Awesome vocal and great collab 🔥🫶👏

Hey man, love this fascinating melodic work on your synth. Also, the vocals are perfect for it, too. Wonderful work here!

Amazing production 🔥 Love the vibe 🤍

cool collaboration with IPG1! Great big expressive vocals!

[UNDER CONSTRUCTION]

Meet ____________ (insect and spider specie, when my computer is fixed)

Calm and Steady tracks series no. 551

created: 2025/05/18

Picture CREDIT (none yet, there's no picture so far ; )

hk_calm-steady_tracks_551

(Written by Terry Reeves)
Terry Reeves: Vocals, Acoustic Guitar
Hans Albers: All other instruments, Arrangement & Production

I think it’s important to say that a lot more women than you think have had one or multiple miscarriages. It’s just that it is a subject not often talked about because of the very personal pain that the couple go through. The unborn life has no contact with anybody else except the mother and the emotions are often only remembered by the mother and father.
When Jo and I were expecting our second child we were very excited and looking forward to having another Reeves in our growing family. I will never forget the day that we were told we were going to lose the baby and once told, left sitting in an open A & E waiting area having to cope with all our raw emotions and the prospect of the impending loss amongst the rest of the other patients.
Jo had to go through a painful operation to terminate the pregnancy and it is a day she will never forget. We were a family of three planning being a family of four having now to plan being a family of three recovering from an invisible loss and explain it to our young son.
It was an extremely difficult time but we were fortunate that after a few years we did have two more children. Jo tells me that although it is difficult to explain the connection she had with the unborn child that the presence of life inside her will never be forgotten.
I felt I couldn’t let this moment in our lives pass by without acknowledging our unborn child in some way. The rollercoaster of emotions we shared at that time from euphoria at increasing our family to devastation and bereavement at our loss were felt intensely only by Jo and myself played it’s part in forging the strong bond we have had throughout our relationship. (Terry Reeves)

Two giving chance for more to love
Sharing excitement of a life that grew
Future moments by imagination
Holding tightly to a dream, not knowing who

The moment will always be there

No blessing from a hand of friendship 
Could change the feeling of love untried
A desperation of disappearing contact
Sixteen weeks of wonder with a life inside

The moment will always be there
Will always be there x2

Will always be there x3

It’s hard to share the tears of life unborn
Expectations waiting, true feelings strong
Growing three to four into a family together 
Not knowing where to be or why we belong

The moment will always be there
Will always be there x2

Many questions asked reasons who or why
Emotional growth but no name it’s true
An everlasting memory impossible to share
Changing 4 back to 3 kept just between two

The moment will always be there
Will always be there
Will always be there
Will always be there

FOUR TO THREE - CRIPPLE CLUB & HANS ALBERS

Cast of Characters:
E Ruizzo-- https://soundcloud.com/ruizzoidman21centurions --Manuel-- composition, lyrics, Squier Stratocaster electric guitar, vocals, mix, and production
J.J. Terrell-- @j-j-terrell—JJ-- piano, accordion, and horn
TexMex Shaman– @texmex-shaman –Stephen– Jose Ramirez nylon stringed flamenco style guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision Bass bass

This song began all the way back when Manuel was 16 and found love that summer with a girl named Carmen. He remembered her, though, and wrote this song about her all these years later. The title of the song means "Your name has the song," and the lyrics spell out the girl's charms using the letters of her name. Check out the lyrics and the translation below. 
  Using that inspiration, Manuel came up with the song structure and the vocal melodies to a rudimentary drum track with his electric guitar. He then asked Josh if the group would be interested in taking it on. Josh, never being one to refuse a challenging piece of music, and always on the lookout for interesting musicians with whom to collaborate, accepted his kind offer and created a project for the rest of the Eclectic Collecitve to join. He started the whole thing off by adding his bass, to which Ken added his innovative drums, to which Josh redid his bass, as is the typical process in the EC.
  Next up was JJ, who you'd think he'd grown up with Spanish music the way he added the horns, accordion, and piano. Then Stephen stepped in and added his psychedelic and intricate acoustic guitar to the stew. 
  It was all done, except for the mix at this point. Manuel did the honors, and did it very expertly. Stephen mastered it to give it more volume and dynamism, too, as he always does. 
  This was the first, but we hope not the last, time the EC has collaborated with Manuel, although we're all fans of the incredible music on his page. He was a true delight to work with, giving honest, encouraging feedback and helping us shape his song to meet his vision. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by E Ruizzo:

TU NOMBRE TIENE LA CANCIÓN  /  YOUR NAME HAS THE SONG

Qué es una lágrima en el desierto?  /  What is a tear in the desert?
Cae sin ruido, se evapora y se olvida.  /  It falls without noise, evaporates and is forgotten.
No tiene tiempo de brillar, su vida  /  It has no time to shine, its life
es corta y su camino tan incierto…  /  is short and its path so uncertain...

