Club Mutante is back on air featuring Sibilants co-founder and Arizona legend Omeed Norouzi playing 30mins of all original tracks. Fresh off of his recent release with Ascetic House, Omeed's eclectic yet highly refined sonic palette shines through in this mix. Mutante bosses DivPro and A Civil Terror close our the latter portion of this show.

https://soundcloud.com/omeednorouzi
https://instagram.com/omeednorouzi
https://on-1.bandcamp.com/

https://soundcloud.com/clubmutante
https://instagram.com/club_mutante 
https://facebook.com/clubmutante

Listen to Threads @ www.threadsradio.com

Club Mutante w/ Omeed Norouzi (Threads*PHOENIX) - 22-Mar-21

A mix for Free City Radio that @gonima worked on, who writes :

"This mix contains some tracks that have influenced my own music recently. For me they evoke feelings of floating, rapture, mysticism, resonating transcendence, peace. Much respect to the artists."

1. @tomotsugu - Scores On The Map 
https://laaps-records.com/album/literature
2. fsks - merci, sweet thing 
https://fsks0.bandcamp.com/album/this-place-is-fine
3. heoliene - Signal Juicer 
https://deuveir.bandcamp.com/album/signal-juicer-2
4. LOG ET3RNAL - LOG 2 
https://bblisss.bandcamp.com/album/log-et3rnal
5. @hnagatsuma - Inte här 
https://hnagatsuma.bandcamp.com/album/compositions-12
6. @tibslc - A Shell-Like Object 
https://kiiberborea.bandcamp.com/album/a-shell-like-object
7. @blochemy - Mei 
https://aud-art.bandcamp.com/track/mei

Gonima - free city radio mix

A ping pong mixed mix by the French experimental duo Jean Marie Mercimek from Marseille to Brest and back, with some of their unreleased stuff;

Jean - Marie Mercimek [Je Ne Veux Plus Voir Le Ciel] [06.10.2021]

wheru

Palanga Street Radio
presents:
Celeste Selects different genres to express todays mood - expect songs from Mariah Carey to Prince and Sade. @celesteneila

CELESTE SELECTS EPISODE 22

Forgive

Resting And Thinking

Rev. Drumma 3

KONRAD SPRENGER - Stack Music

Format: LP / Digital 
Cat. No: PAN 78 
Release Date: 2 June 2017

p-a-n.org

purchase: bit.ly/2rdmu6S

Released by:
PAN
Release date:
1 July 2017

Having felt restrained by the limits of traditional instruments and the techniques tied to them, composer, music producer and artist, Konrad Sprenger (b. Joerg Hiller), spent years developing various algorithms and custom instruments to realize his work. His recent focus has been on rhythmic patterns based on the Euclidean algorithm, using a computer-controlled multi-channel electric guitar.

The unique system can create complex rhythmical patterns whilst tuning the strings during performance - sounding at once like an electronic instrument, a drum computer, a guitar, a harpsichord, even at times as a full orchestra. Hiller has long collaborated and performed with minimalist Arnold Dreyblatt, and musician/instrument builder Ellen Fullman amongst others, and first built primitive acoustic mechanical instruments, gradually developing a more complex, digitally-controlled system. “My guitar gives me the possibility to discover almost every aspect of the sound produced by the excitation of the string – as if scientifically under a magnifying glass.” He says. “I can control such parameters as the speed and time, length of the attack, the intensity, the pitch (allowing the use of different tuning systems), and the location of each string in space by the use of 6 speakers.”

Early on, Hiller realized that the harmonically complex sound of strings are impossible to reproduce digitally, and therefore became interested in the development of mechanical instruments, visiting European collections of Pianolas, Orchestrions in Belgium and Holland. Within his live performances and on this new recording, his music is influenced by the insistent rhythms from Minimalism, Krautrock and Techno, and their shared focus on transcendence through a propulsive, full-spectrum sound.

Informed by early American folk music and its descendants (John Fahey et al), his new album Stack Music presents a selection of recordings over the years from residencies and live performances, such as ’Opening’, an early live performance of the digital guitar system recorded in New York and composed at Phill Niblock’s Intermedia Foundation Loft, whilst ’Rondo’ consists of recordings of the guitar played by a motor with shoelace exciters, horns, and piano harp. In ‘Largo’, he utilises the software Melodyne to generate midi notes from a original guitar system recording.

The release is mastered by Rashad Becker at D&M, featuring artwork by Bill Kouligas.

Konrad Sprenger - Opening (PAN 78)

Member of HTRK and co-creative director of the VR-enhanced Ghost Train, Jonnine Standish utilises episode #4 to soundtrack the experiences of thrill, mystery and energy using a series of blended sounds.

In Ghost Trains, old theme park soundtracks, carriage screeches, passenger screams, sparks, sirens and mechanical clanking meld with background audio from a series of long forgotten Instagram stories, all boosted in intensity by an underlying soundtrack of techno and experimental electronic music.

Links:
https://www.sydneyfestival.org.au/2018/ghost-train
https://www.facebook.com/htrkrtio/
https://soundcloud.com/htrk

#4 Jonnine Standish - Ghost Trains

This is a loose non-album demo that I've had floating around for awhile. When I wrote Upper Wind I was thinking about breath/wind/air - in music and more abstractly as an impetus and force. While it should go without saying that breath is a human right - the voice/breath/life of people of color continue to be stifled by widespread, systemic racism from police and citizens. The world can't rest until our air is shared + people of color feel safe to live their lives. I've set this track for $5 - pay what you can on our Bandcamp and all proceeds will be donated to the Minnesota Freedom Fund (minnesotafreedomfund.org/donate).

Upper Wind

Donate

Holly Waxwing - Upper Wind

Modular synthesizer compositions and sound design.

~ mlesprg@gmail.com ~
mlesprg.info
mlesprg.bandcamp.com

Resting And Thinking

Emily A. Sprague