drums by https://soundcloud.com/plex-auchta
vocals and guitar by andrew salvner (aka lil' spaceman)

compost the oligarchy

Solo

Cuando era Feliz

The third track from my EP CHEMICAL is SCARY TRUTH. 135 BPM. 9m39s. The longest track in this EP. But this is the most psychedelic and rave-like, so this is perfect for listening to while swaying back and forth. In short, this can be used as a good BGM. CHEMICAL Link in Bio!

SCARY TRUTH

Blue Crumble

Erft Delta Blues Jam

I can't seem to put down the guitar now that I've picked it back up! Played around with layering some kind of simple repetitive loops to create a hypnotic atmosphere on this one.

Image by Paul Bica (CC BY 2.0)

Sky Above Clouds

released in Jan 2025 - nomatesensemble.bandcamp.com/album/i-am…m-with-you.

Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of 21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar - 2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide Part 1

The Night Carnival

I have been hearing so much AI music lately on SoundCloud and these  thoughts have been percolating with me for a while and finally they coalesced into a song. (created without the use of AI).
***
Vocals & Back Up Vocals: Joe Stroffolino
Guitar Strumming Track:  Joe Stroffolino Taylor 114CE
Drums: EZ Drummer 3
Bass: PG Music Real track
Piano:  EZ Keys2 
Synth Bass: Logic Pro 
***
You got tired of struggling so hard to write a great original song
And then this amazing newfangled technology came along
Now you’re using AI to create music, and it’s a much easier process
And you’re convinced you found the ticket to achieving great success.
You tell yourself you’re a great artist because prompting takes a lot of skill
But deep down you know the AI did most of the work and you swallow the bitter pill
People complement you on your guitar playing and they tell you your voice sounds great
It makes you feel so good but you don’t ever set them straight
Those classic rockers used to write 10 or 12 good songs every couple of years
Now you’re posting two or three songs a day and hoping for a bunch of cheers
You’re rolling the musical dice, hoping you’ll come up with a catchy viral hit 
But there’s so much music flooding the internet that no one gives a shit
You tell yourself you’re a great artist because prompting takes a lot of skill
But deep down you know the AI did most of the work and you swallow the bitter pill
People complement you on your guitar playing and they tell you your voice sounds great, it makes you feel so good but you don’t ever set them straight
Some people believe we’re living in simulation and none of this is real
We’re just digital creations in a computer with the ability to feel
But even if that’s not the case, we’re quickly, heading to a place where no one’s going to be able to tell the difference.
You used strum your guitar, trying to capture lightning in a bottle and the songs that emerged came from you.
And now the songs you write with AI, what they’re saying, you don’t have a clue.
Music used to feel therapeutic, it was a window on your soul that you could share.
But now something feels missing because your songs no longer lay your heart bare.

Prompting Takes A Lot Of Skill

PRESSURE VALVES

what good is it that I put a little heart on your songs if you already have more than a hundred like and more than a thousand views ... it's a contest of who will have the biggest ???

what good is it that I put a little heart on your songs ???

BIENVENUES
        sur :
 MKN RADIO!
Cette page est dédiée à VOS enregistrements... Comme je les aime ou comme vous me les envoyez..
Bien sûr c'est aussi mes propres productions au fur et à mesure
 Vous pouvez retrouver tous les groupes et projets collaboratifs de MKN REKORDZ dans les liens ci-dessous:

WELCOME
        on :
 MKN RADIO!
This page is dedicated to YOUR recordings... As I like them or as you send them to me..
Of course it's also my own productions as I go along
 You can find all MKN REKORDZ groups and collaborative projects in the links below
AND of course it's also my Label repost Radio you can find all the MKN REKORDZ bands and collaborative projects in the links above
https://soundcloud.com/mknmixiz 
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