As a noun, it refers to a loud, harsh, piercing cry or a loud, harsh, squealing noise.
As a verb, it can mean to give a loud, harsh, piercing cry, to make a loud, harsh, squealing noise, or to move rapidly with such a noise.

Mission Statement: Our network is based on one simple priciple…”Build it and they will come!” The brain child of Michael Bitar, and Jaime Martinez the concept of MKEG was conceived out of the necessity for us to actually find work for ourselves in this very competitive industry. Over time, that idea evolved to include all of our artistic inclinations. A growing dissatisfaction over the pointlessness of mainstream program also provided us with the gap in the market where we could take our content further with fewer obstacles. Being a newcomer on the market should be terrifying, but with changes in the markets everyday, and with major labels and production companies unable to meet the demands of niche and specialty markets, we are poised to go forward with our mission and principles…to:

1)Provide new approaches to production.

2)Provide an arena for intellect, passion, and ethics.

3)Provide a place where quality programming and products could find their audiences directly.


Fearless - oblivious of dangers or perils or calmly resolute in facing them
unafraid
bold - fearless and daring; "bold settlers on some foreign shore"; "a bold speech"; "a bold adventure"
brave, courageous - possessing or displaying courage; able to face and deal with danger or fear without flinching; "Familiarity with danger makes a brave man braver but less daring"- Herman Melville; "a frank courageous heart...triumphed over pain"- William Wordsworth; "set a courageous example by leading them safely into and out of enemy-held territory" 
 2. fearless - invulnerable to fear or intimidation; "audacious explorers"; "fearless reporters and photographers"; "intrepid pioneers"
audacious, dauntless, intrepid, unfearing, brave, hardy
bold - fearless and daring; "bold settlers on some foreign shore"; "a bold speech"; "a bold adventure" 




FLH & Skreech join forces to form "Fearless" and have been morphing music together since 2007. Adding Frank Beauchamp in the mix in 2009, Diversity is key with this electronic band. How many different kinds of ears can they reach? With over 34 years in combined experience, they are assured to bring you nothing but the best quality music has to offer. Tune in as they bring you their second album "Intrepid Pioneers" set to be released in the fall.

FLH’s real name is Michael Yaub Bitar. Born July 25, 1973, he grew up in unincorporated Dade County north of Kendall, south of Hialeah, and west of Miami Beach and Downtown Miami. He grew up somewhat of a nerd and a disturbed child with a high G.P.A. and a penchant for clowning. Tinkering with electronics at the age of 7, father Jorge would typically be found staring from the doorway wondering, ”Why is the home computer and stereo in pieces on the floor? And how did he reach the tool kit?” His mother was an artist and his father and engineer…little FLH would be a commingling of the two. Always being a troubled child with too many questions, and not enough answers, curiosity would lead him into the various circles that would elevate his slow climb to the top of the flat hill that is the Florida Dance Culture Scene. The 90’s were a time of growth in Miami where before you just had Cubans, now you had the Versace’s. Mike would be the clueless kid to be the first one to open the dance floor and the last to leave. At 16 he could be seen in the booth of Eddie O’reily’s Club 21 tugging on Tenaglia’s shorts requesting Front 242 and Vicious Pink, at Club 1235 on Wednesdays to see Skinny Puppy and hear Bizarre Love Triangle (the first time around kids), going to the Kitchen Club to listen to “Join in the Chant”, sing karaoke with Tara Solomon at Semper’s South Beach at 18. Saturdays, hitting the palacious Paragon (the original) on Saturday nights…sneaking in on Sundays past Jaime the door guy at the bathing in Padilla’s dream sets of love and fierceness at the Warsaw after an afternoon of drinking and block parties at the Palace and Torpedo’s. The Name FLH (short for Faide Link Harlequin) would surface at a significant stint as a manager at the then popular SPEC’S record chain in Coral Gables. His first gig, a residency at the Cactus in Downtown Miami, proved to be the bitch slap that would scar him for life and start the love affair with the headphones and machinery that have lasted throughout this day. His education with classical roots, world music, and technical acumen has ensured that his status is not that of just disc jockey but of artist. As a DJ, his sets are full of subliminal messages and love. As a person…so are his words…”I mostly quote other people when I talk because most of the time someone has already said it better than me…I think song lyrics make the best quotes…If someone would have told me that in order to change the world you had to sacrifice your sanity, I still would have said yes, but I would’ve asked why they didn’t send me a memo so I could be better prepared?”

