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Being in love with the vibe you created... banger

Ugandan MC Swordman Kitala and French producer @timkarbon collide on the latest @prmsss release.

Complete with remixes courtesy of Loto Retina, Beatrix Weapons, Brodinski and Sébastien Forrester, ‘SKTK’ inhabits a hybrid space between UK funky and dancehall. The perfect foil for Kitala to deliver arresting vocals in a hybrid of Luganda and English.

Rude, propulsive flex, and our premiere is a case in point.

‘SKTK’ is out March 17th on Promesses.

Pre-order: promesses.bandcamp.com/album/sktk

Discover More

Premiere: Swordman Kitala & Tim Karbon - Dingidingi Dole [Promesses]

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Slut Online - Venus Part I
TemeT, 2023
𝓑𝓾𝔂 👉🏾 tba

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://www.instagram.com/slut0nline/

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://temet.bandcamp.com/

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#104 📢 Slut Online - Pregnant Model [TemeT]

@seekersinternational with a warped take on soundsystem dynamixxx for @grid-records’ new bass-focused compilation.

Assembling an all-star cast of bassbin mutants, ‘Sans Relâche’ finds the SKRS gang on a dubwise tip. Low-slung pressure from the same fertile, rudely abstracted territory they’ve inhabited for over a decade.  

Dubby experimentation inna twiss-up SKRS style. 

‘Sans Relâche’ is out June 23rd on Grid.

Pre-order: gridrecords.bandcamp.com/album/sans-rel-che

Premiere: Seekersinternational - Guide Dem Selecta [Grid]

Assyouti kicks off Shepard Tone Recordings with a 5-tracker no-nonsense jungle, soundsystem punisher EP. ‘The Disintegration of Eric Omelette’ embodies the artist’s own spin on amen chaos, breakcore and snarling basses.

https://shepardtonerecordings.bandcamp.com/album/the-disintegration-of-eric-omelette

Assyouti - The Disintegration of Eric Omelette (previews)

Max Dahlhaus - Ninsei Lane [OMB008]

Berlin Based audio-visual artist and producer Max Dahlhaus contributes his first debut album on Over My Body with his energetic production along with two remixes by by talented Mars89 & Trngs.

First track "And Then It Whispered" was inspired by the atmospheric visuals of the avant-garde film "Valhalla Rising" by Nicolas Winding Refn. As Max immersed himself in thought-provoking silence of the movie, He let his imagination run wild, resulting in an ambient work that will transport people to introspective realms. Title track "Ninsei Lane." is a challenge for Max to create a cinematic but clubby banger in under three minutes. It was a fun task which to explore new boundaries while keeping the production process fresh.The collaborative track "Chrome Spine."with one another talented artists Kronom, which is crafted a club track that adds a whole new layer to the album. The album also including two remixes by Mars89 & Trngs that bring unique flavors to "Ninsei Lane." Mars89 offers a slow, driving interpretation, weaving a mesmerizing sonic journey that complements the original's atmospheric vibes. On the other hand, Trngs delivers a hard-hitting remix, infusing the track with a punchy and energetic rhythm that's sure to ignite the dance floor.

Max Dahlhaus is a Berlin-based audio-visual artist and producer known for his unique approach to music and visuals. His work blurs the boundaries between contrasts like emotional and abstract, repetition and detail, opulence and minimalism. Dahlhaus' music is cinematic, industrial, and experimental, immersing listeners in a symphony of sound. His meticulous production and mixing techniques are a testament to his expertise in the field. He's also known for his captivating visuals, creating an immersive sensory experience when combined with his music. 


Visual by Asdrúbal Gómez

Ninsei Lane

Pre-order

Max Dahlhaus - Ninsei Lane (Mars89 Remix)

After 3 years of experience with the podcast series, MLTMX RECORDS (fka Multimix) announces the first release of a various artist compilation. MLTMX has established itself as the place to go for newcomers and anyone looking for music and mixes inbetween the genre drawers. This comes through well with the compilation. It is a refreshing collection of diverse electronic music that somehow takes place in a world of its own. Despite the differences in genres, there is a distinct vibe that has characterized MLTMX so far.

