you'll be spoilt for choice if you're after some super soulful house mixes. The Berlin DJ and producer's absolutely blown us away with more or less every one. 

Our thoughts were no different towards his stunning In Session mix about a year ago or that time he came into The Lab LDN and caused utter carnage at our Friday afternoon party. 

More exclusive music

Premiere: Sven Weisemann 'Nijo'

Sound Buzz

Taken from: Mattes Schwarz - I Don't Know (Magazine 17)

Mattes Schwarz - There Are Secrets

Chained to a ladder: There’s no way up. There’s no way down. You’re hung on a rung and there’s there no place to escape as Dino Lenny delves into your innermost psyche with this heavy slice of pedigree Italian electronica. A Darkroom Dubs debut from the original craftsman, ‘Chained To A Ladder’ is ominous in its mood and tone, dramatic in its new romantic vocal style and uncompromised with its devilish analogue aesthetic.

Remix-wise we’re unquestionably spoilt as label bosses Silicone Soul unleash their first production of the year with an immense 9+ minute cosmic bluesy stew, cooked slow and low with deep psychedelic flavours. A version that develops the original’s story in a stark way; this is what remixes were invented for.

Last but not least, Dino seals the deal with ‘The Right Place’. A broken drum mutant powered by technoid rocket fuel, its breakbeats drive a writhing groove that’s awash with touches of classic electro, new beat and hardcore with dark broadsword bass sweeps. Splashed with sudden blasts of synth colour, Dino’s signature sense of contrast is visceral, focused and direct. A true homage to every genre’s foundations and salute to the future; tremors can be felt from techno to drum & bass.

As the recently released ‘Darkroom Dubs Volume IV’ celebrated the last few years of releases, Dino sets the scene for another exciting chapter for the label. A chapter that will see the label continue to explore its signature atmospheric late-night sounds and celebrate its 15th anniversary this year. We’ll leave you hanging right here…

Mastered by Conor Dalton at Glowcast Audio.
Photo by Simona Capaldi. Model: Mariella Carola.

Played & supported by Maceo Plex, Andrew Weatherall, Dark Entries, Timo Maas, Steve Lawler, Tiefschwarz, Nick Warren, Leftfield, Sasha, John Digweed, DJ Mag UK, Groove, DJ Mag ES, Nemone BBC6 Radio, Ibiza Sonica & many more...

Chained To A Ladder

Shop Now

Dino Lenny - Chained To A Ladder (Silicone Soul's Self Destruction Blues) [Darkroom Dubs] (Clip)

Track taken from "Wuzzelbud FF" (Hart&Tief 04)
Release Date: September 7th, 2018

Get the double vinyl EP here:
bit.ly/wuzzelbudff

Stream:
spoti.fi/2NtrXkq
apple.co/2Nk7i2r
bit.ly/2NpwYdN

More Infos & alls upcoming Dj-Shows: www.pamparecords.com

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.

A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.

Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.

No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.

The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey.

More Infos: www.pamparecords.com
(C) Pampa Records 2018

Wuzzelbud FF

H&T04 Robag Wruhme - Tisma

Pacing through corridors that lack a definitive end, he attempts to make sense of it all. Something seems glaringly off, but he just can’t place his finger on it. As walls ebb, bow and collapse, he happily accepts the seemingly impossible nature of the shapes around him as part of a structured reality. The previously straight corridor begins to bend wildly, like a dowsing rod in nervous hands, leading in directions he’s unsure he wishes to be heading. The path tapers off and the walls fluctuate with incomprehensible iridescent colour before shattering into a landscape of fractals which promptly dissolve. A white room and a closed door is all that remains. “Should I open it?” he wonders. 

The latest EP set for release on highly respected French label Astropolis comes via techno producer Blutch. The EP features six tracks of glee-inducing electronica that gives credence to the saying “the French do it better”. Bookending the tracklist is a gorgeous remix of ‘La cité des étoiles’ by Kompakt affiliate Michael Mayer. The track glows with an evolving motif of glittering synth leads that build towards a larger-than-life finale, all happening atop a steady foundation of shuffling hats and driving techno kicks.

PREMIERE: Blutch - La Cité Des Étoiles (Michael Mayer Remix) [Astropolis Records]

Barnt, in his new EP called ARIOLA, is testing the ingredients of pleasure. No romanticism, no reference, no genre-attidude. Practicing his vicious dancefloor trickery on how to provoke precise physical reactions by clearly calculating frequencies, which stimulate to dance. At the same time all of this is super loony, theatrical, overexposed, anti-technocrat and delicately decadent. In an air of shamelessness Barnt's extracts of euphoria associate for curious liaisons and eminent effects.

www.musicacomeme.com
Listen to our Radio: radiocomeme.tumblr.com/

Enjoy the EP and please support us by picking the EP up on vinyl or digital from the below shops.
12'' Vinyl: www.kompakt.fm/releases/ariola
DIgital: www.juno.co.uk/artists/Barnt/

Ariola

Bandcamp

Barnt - Ariola

The Rice Twins - The Signifier

Video: http://www.youtube.com/watch?v=HTWFOkuSHzY

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Twitter - www.twitter.com/vacantldn
Youtube - www.youtube.com/vacantldn
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Premiere: Sven Weisemann 'Nijo'

Mixmag

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