Awesome my friend. So atmospherical and deep sound.

It's great how the repetition of the guitar effects keeps the whole rhythm.

Song that I and Lawrence made in late 2016 and one of my favorites of the songs that we made together. Hope you enjoy and we thank you for listening!

Lawrence Farr: Vocals, lyrics, bass, drum additions
Me: guitar

Same Old...(with Lawrence Farr)

Written by Beth Williams

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https://bethwilliamsmusic.bandcamp.com
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Sit with these Blues (Demo)

find the light : )

one for the kids. c'mon, sing along, it'll make you feel good :
just         let                           go . .

the light I saw

An old one, but a new mix.

As said before – dedicated to a power button on my practice amp.

Black Button

Real Good trouble

Massive thanks to Magic Mike Fox  for his musicianship, producing, production and most of all just for being a top bloke.
And Nat Daniels for her massive contribution with her incredible vocals.
I have done many duets with Nat and every time it’s been a pleasure we have created many special moments.
Marry Me In Vegas was part 1 this is part 2 after Vegas with Real Good Trouble. 
Months after the non event of the grand marriage. He missed her after jilting her and not making the flight he felt like he needed to explain he just wasn’t ready for what she wanted. 
He never had the chance as she disappeared, shutdown her socials, changed her number and left.
Months passed without contact and then this phone called happened.

REAL GOOD TROUBLE (After Vegas)

I can’t believe you’re back in the city 
We called called our own
You wouldn’t recognise my number 
When I was calling,  calling on your phone
You said I’m sorry it’s been too long now 
And too many stones thrown 
I changed my number then picked another 
It was a stagecoach to Basingstoke 

Chorus 
So if you wanna get into 
Some real…. real Good trouble 
And leave our past behind
Then I’m ready & primed
For real good trouble 
For real good trouble….. Every Time! 

(every time.. oh baby baby baby... every time)

2nd Verse
After Vegas I needed to leave 
I should of worn my heart on my sleeve
Every minute of everyday 
I thought of you and what I would say 
I got a job found a place 
And for a while I was the new face.. 
And all the great moments that got us through 
Were never the same without You! 

Chorus 
So if you wanna, get into
Some real…. real good trouble 
And leave our past behind 
Then I’m ready & primed
For real good trouble 
For real good trouble … Every Time!

Every time.. oh baby baby baby... every time..
Real good trouble... 
Real good trouble... 
Real good trouble... 
Every time.. Every time!

Real Good Trouble (After Vegas) Fox, Brownie & Daniels

Uke, Mandolin and a couple tracks of syths...mashing. The clicks are me clucking my tongue...

The title? I got no idea where that came from...

Image is obviously AI

Ist Kan Bulle

[English lyrics below]

I was a high-schooler, not yet able (if at all) to write decent lyrics. So I resorted to more or less famous poems, but also to short stories from which I cut out fragments and stitched them together. Under my scalpel also fell 'Superfluous Invitations', a short story by Dino Buzzati published in 1958 in 'Sixty Short Stories'. There is a version that I recovered from a 1977 tape , but I had the desire to replay and rearrange it a few time ago.
2024, May 22 (Last version). At the sax Jörg (@joerxworx); together we have also produced an only instrumental version of the track (https://soundcloud.com/michele-ansani/i-would-like-you-to-come-instrumental  AND  https://soundcloud.com/joerxworx/michele-ansani-instrumental-with-alto-sax-2).

Cover picture: "Ritratto di Eura", from the graphic novel of Dino Buzzati, Poema a fumetti (Poem Strip), Milano 1969.

English Lyrics

I would like you to come to me on a winter evening
and huddled together behind the window looking at the night
we would remember the winters of fairy tales
where we lived together without knowing it.

By the same fairy paths did you and I walk
together we went through forests full of wolves
together without knowing it perhaps we both gazed
towards the mysterious life that awaited us

‘Do you remember?’ we will say each other and you will smile,
while outside will sound the wind's shaken metal sheets
but you - now I remember - do not know the ancient tales
of the nameless kings, of ogres and bewitched gardens

You have never passed enraptured under the magical talking trees
nor have you ever knocked on the door of the abandoned castle.
you have never walked in the night towards a distant light
nor have you ever fallen asleep under the stars of the East

Behind the window in the winter evening probably
we will remain mute like two strangers
I would ask ‘do you remember?’
but you would not remember
you would not remember

------

Music by Michele Ansani (1977); lyrics by Dino Buzzati (1958).
Remade in 2023-2024.
Posted on SoundCloud: 2024, July 22.

Vorrei che tu venissi da me in una sera d'inverno **

Slowly of night

slowly this night

Mayhem

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 

  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 

  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 

  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

The Siege : by David Marconi featuring Elpiverse, Ron Lewis & The Eclectic Collective

x86<3_melt<3bleed_777-403deny

„Then I looked on all my works that mine hands had wrought, and on the travail 
that I had labored to do: and behold, all is vanity and vexation of the spirit: and 
there is no profit under the sun“.  
(Ecclesiastes, 2:11)

Black Button

mk(x)nd

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