Michael Lynn recorder archive

Berendt Huß / Arp Schnitger Orgel der Kirche st. Cosmae et Damiani in Stade

V.Lübeck - D.Buxtehude - J.P.Sweelinck

Live performance, Nieuwe Kerk, Amsterdam (1996)

Live at the Nieuwe Kerk (1996)

Fantasia chromatica (Sweelinck)

奧特泰爾：金髮女孩《那天我的克蘿莉絲》長笛獨奏

法國巴洛克古長笛 陳逸芬
A.398
2021.9 錄音

Jacques-Martin Hotteterre, Brunette

This is a track from Concerto Palatino's new CD (to be released June
2023 for the label Passacaille)called, Ex tenebris ad lucem: Venetian Music of Penitence from a time of Plague (1575-77). The CD juxtaposes music from the Venetian plague years with a newly commissioned work of American composer Robert Kyr. Here in Giovanni Gabrieli's 10 voice motet, a cornetto plays the top voice with four singers in the first choir, while an alto voice sings the with four trombones in the second.

Giovanni Gabrieli - Deus, Deus meus, ad te de luce vigilo a 10

This is a track from Concerto Palatino's new CD (to be released June
2023 for the label Passacaille)called, Ex tenebris ad lucem: Venetian Music of Penitence from a time of Plague (1575-77). The CD juxtaposes music from the Venetian plague years with a newly commissioned work of American composer Robert Kyr. Here you can hear the second half of Kyr's work, which alternates transformed excepts of Venetian motets from the time of the plague with brief arias for soprano soloist(Hana Blazikova) accompanied by cornetto, violin, violone and organ.

Kyr - Virgil From Darkness Into Light Excerpt

St. George's Church Takapuna, New Zealand. 20th March, 2016
Eric Lamb, flute
James Tibbles, harpsichord

Andrea Zani Sonata in C-Major

A short diminution piece played on soprano recorder, with harpsichord playing the madrigal

Michael Lynn, recorder (I think this is on a Morgan Stanesby soprano)
Edward Parmentier, harpsichord (Keith Hill)
Recorded live in Fairchild Chapel, Oberlin, c. 1978

This is from a very old cassette so the sound quality is a bit suspect....but good enough, I hope

Recorder Dimminution

A beautiful Preludio Largo from Sonata VII of Ignazio Sieber.
This is from a collection of 12 sonatas, the first 6 of which are by Galliard and the second 6 by Sieber, resident of Rome. This particular movement is written in a lush Italian style and uses the expressive qualities of the recorder quite well. These are sonatas worthy of much more attention than they have received. Great Italian style with good technical challenges. 

This is an old recording from the 1970s or ealy 1980s.
Michael Lynn, recorder (I believe this is played on a Tom Prescott Bressan copy with original fingerings, made by Catherine Folkers when she worked in Tom's shop)
Edward Parmentier, harpsichord (harpsichord by Keith Hill)

This copy of the recording was extracted from an old cassette and has a few audio irregularities.

Preludio Largo of Sieber, Rome - Alto Recorder and BC

Telemann Concerto in C Major
Andante
Allegro (Menuetto)
Michael Lynn, recorder (I believe this was played on a Prescott Bressan with original fingerings)
Ars Musica Baroque Orchestra

Recorded in the late 1970s

This is an old recording transferred from cassette - there are some sound issues which come and go

Telemann Recorder Concerto in C Major

BWV 733, Fuga sopra il Magnificat by JS Bach.

Performed by Douglas Amrine on the Flentrop organ of Warner Concert Hall, Oberlin, OH (USA) in 1981.

Senior Organ Recital

Meine Seele erhebt den Herrn (Bach)

Demo of a wonderful Ganassi alto recorder in G by Jean-Luc Boudreau. This instrument has joints to play at A=446, 440, 415. I am playing here at A=440
Jacob van Eyck - Doen Daphne d'over schoone Maeght from Der Fluyten Lust-Hof - variations 1 -4

Demo - Boudreau Ganassi alto in G

A Ground by Mr. Finger from The Division Flute
Michael Lynn - recorder
Edward Parmentier - harpsichord
Enid Sutherland - baroque cello

Baroque chamber music

A Ground by Mr. Finger

Cantata "Caelia"    				Johann Christoph Pepush
					(1667-1752)
     from Six English Cantatas, Book 2 (London, 1720)
	Recitative:  When loves soft passion hath usurped my breast
	Aria (Siciliano):  O Love, thou knowest my anguish
	Recitative:  The God of Love, who heard my prayer
	Aria (Vivace):  Why should I love the fair that flies me

	Nancy Zylstra, Michaelk Lynn, August Wenzinger, Penelope Crawford

Pepusch Cantata "Caelia"

Marco Uccellini's wonderful Sonata, Op.4, No.2, with the optimistic title 'La Luciminia contenta'. Here - in a student project recording at the Copenhagen Conservatory - under the guidance of François Eckert. 

Tinne Albrechtsen, violin - Ketil Haugsand, harpsichord

'La Luciminia Contenta'

Professor of Recorder & Baroque Flute, Oberlin Conservatory of Music

Pepusch Cantata "Caelia"

mloberlin

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