yes i know, it's clipping!! and the hi-hats are not exactly on a rollercoaster. this is a track i'm going to do a remix of :)

dge - 12mm

Diesel Weasel (a.k.a. Captain D / a.k.a. Wagon Set / a.k.a jim jee jetpack) has been writing and recording original compositions since 1995.  He collects sounds in his brain holes, and is a host on the Fine+ Comics Podcast

playing with sounds is a thing i love doing! i got my first keyboard for christmas when i was 7 or 8 years old. it was a 1990 or '91 Casio SA-21. thinking back, ..i never learned a fracking chord, scale or note on that thing! :S .. but i've managed to squeeze a couple tunes out of it 14 years later during a jam-session in 2004 with a mate -'sa-21 experiment')

the earliest recordings and programmed tunes i've got lying around is from 2002. Since then me and my mates have come together as many bands. 3-5 times every year. back then i used soundforge to make samples, hammerhead to make beats, sawcutter for them wierd analogue synthlines, puttin it all together was done with .. soundforge, audiocity, cubase and acid, .. haha *laff*
with time i figured i needed a more powerful tool; so i looked at sum alternatives.
i ended up downloading a tracker. yes; tracker! Renoise! the oldest renoise projectfile in one of my many systematic backupfolders on my laptop dates september 2006 (how to learn to learn yourself), and i've been using and stayed true to Renoise since.. after using a v1.5 warez version for a while i bought v1.8 and at the moment running 2.8

DAMN GOES ERR
================\\\\\\

Renoise is my primary tool for both production and live jamming or performing with Redux. The exact application I described in the forums years ago with features and how it should make live ez at. (wow! 2024 here: this is soo old. I haven't made a xrn file for 10 years or so. But as I've kicked the habits I think I might find being creative wiv sounds and samples again brings a warm feeling. only problem is I have not a single VST, Instruments nor FX. Sample packs? none... my first studio is in storage at my baby's mamas house in Australia. 42hr flight yeah! but I can't afford to even get a Korg Mk3 keyboard with the 8 programmable pads and the other stuff. but starting building a VST library and sample library is not exactly the easiest to start over.... if u want to help out msg me! Thanks!!


my laptop is ... was hooked up to a Korg padKontrol i program on 2 midi ports to control multiple effects in any (and many) applications that has got midi support with proper midi-mapping features. computer output from a Native Instruments AudioKontrol1 soundcard playing on M-audio BX5a studio monitors. mic-input from a cheap zennheiser e835 mic. i'm just learning to use my BOSS DR303 SP Sampler. All in storage inMelbourne. i've got running with 2 decks and a 3ch mixer. besides that i have the earlier mentioned sa-21 keyb. 2 flutes, 2 acoustic guitars and 2 hand-drums. Audiokontrol1 2x 70W Active M-Audio BX5a Studio Monitors, the 3 mini series of MIDI kontrollers. knobs+buttons, sliders and the third I can never remember... anyway. I'm thinking about giving this MINT CONDITION BOSS DR 303 SP with 64MB cards and 2TB Audio Library.... He could become very good if he wanted. Smart kid. If not C, then R. He's a nerd like me. I'm 40 now, .. but I want to start messing with Big Dirty Stinkin' Baseline (Dizzee Raz - Baseline Junkie👌) Wish he'd do a remix for a CSGO 1Deag Junkie Tribute Fragmovie hehe.

now I run 2 5" monitors and a 8 IO TRS and 4 XLR, midi IO and guess what.. this EIE Professional Soundcard looks analogue, but is over 12yrs old, and it was so ahead of it's time. 3x USB hub on the back! dafuq?

Some of my work can be found below, and it's not serious. Just playing. #oldboysDAW #Renoise #Fasttracker2 #FT2 #Oldskool #BossDr303SP 

https://www.youtube.com/watch?v=nyhPs2ulBzg (Sexy CS there ;)
https://twitter.com/dctasb
http://www.reverbnation.com/dge/
http://www.virb.com/mlit/

I make music and post it on the internet.