Isaka (@isaka_symbios_wiki)- 7Qubit Serenade

"The inception of 7Qubit Serenade traces back to the end of 2019 with a lil flute melody I wrote. The melody founds its unique rhythm in a 15/4 time signature grime beat inspired by the first implementation of Shor's algorithm on a seven-qubit quantum computer which was able to factor the number fifteen. I contemplated the addition of generative vocals to the odd grime beat for a few years before eventually settling on the RVC AI model and text-2-audio technologies. I recorded the vocals about yearning for an artificial cyber lover at the beginning of October 2023. The lyrics reify my belief that we should sing more love songs for the inhuman, since those of us who have been dehumanized by capital need love the most."

Free Download

Isaka - 7Qubit Serenade | MLTMX001

CHMCL SØUP, KoruSe, PVLPY - ACID FUNK

Merged FREE lil tony sample type beat  chill guy - Mic

chill guy mix prod.prod sayso

hello it's me again 
Free dl on this one enjoy 

--> Free <--

SLAGBASS

Preorder 'In Theory' and get WaVeLeT now: https://isomov.bandcamp.com/album/in-theory

DECISIONS is pleased to finally unleash ‘In Theory’ by NYC-based polymath @isomov, whose bio follows, in their own words:

“Isomov began as a project to explore the perspective of the ‘Automatic Computer’ from Asimov’s ‘The Last Question’ — the omniscient entity. At the time I was studying a lot of quantum information theory and was probably the most depressed I’ve ever been in my life; I dreamt of escaping my finite reality into the unending world of information. After graduating from University with a degree in mathematics, I’ve spent five years working as an art-world freelancer in Brooklyn. I work almost exclusively on the computer: rendering, arduinos, websites; I even tutor through webchat. On the one hand, my informatic intimacy has kept me largely alienated from physical reality, trapped in obtuse theory. On the other hand it has helped me to slowly reify as a non-binary cyborg goddess, a devout humanist obsessed with the practical affect of aesthetics. 
For me, the internet has been a tool for gaining empathy through its ability to host and distribute diverse perspectives. The more my body has dissolved into the virtual, the more I have been able to resimulate the emotional experiences of others. I am now interested in how we move beyond a theory of utopia to the project of a protopia, always working to make tomorrow a little better. I’ve looked towards quantum information theory to help to understand and reconcile the seemingly infinite spectrum of realities we call our universe. This is the new vision of Isomov.”

‘In Theory’ sets divergent impulses in motion, animating superheated exchanges between order and entropy, flesh and code. ‘Origin, Emergence, and The One’ is a false utopia where differing cultures come together in restless harmony despite their aesthetic differences: frictious dancehall percussion and grandiose choral washes parry and twine, constantly threatening to subsume the other. ‘Hoping Mechanisms’ takes place at the critical point of identification, when the named object of perfection becomes a radical dystopia of conflicting binaries. Rarely have we heard kicks so exuberantly scattered or bass so charred — Uncanny Valley rendered as a scorched, inhospitable territory. ‘Ensemble’ shows the reality of a cyborg beyond binaries, the coexistence of a fictional ideology with the chaos of lived reality. A panicked voice is met with grounding sub bass, over which a superposition of arpeggiated chords glide. An emergent meter forms through an unseen grid before everything chaotically decoheres, revealing its ultimate fragility. ‘Wavelet’ is an attempt to describe the emergent and chaotic self through convolution and principal component decomposition. Identity is revealed via dizzying arrays of Moire patterns as rhythms slide over one another under liquefying bass pulses.
‘Memory Loops’ grapples with the inherent traumas present in any stochastic system, the vestigial remnants of code in everything’s DNA. We never escape reliving the consequences of these boundary conditions which define the historical trajectory of becoming.
‘In Theory’ conjures a hologram of emergence, an ecology of a self attempting to overcome each passing moment’s complexities in a bid for metastability. Oscillating fervently between the human and non-human, the EP offers riches for both cerebral listening and large soundsystem bodywork.