Ce del calor del desierto y su sol,  /  ‘C’ for the heat of the desert and its sun,
a del adiós por el que lloré tanto;  /  ‘a’ for the farewell for which I cried so much;
erre del río que forma mi llanto;  /  ‘r’ for the river formed by my crying;
eme de miedo, de magia y de amor.  /  ‘m’ for fear, for magic and for love.

E de esperanza, de espacio rosado,  /  ‘E’ for hope, for pink space,
de espina clavada, de suelta emoción;  /  for stuck thorn, for loose emotion;
ene de noche de un tiempo pasado.  /  ‘n’ for night of a past time.

Carmen, tu nombre tiene la canción  /  Carmen, your name has the song
de todo aquello que has significado:  /  of all that you have meant:
Carmen de luz, de sonrisa y de adiós.  /  Carmen of light, of smile and of goodbye.

Tu Nombre Tiene La Canción (with The Eclectic Collective)

250204-Tr1_tkb

'Pentatonic Ruins' [CD|LP|DIGITAL]
Denovali Records · den385
available on all formats at http://denovali.com/mansur

"Pentatonic Ruins" is MANSUR’s 5th release on Denovali - it follows the 2022 "Oscuras Flores" album. "Pentatonic Ruins" is more of a song adaptation album than a new material album. It highlights the vocals of Martina Horvath and presents a collection of Mansur songs in a more hypnotic and trance like manner. This album can be seen as songs for transcendental rituals.

Mansur - Szaturnusz

Gabriela War - Whisper Slowly LP 

Release Exclusive 03/21/2025 on Bandcamp 
Main Release 04/11/2025 Sotify, Beatport, Apple and more

Meet Recordings presents Whisper Slowly a deep, hypnotic exploration of sound and emotion.  Born in Algarrobo, Valparaíso, Gabriela War has built a reputation as a multidisciplinary artist pushing the boundaries of electronic music and audiovisual expression. With roots in video mapping, sound experimentation, and a deep connection to technology and sensory storytelling, she fuses art and innovation into sonic experiences that transcend the ordinary. Inspired by her signature vocal style and DeepketaDub sound, Whisper Slowly embodies a serene yet gripping energy soft whispers entwined with pulsing basslines, ethereal pads, and delicate textures. The LP reflects her philosophy: music as an immersive narrative, a place where cyberpunk aesthetics meet feminine and experimental sensibility. Each track is a slow burning journey into the depths of deep techno, where time dissolves, and emotion takes center stage. Haunting yet beautiful, this is an album that doesn’t just play it lingers, drawing you into its spell.

Turn Arround
I wanna die
Paranoia
Mapping Night
No one understands
Enloqueciendo
Tokio 

I wanna die

Heartspace EP by Lillusion

Buy link: https://lillusion.bandcamp.com/album/heartspace 

Spotify: https://open.spotify.com/intl-de/artist/6EVmXAKFQGCqcSYn8JqINB

Instagram: https://www.instagram.com/lill.usion/ 
 
Soundcloud (artist page): https://soundcloud.com/lill_usion 

Release date: 28/03/2025

ASHR PREMIERE: Lillusion - Surrender

lost in the morning light
safe from the madness that binds the night
I'll be the good man enlightened, abated, anodyne

I travel naked with a mind left to the wind
you won't believe that this is all that is needed to begin
caught inside the wasted life you never know that you're bleeding

I hear the voice  of higher mind
all the rusted wires untied
I'll be the good man invited, elated, held in line

I leave a message to myself just to remind
there is no reason to be learning how to be unsatisfied
or be lonely

why does it seem so hard to find
why can't it last forever

I'm watching the birds go by my window
my heart is believing fire
and all will reveal in time

Play on Spotify

Begin

An instrumental lullaby that I wrote for my daughter who arrived recently and has turned my world on it's head (in the most amazing way) :)

