starting simple. i'm very out of practice with the modular (one of the driving forces behind restarting the diary series). starting simple and stress free. here a self-playing loop with the 4MS SWN going through a make noise QPAS and strymon Magneto. baby steps.

January 01, 2022 (swans)

~ IIKKI 021 ~

music : Akira Uchida
artwork : Masao Yamamoto
album : Kurayami
durations : 40 mn
date : July 07th 2023

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Uchida Akira: Clavichord , Piano , Sax , Recording , Mixing.
Tono Tamami: Sho.
Kosaka Osho: Sutra.

Mastered by Taylor Deupree
Artwork and calligraphy by Masao Yamamoto
Design by Sprflxgrfzm

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edition :
vinyl: limited to 300 copies / black LP / hand numbered  / selective UV varnish
cd: limited to 200 CD / hand numbered / selective UV varnish
book: limited to 2000 copies / hand numbered / embossed / hand stamped

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pre-order : May 25th, 2023 / official release : July 07th, 2023

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Links :
https://iikki.bandcamp.com/
https://www.iikki-books.com/
https://www.instagram.com/iikki_laaps/
https://www.akira-uchida.jp/
https://www.yamamotomasao.jp/

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℗ & © 2 0 2 3 - I I K K I - I I K K I 0 2 1

Akira Uchida - Kurayami # 2 (excerpt)

A remix recently done for Snufmumriko's brilliant album Havstrakt, released on SUNSEASKY. Support at snufmumriko.bandcamp.com/album/havstrakt and SUNSEASKY.com.

Havstrakt

Snufmumriko - 'Skärgårdskväde' - Moss Covered Technology Remix, [SUNSEASKY, 2023]

Reflections in Repose

The Splendor Within

My first patch with the Make Noise Morphagene.  Clouds in resonator mode being triggered by Varigate 8+ and being fed a sequence by Tides (note CV from Varigate going to Tides and Clouds 1v/o.  Stereo out from clouds to Morphagene.  Morphagene to K-Mix which adds some reverb.

Journey Through Morphagene

Penultimate Press is pleased to present A Sunset for Walter, the first duo release from long-time collaborators Jérôme Noetinger and Anthony Pateras. Having worked together in a number of different collaborative contexts over the years, the pair used Pateras’ 2018 residency at Schloss Solitude in Stuttgart as an opportunity to develop a major durational work for Steinway piano and multiple Revox tape machines. Presenting four excerpts from a three-hour concert, the LP’s opening moments immediately establish its distinctive sound-world: an austere sequence of octaves slowly sounded by the piano gradually develops into passages of fragmentary lyricism as Noetinger’s tape manipulations dilate the sonic space with rumbling sub-bass, distant echoes, and hints of uncanny backmasking.
 
A Sunset for Walter was conceived as a loose tribute to the piano works of Walter Marchetti, particularly the slowed-down subaquatic expanse of Nel Mari Del Sud. As Marchetti described his own work, A Sunset for Walter is ‘music without beginning, or end, or development’, where the lack of obvious structural divisions creates something like an endless present. But where the monochrome surface of Marchetti’s work – in its willingness to descend, in his own words  to the ‘pits of aesthetic poverty’ – often approaches total stasis, A Sunset for Walter is calmly immovable in its overall texture but perpetually changing in detail, as the performers respond intuitively to each other, their instruments, and the environment. Noetinger’s tape manipulations range from nearly imperceptible shadowing of the live piano to anarchic bursts of rewinding tape, floating wisps of feedback, and dreamlike concrète interjections of children’s voices and splashing water. Pateras’ piano performance moves from single pitches left hanging over a backdrop of silence to almost Messiaen-esque sequences of complex chords and arpeggios, all sounded within a temporal framework that seems to follow internal rhythms of breath and bodily movements.
 
Caught in this hall of mirrors, the listener is often unable to distinguish the live piano from its tape-manipulated reflection. Like the sunset of the title, here outlines blur into a crepuscular haze, as fleeting effects of light and shade catch our attention just as they disappear.

A Sunset for Walter

Jérôme Noetinger and Anthony Pateras - 19h39 / 19H46

From the forthcoming Tomaga & Pierre Bastien album, Bandiera Di Carta, out via Other People September 20th

Tomaga & Pierre Bastien - Senza

part of "Restless Place" release
https://mnemonic45.bandcamp.com/album/restless-place

Restless Place

Aquaeductus vestibuli

Rory McPike dons his 2200 alias and picks up the guitar for some sun-bleached, Krautrock-leaning downtempo.

'World's Fare' is out October 10th on Altered States Tapes.

Pre-order: bit.ly/2GGBL9g

@rdjm0
@altered-states-tapes

Premiere: 2200 - Cryo Freeze [Altered States Tapes]

Modular synthesizer compositions and sound design.

~ mlesprg@gmail.com ~
mlesprg.info
mlesprg.bandcamp.com

Journey Through Morphagene

Emily A. Sprague