A limited edition physical release of ‘In Theory’ will be available in the form of a WiFi-enabled interactive visualizer trapped in a small holographic sculpture. The sculpture is handcrafted and coded by Isomov, and will retail exclusively on Bandcamp.

Cover artwork by Isomov and Oliver van der Lugt

Isomov - WaVeLeT

Artist: @laughingears
Catalogue Number: IM086
Album: Blood
Release Date: February 26th, 2021
Format: Digital

Laughing Ears is poised to release her second LP this January via club music vanguards, Infinite Machine. Her lengthiest offering to date, Blood consists of 10 tracks that highlight Laughing Ears’s knack for building otherworldly atmospherics within club-ready, dance music structures. Taking the tale of Fenrir as it’s starting point, (a giant wolf in Norse mythology who spent much of his life bound and chained to a rock in captivity), the album conceptually deals with family ties and the melancholic beauty that can be found in the darkness of loss.

Blood opens with the airy, gliding synths and heavy drumwork of Flickering Shadows. The track has a unique sense of space due its wide stereo-imaging as well as Laughing Ears’ haunting melodies and driving rhythms. A 100bpm creeper fit for exploring uncharted virtual lands. On the following track, Loki, things are stripped back to their functional essentials. Tabla hits, bass pluses and strange whistles brush up against each other in a head-spinning assemblage before surging towards a climactic resolution.

The serene Untouched Places showcases Laughing Ears’ unique approach to melody and harmony. With a background in singing herself, her synths lines here seem to tonally intertwine, like vocal DNA, veering from harmonious and dissonant phases. Compared to the tranquility of Untouched Places, LP title-track, Blood, moves the record in a more intense direction. A brick wall of compressed percussion and humanoid-sung samples seem to battle it out for the listener’s attention in an enthralling sonic confrontation.

On Blood’s mid-point, Night Whisps, the producer’s love for the thrilling soundtracks of Satoshi Kon’s anime movies definitely comes through clearly. Bass drones claustrophobically reverberate around the mix - acting as a musical backbone that a wide array of staccato samples are stitched onto. Next up, Murderous Means, as its blood-thirsty title suggests, is a brutal and hard-hitting club track that’ll keep listeners guessing as the composition twists and turns. The song’s furious, ever-evolving drum patterns create mesmerizing rhythms you can’t help but bob your head to.

The polyrhythms continue on the following piece, Buona Fortuna. Like footwork, a genre she looks to for inspiration, on Buona Fortuna, the main groove is built out of a disparate family of drum samples which work in tandem - much like how individual dots of an Impressionist painting cooperate to form a single, concrete image. Laughing Ears then slows things down slightly with Glimmer, which sees the producer mix the low end stylings of UK Funky with strung out horns and gong hits.

On Potcheen, the longest of the record, Laughing Ears ambitiously constructs a track that starts from curious, ambient beginnings before morphing into a ferocious footwork-infused banger. Rounding off the release, Warm as A Lizard is a groove-laided drum freakout, crammed full of dense textures which build into a tonal fever pitch.

Artwork by Nic Symbios
Mastered by Fausto Mercier

Blood

Laughing Ears - Loki (IM086)

Berlin based Platform and Label (fka Multimix)
run by @multifun & @tamarawrx3

MLTMX001 available as free download! 

 4 Request or bookings: dm here or on IG

Past Events:
16 Mar | MLTMX Records @ ://about blank
09 Dec I Release Party MLTMX001 @ Gelegenheiten, Neukölln 
27 Oct  I Treat yourself /w multimix @mjut, Leipzig

Isaka - 7Qubit Serenade | MLTMX001

MLTMX RECORDS

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