Current Projects:
Mischa’s Kanchen – House
M.I.A. – House
Easy Listening Worldwide – Lounge
EXP2 – Lounge Core
Where Are You Now? - House
Epic – Trance
136.5 – Trance
FEARLESS – The Rest of Your Life (Underground)
The Electro-Lunch Café – Electroclash

Upcoming Projects:
6 Billion Stories – An original album produced by FLH & Skreech
Cover Me – A cover album of FLH’s favorite tunes. 

Pop Female Singer/Songwriter/Musician from Scotland. Various Madonna/Massive Attack & other electro artists influences. As well as her own work, she has been involved with collaborations with others. A visionary and futuristic artist.

Sonic the Hedgehog music influenced me first, I used to record all the sounds on my YakBak and warp them over and over again.Then came years and years of piano lessons.I play most of my stuff by ear and don't read music as much as I used to, but I do have a background in classical piano, and I love to play Chopin Waltzes, Mazurkas, and Preludes.I also love to sing and play along to Tori Amos and Amy Winehouse (RIP).Along with anything else that has influenced me, especially anything electronic, it all makes its way into my music.I also love to design and record sounds with my Zoom Handy Recorder.Whether I'm walking through the streets of Brooklyn recording bustling subway stations, watching Jet Li movies with bad English dubbed in, listening to bird noises early in the morning in downtown Orlando, or doing anything else that sparks a creative effort in order to blend sounds together into cohesive ideas, I will incorporate it into a set or make a track out of it.Most of my tracks have been created using Reason 3.0-5.0, although I have worked with countless other programs in the past, and I also use Mixmeister to blend and create sets. In the past I have also done several tracks using Ableton and Cubase."Ya Heard" was done exclusively on Ableton, with my voice all dubbed in and tweaked to a tea, asking you throughout the whole track if you had been listening."Open Your Eyes" was a demo I made of myself singing at York Recording Studio (YRS MIDI) where I completed a music production degree interning with owner George York and learned the ropes of Cubase. As of right now I don't have a lot of experience DJing on decks, as I have, up to this current point, been mostly a producer and composer via my laptop and MIDI controller, but I am willing to learn new ways to polish my craft the best way I know how, and am always down to play live or do something outside the box.If you would like to collaborate or remix any of my work drop me a line.RSN files are my best friend.I have a lot of work to do.See ya ;)

*I just completed a small study on a child that has CHARGE syndrome, a form of autism that causes many of those diagnosed to be born deaf, amongst several other abnormalities usually seen.I was a caregiver for Max Carrolle at a convention for CHARGE. He is deaf in his left ear, but has 25% hearing in his right ear.I let him play on my keyboard while placing an earbud in his right ear, and it seemed to provide him a lot of comfort.I will be posting some of his compositions very soon.Everyone has the capacity to be involved in music therapy at some level, through what they find therapeutic for themselves as well as providing it for others, and it will continue to be a part of what I do for as long as I live.  The sense of peace one can receive through the ability to hear is a God-given gift we have to keep nurturing and learn about, for I believe it brings a self-discovery about our selves and the rest of the human race that signals out some of the most effervescent scales of emotion.*


Despite having no musical training whatsoever, Kat Boelskov writes, records and produces all her own music. 

Working from her tiny apartment in Copenhagen, she has earned a crowd of fans from all around the world.   
Kat Boelskovs sound can be described as electroacoustic, evocative pop with an experimental edge. She released her debut album 'Amateur' in 2010, and 'Songs I made when I was supposed to be working on my album' in 2012. 
Her latest EP 'Divided' is out March 24th 2014.

Always looking for remixers and collaborators!


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