Mia's Lullaby

Writer : Gerry Goffin \ Composer : Michael Masser \ ISWC : T-802.082.764-0 
Publisher : Prince Street Music - Lauren Wesey Music - Universal Music Publishing
Released : August 13 1985
__________________________________________________________________

While waiting for my next cover... I found this cover from 30 years ago at the bottom of my drawers... I had the voice and the breath!...😊 But that was before! 😄 Now you have to lower it at least a tone or even two.
__________________________________________________________________

I love this song (I'm a Whitney Houston fan); it's thanks to this song that made her famous worldwide. She had a unique tone, a crystal clear voice.
--------------------------------------------------------------------------------------------------------------

Arrangement : Phong
Vocal : Anh
Album : 1995
__________________________________________________________________

Saving All My Love For You - Cover (Whitney Houston)

This is the last step of this collection:
Hybrid Electro :
https://on.soundcloud.com/fWwC7RmqvaYqCgJbA

STEP EIGTH

2025 GAD

izađi iz jarka(demo)

Music: Ian Greaves [ https://soundcloud.com/ipg1 | https://soundcloud.com/lou3-1 ]
Lyrics & vocals: Martin K Anderson aka Marty Andersson [ https://andersson-arte.com ]

Free eBooks [ https://mega.nz/folder/ttMxyCpb#Mkv1Pm6JqV5qiXKlaMIFRA ]

Marty Andersson: ‘Till the End (feat. Ian Greaves) | Inc. Link to Free eBooks

Power Bomb

In The Game feat. SteelCityRed
Vocals and Lyrics SteelCityRed:
https://www.looperman.com/acapellas/detail/23517/in-the-game-hook-acapella-by-steelcityred-120bpm-rap-acapella
Paploviante:
Bass, Music Composing, Mix, Picture and Mastering

In The Game feat. SteelCityRed

'oracles'
Ultrasonic Pest Repellent: drums, bass, guitar
Scotty: lyrics, vocals
Gems: backing vocals

Well, the wind is pickin' up,
and the sea is gettin' rough.
Midday has turned to dusk,
and we're feelin' Iike we're fucked.
Yet, still, we can't get enough
'cause somehow we get some love
for spillin' out our guts
about each time we've been fucked,
and each time that we have fucked,
and each time we've lost our trust,
and each time we've showed disgust
each time we treat time with fuss.
Each time, every time, we must
treat each time like we're in lust.
Otherwise, each time will pass and we'll 
have lost each time. For what? 

Absolutely nothing, baby.
Do you trust me? Yes or maybe?
Don't be shy, babe, come persuade me.
Spill it out, now, don't be angry.
I just want you. You're my baby.
Learned to trust you. You've regained me.
Fear to love you. Yes, it pains me.
Still, I'll fuck you. You'll repay me. 

Somehow I still feel this is right.
And I can't put up no more fight.
If this consumes me, then so be it.
We'll be in movies, or some 'd' skit. 

I'm just kiddin'.
I'm just joshin'.
Why fuss hauntin'
all my dreams when
you're just kiddin',
and just joshin'.
You're just hauntin'
my dreams because you can. 

Why you gotta fuck with me? 

I'm gonna take hold of you.
Throttle your neck until you're blue.
Don't think once that this dude
won't make you swallow what you've chewed.

oracles (with Ultrasonic Pest Repellent)

Thank you to all my supporters. Much love <3
-
Vocalist; songwriter; poet; author; D-grade philosopher.

#anderssonarte
-
Collaborators/Affiliates:

> Salvatore Nuccio
[ https://soundcloud.com/salvatorenuccio ]
>> Angelo Annicchiarico
[ https://soundcloud.com/angelo-annicchiarico-1 ]
>> Tracey Cracknell
[ https://soundcloud.com/user-656984672 ]
>> ZODALITT
[ https://soundcloud.com/lise-jonsson ]
>> Jostein Kihl Svarthe
[ https://soundcloud.com/jostein-kihl-svarthe ]
>> BlueToad 
[ https://soundcloud.com/dan-lemiel ]
>> Kenny Dyer
[ https://soundcloud.com/kenny_dyer ]
>> Behold the Sludge
[ https://soundcloud.com/beholdthesludge ]
>> IPG1 aka LOU
[ https://soundcloud.com/ipg1 ]
>> #WEATNU
[ https://soundcloud.com/weatnu ]

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Marty Andersson: ‘Till the End (feat. Ian Greaves) | Inc. Link to Free eBooks

mkandersson1982

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