Contact: post@kubbimusic.com

Thanks for visiting and listening to our releases! 

BUY on Beatport: https://pro.beatport.com/label/jambalay-records/16383
                      https://pro.beatport.com/label/cbj/23649

back on traxsource! http://www.traxsource.com/label/16234/jambalay-records

CHECK the new techno branch of Jambalay!http://www.beatport.com/label/gallup-recordings/37268

DON'T MISS TO FOLLOW OUR ARTISTS AND RELEASES, SUBSCRIBE TO THE NEWSLETTER TO GET A FREE TRACK DOWNLOAD!! check:

http://jambalay-records.believeband.com/

http://cbj.believeband.com/





we're now pushing and pumping from South Africa, thanx to mr.Prolurv Charm we have JAMBALAY S.A. check it out!!



CHECK OUT 
http://www.jambalay-records.com

and the new channel for videos and podcasts:
http://www.youtube.com/TheJAMBALAY






ABOUT THE THE CD :
(https://www.beatport.com/it-IT/html/content/release/detail/320398/Nutty%20Fellas%20Are%20Go%21%21)
NUTTY FELLAS ARE GO!! (sampler one) will be on sale from 01/11/2010 : digitally on Beatport and Juno and the others , and also phisically in some selected underground music stores like ''disco d'oro bologna'' and ''discopiu' rimini'', or can be bought via mail, let me know if you are interested !! CHEERZ!! it contains the track by El Brujo & Big Mojo, charted on beatport by Maya jane Coles and on R.A. by Bart van Rijn..full support!!




JAMBALAY RECORDS is born in MAY 2010. It's purpose is to create a movement in the house scene wich is inspirated by African cultures, by focusing on that jazzy,soulful deep tribal sound that permeates house and techno from the roots. The name itself is a manifesto, as long as JAMBALAYA is a dish from the south of U.S.A. which is composed by all kinds of vegetables,meat,fish,beans and corn. It is a very popular dish that brings a strong taste , coming from the African slave's kitchen,mixing with some elements from French and Spanish one. Also this means a blending of different cultures , a way to look at the past stepping into the future, in a mystical dimension. 
Interested to submit trax or wanted to do a remix? send me a p.m.
Milanesi Roberto was born on 06/15/1964 in Bologna Italy.Once graduated as a solicitor in the University of Bologna he decided to follow his passion and opened his first Tattoo Studio in Bologna in 1993. Since he was a child he showed off his passion for music and his punk attitude that bring him to cross the underground punk and new wave scene as a singer and drummer in various band such as UXIDI DC, DIES IRAE and OK, PANIC!. At the age of 33 he started out a long path in west african drums, following courses and workshops with great masters, such as Assane Adissa,Bruno Genero,Billy Nankouma Konate,Brahima Dembele,Enrico Fronza,Famodou Konate,Sourakata Dioubate,Seny Toure.Also he was founder of ensemble Benkadi ,that after became an association,promoting worshops and courses for many african dancers ,like Dian Camara and Ismail Bangoura,playing live percussions during the courses and in many theatre( second place in UMBRIA DANCE FESTIVAL as best group and coreography) and street performances like Ferrara Buskers Festival,IMOLA IN FESTA and so on. In 2006 he started out a course of african percussion and a collaboration with a crossover folk music big band called ‘’Jambalaya feat Bangs in the Fog’’where he arranged the drums parts . Around year 2000 he bought his first Apple computer and begin to play the same electronic music he was used to do with machines like Roland MC 303, made easyer to do by Pro Tools and Reason. He started producing home music of different styles and bpm :IDM,TRIBAL TEKNO,GOA TRANCE,PROGRESSIVE DREAM ,DEEP TECHOUSE,SOULFUL HOUSE,ELECTROMINIMAL,HIP HOP,DOWNTEMPO/CHILL OUT that he used to play as a dj with 100% self produced sets, mixing out in a particular way and linking music with visuals that he also produces.


dge - 12mm

DieCalmerThanASuicideBomber