4BC (1984) is for four bass clarinets playing in a small range (a fifth) emphasizing the third partial. It is written for the partials as well as the fundamentals, creating combination and difference tones.

saxophonist | musician
demos, improvisations, sketches, some finished stuff

CEJ13 . EVOL . Speed Snake
CEJ12 . Rick Myers . Obstacle #80: INDICES
CEJ11 . John Butcher & Rhodri Davies . Drunk on Dreams
CEJ10 . Aaron Dilloway . Switches
CEJ09 . Senyawa . Brønshøj (Puncak)
CEJ08 . Eric Frye . On Small Differences in Sensation
CEJ07 . TBA . (release on hold)
CEJ06 . The Sun God . ... And The Myth Lives On Trio
CEJ05 . DJ Guy . Basf Ferro
CEJ04 . To\To . Pois Demonit Pois
CEJ03 . Robert Turman . Three Parts
CEJ02 . Menthol . Apreservamat
CEJ01 . Excepter . Christisland 
CD-r01 . To\To and Robert Turman ‎. CD-r01

MARY JANE LEACH is a composer/performer whose work reveals a fascination with the physicality of sound, its acoustic properties and how they interact with space. In many of her works Leach creates an other-worldly sound environment using difference, combination, and interference tones; these are tones not actually sounded by the performers, but acoustic phenomena arising from Leach’s deft manipulation of intonation and timbral qualities: “an acoustic Through the Looking Glass world based on sound that the performer is not making.” (The New Yorker).

4BC

mjleach